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String Quartet No. 3 (Britten)
String Quartet No. 3 in G major, Op. 94, by English composer Benjamin Britten was his last completed major work, and his last completed instrumental work. It was written in OctoberNovember 1975 during his final illness: the first four movements at his home, The Red House, Aldeburgh, and the fifth during his last visit to Venice, at Hotel Danieli. It was dedicated to the musicologist Hans Keller. In December 1975, brothers Colin and David Matthews performed it privately for the composer in a piano duet arrangement. During September 1976, Britten worked on it with the Amadeus Quartet; who premiered it on 19 December 1976 at The Maltings, Snape, two weeks after the composer's death. Musical structure The quartet is in five movements: All five movements are in ternary (A-B-A) form. The quartet is in arch form, with a slow lyrical central movement enclosed by two scherzos themselves enclosed by two slow outer movements. English musicologist Peter Evans has remarked th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Musical Terminology
A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French and German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest string ; ′ : Tierce organ stop ; 2′ : two feet – pipe orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Parker
Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist and, since January 2007, has been Thurston Dart Professor of Music at King's College London. His work has centred on opera. Between 2006 and 2010, while Professor of Music at Gresham College, London, Parker presented four series of free public lectures, one example being "Verdi and Milan" in 2007 which is available on video. In addition to teaching, Parker has been active as joint editor in the preparation of critical editions of the work of 19th-century Italian composer Gaetano Donizetti for the Milan publishing house Ricordi. He also acts as Repertory Consultant to the UK's specialised recording company, Opera Rara, which has commissioned performances and recordings of rare Donizetti operas such as ''Belisario'' in 2012 and '' Les Martyrs'' in 2014. Additionally, Parker has presented talks on UK radio on aspects of opera, including his talk "Verdi 200: Viva Verdi" on BBC Radio 3 on 6 January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Most Serene Republic
Most Serene Republic ( la, Serenissima Respublica) ( it, Serenissima Repubblica) is a title attached to a number of European states through history. By custom, the appellation "Most Serene" is an indicator of sovereignty (see also Serene Highness or Most Serene Highness for a sovereign prince). When used in the past, the title "Most Serene Republic" emphasized the sovereignty of the republic. Modern states Currently, no country officially calls itself a "Most Serene Republic". San Marino, officially "the Republic of San Marino" ( it, Repubblica di San Marino), is the only modern independent nation still sometimes referred to by the style, being at times unofficially called ''the Most Serene Republic of San Marino'' ( it, Serenissima Repubblica di San Marino). Historical states * Republic of Venice ( en, the Most Serene Republic of Venice; vec, Serenìsima Repùblica Vèneta; it, Serenissima Repubblica di Venezia), a city-state that existed from 697 to 1797 based in the cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and maritime republic in parts of present-day Italy (mainly northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the lagoon communities of the prosperous city of Venice, it incorporated numerous overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt trade. In subsequent centuries, the city state established a thalassocracy. It d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gresham College
Gresham College is an institution of higher learning located at Barnard's Inn Hall off Holborn in Central London, England. It does not enroll students or award degrees. It was founded in 1596 under the will of Sir Thomas Gresham, and hosts over 140 free public lectures every year. Since 2001, all lectures have also been made available online. History Founding and early years Sir Thomas Gresham, founder of the Royal Exchange, left his estate jointly to the City of London Corporation and to the Mercers' Company, which today support the college through the Joint Grand Gresham Committee under the presidency of the Lord Mayor of London. Gresham's will provided for the setting up of the college – in Gresham's mansion in Bishopsgate, on the site now occupied by Tower 42, the former NatWest Tower – and endowed it with the rental income from shops sited around the Royal Exchange, which Gresham had established. The early success of the college led to the incorporation of the Royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death In Venice (opera)
''Death in Venice'', Op. 88, is an opera in two acts by Benjamin Britten, his last. The opera is based on the novella ''Death in Venice'' by Thomas Mann. Myfanwy Piper wrote the English libretto. It was first performed at Snape Maltings, near Aldeburgh, England, on 16 June 1973. The often acerbic and severe score is marked by some haunting soundscapes of "ambiguous Venice". The boy Tadzio is portrayed by a silent dancer, to gamelan-like percussion accompaniment. The music of the opera is precise, direct and movingly understated. Composition history Britten had been contemplating the novella for many years and began work in September 1970 with approaches to Piper and to Golo Mann, son of the author. Because of agreements between Warner Brothers and the estate of Thomas Mann for the production of Luchino Visconti's 1971 film, Britten was advised not to see the movie when it was released.Strode, Rosamund "A 'Death in Venice chronicle" in ''Benjamin Britten: Death in Venice.'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet No
String or strings may refer to: * String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * '' Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Evans (musicologist)
Peter Angus Evans (7 November 1929 – 1 January 2018) was an English musicologist, most noteworthy for his book ''The Music of Benjamin Britten''. Evans was born in West Hartlepool and received his early education at the local Grammar school. He studied with Arthur Hutchings and A.E.F. Dickinson at Durham University from 1947 to 1951 and gained a first-class BA in 1950. He taught music at Bishop Wordsworth's School in Salisbury (1951–52) before gaining his Fellowship Diploma from the Royal College of Organists in 1952.Cummings, David M. (ed) ''International Who's Who in Music and Musician's Directory''. Psychology Press, 2000: p. 188 He was then appointed a lecturer at Durham University in 1953. He graduated with a BMus from Durham in that year and took the MA with a dissertation on 17th-century chamber music manuscripts in Durham Cathedral Library. He was awarded the DMus by the university in 1958. From 1961 to 1990 he was professor of music at the University of Southampton, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Mont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arch Form
In music, arch form is a sectional structure for a piece of music based on repetition, in reverse order, of all or most musical sections such that the overall form is symmetric, most often around a central movement. The sections need not be repeated verbatim but must at least share thematic material. It creates interest through interplay among "memory, variation, and progression". Though the form appears to be static and to deny progress, the pairs of movements create an "undirectional process" with the center, and the form "actually engenders specific expressive possibilities that would otherwise be unavailable for the work as a whole".Wilson, Paul (1992). ''The Music of Béla Bartók''. . p. 32. Béla Bartók is noted for his use of arch form, e.g., in his fourth and fifth string quartets, Concerto for Orchestra, '' Music for Strings, Percussion and Celesta'', second piano concerto, and, to a lesser extent, in his second violin concerto. Samuel Barber's ''Adagio for String ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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