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Strolling Actresses Dressing In A Barn
''Strolling Actresses Dressing in a Barn'' is a painting from 1738 by British artist William Hogarth. It was reproduced as an engraving and issued with ''Four Times of the Day'' as a five print set in the same year. The painting depicts a company of actresses preparing for their final performance before the troupe is disbanded as a result of the Licensing Act 1737. Brought in as a result of John Gay's ''Beggar's Opera'' of 1728, which had linked Robert Walpole with the notorious criminal Jonathan Wild, the Licensing Act made it compulsory for new plays to be approved by the Lord Chamberlain, and, more importantly for the characters depicted, closed any non- patent theatres. The majority of the painting was completed before the Act was passed in 1737, but its passing into law was no surprise and it was the work of a moment for Hogarth to insert a reference to the Act itself into the picture. While not part of the ''Four Times of the Day'' series, it appears that it was Hogarth's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series '' A Harlot's Progress'', '' A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Harlot's Progress
''A Harlot's Progress'' (also known as ''The Harlot's Progress'') is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's ''Pilgrim's Progress''. In the first scene, an old woman praises her beauty and suggests a profitable occupation. A gentleman is shown towards the back of the image. In the second image she is with two lovers: a mistress, in the third she has become a prostitute as well as arrested, she is beating hemp in Bridewell Prison in the fourth. In the fifth scene she is dying from venereal disease, and she is dead at a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Lamb (writer)
Charles Lamb (10 February 1775 – 27 December 1834) was an English essayist, poet, and antiquarian, best known for his '' Essays of Elia'' and for the children's book '' Tales from Shakespeare'', co-authored with his sister, Mary Lamb (1764–1847). Friends with such literary luminaries as Samuel Taylor Coleridge, Robert Southey, William Wordsworth, and William Hazlitt, Lamb was at the centre of a major literary circle in England. He has been referred to by E. V. Lucas, his principal biographer, as "the most lovable figure in English literature". Youth and schooling Lamb was born in London, the son of John Lamb (–1799) and Elizabeth (died 1796), née Field. Lamb had an elder brother and sister; four other siblings did not survive infancy. John Lamb was a lawyer's clerk and spent most of his professional life as the assistant to a barrister named Samuel Salt, who lived in the Inner Temple in the legal district of London; it was there, in Crown Office Row, that Charles L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Lord Of The Treasury
The first lord of the Treasury is the head of the Lords Commissioners of the Treasury exercising the ancient office of Lord High Treasurer in the United Kingdom, and is by convention also the prime minister. This office is not equivalent to the usual position of the "treasurer" in other governments; the closer equivalent of a treasurer in the United Kingdom is Chancellor of the Exchequer, who is the second lord of the Treasury. Lords of the Treasury As of the beginning of the 17th century, the running of the Treasury was frequently entrusted to a commission, rather than to a single individual. Since 1714, it has permanently been in commission. The commissioners have always since that date been referred to as Lords Commissioners of the Treasury, and adopted ordinal numbers to describe their seniority. Eventually in the middle of the same century, the first lord of the Treasury came to be seen as the natural head of the overall ministry running the country, and, as of the time of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horace Walpole
Horatio Walpole (), 4th Earl of Orford (24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English writer, art historian, man of letters, antiquarian, and Whig politician. He had Strawberry Hill House built in Twickenham, southwest London, reviving the Gothic style some decades before his Victorian successors. His literary reputation rests on the first Gothic novel, '' The Castle of Otranto'' (1764), and his ''Letters'', which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. In 2017, a volume of Walpole's selected letters was published. The youngest son of the first British Prime Minister, Sir Robert Walpole, 1st Earl of Orford, he became the 4th and last Earl of Orford of the second creation on his nephew's death in 1791. Early life: 1717–1739 Walpole was born in London, the youngest son of British Prime Minister Sir Robert Walpole and his wife Catherine. Like his father, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breeches
Breeches ( ) are an article of clothing covering the body from the waist down, with separate coverings for each leg, usually stopping just below the knee, though in some cases reaching to the ankles. Formerly a standard item of Western men's clothing, they had fallen out of use by the mid-19th century in favour of trousers. Modern athletic garments used for English riding and fencing, although called ''breeches'' or ''britches'', differ from breeches. Etymology ''Breeches'' is a double plural known since c. 1205, from Old English , the plural of "garment for the legs and trunk", from the Indo-European root *bhrg- "break", here apparently used in the sense "divide", "separate", as in Scottish Gaelic briogais ("trousers"), in Breton bragoù ("pants"), in Irish bríste ("trousers") and brycan/brogau in Welsh. Cognate with the Proto-Germanic word ''*brōk-'', plural ''*brōkiz'', itself most likely from the Proto-Indo-European root; whence also the Old Norse word , which s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jove
Jupiter ( la, Iūpiter or , from Proto-Italic "day, sky" + "father", thus " sky father" Greek: Δίας or Ζεύς), also known as Jove ( gen. ''Iovis'' ), is the god of the sky and thunder, and king of the gods in ancient Roman religion and mythology. Jupiter was the chief deity of Roman state religion throughout the Republican and Imperial eras, until Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most common symbols of the Roman army (see Aquila). The two emblems were often combined to represent the god in the form of an eagle holding in its claws a thunderbolt, frequentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurora (mythology)
Aurōra () is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek ''Eos'' and Rigvedic '' Ushas'', ''Aurōra'' continues the name of an earlier Indo-European dawn goddess, '' Hausos''. Name Aurōra stems from Proto-Italic ''*ausōs'', and ultimately from Proto-Indo-European ''*haéusōs'', the "dawn" conceived as divine entity. It has cognates in the goddesses Ēṓs, Uṣas, Aušrinė, Auseklis and Ēastre. Roman mythology In Roman mythology, Aurōra renews herself every morning and flies across the sky, announcing the arrival of the Sun. Her parentage was flexible: for Ovid, she could equally be ''Pallantis'', signifying the daughter of Pallas, or the daughter of Hyperion. She has two siblings, a brother (Sol, the Sun) and a sister ( Luna, the Moon). Roman writers rarely imitated Hesiod and later Greek poets by naming Aurōra as the mother of the Anemoi (the Winds), who were the offspring of Astraeus, the father of the sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siren (mythology)
In Greek mythology, the sirens (Ancient Greek: singular: ; plural: ) were humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. Nomenclature The etymology of the name is contested. Robert S. P. Beekes has suggested a Pre-Greek origin. Others connect the name to σειρά (''seirá'', "rope, cord") and εἴρω (''eírō'', "to tie, join, fasten"), resulting in the meaning "binder, entangler", i.e. one who bind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganymede (mythology)
In Greek mythology, Ganymede () or Ganymedes (; Ancient Greek: Γανυμήδης ''Ganymēdēs'') is a divine hero whose homeland was Troy. Homer describes Ganymede as the most beautiful of mortals and tells the story of how he was abducted by the gods to serve as Zeus's cup-bearer in Olympus. The myth was a model for the Greek social custom of ''paiderastía'', the romantic relationship between an adult male and an adolescent male. The Latin form of the name was Catamitus (and also "Ganymedes"), from which the English word '' catamite'' is derived. According to Plato's Laws, the Cretans were regularly accused of inventing the myth because they wanted to justify their "unnatural pleasures". Family In Greek Mythology, Ganymede is the son of Tros of Dardania, whose name "Troy" is supposedly derived from, either by his wife Callirrhoe, daughter of the river god Scamander, or Acallaris, daughter of Eumedes.Dionysius of Halicarnassus''Antiquitates Romanae'' 1.62.2/ref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vanitas
A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are ''vanitas'' still lifes, a common genre in the Art of the Low Countries, Low Countries of the 16th and 17th centuries; they have also been created at other times and in other medium (art), media and Genre#Visual arts, genres. Etymology The Latin noun wikt:vanitas#Latin, ''vanitas'' (from the Latin adjective ''vanus'' 'empty') means "emptiness", "futility", or "worthlessness", the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes , where ''vanitas'' translates the Hebrew word ''hevel'', which also includes the concept of transitoriness. Themes Vanitas themes were common in medieval funerary art, with most surviving examples in sculpture. By the 15th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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