String Quartet No. 18 (Mozart)
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String Quartet No. 18 (Mozart)
Wolfgang Amadeus Mozart's String Quartet No. 18 in A major, K. 464, the fifth of the Quartets dedicated to Haydn, was completed in 1785. Mozart's autograph catalogue states as the date of composition ''"1785. / the 10th January"''. It is in four movements: # Allegro # Menuetto and Trio (the latter in E major) # Andante (theme with variations), D major # Allegro non troppo The whole piece is characterized by the use of several different contrapuntal devices. In England "this quartet is known as the ''Drum'' because the cello part in variation six f the Andantemaintains a staccato drum-like motion." In his biography of Mozart entitled ''Mozart: A Life'', musicologist Maynard Solomon quotes Beethoven as telling his pupil Carl Czerny that this work, with its complex contrapuntal techniques, was Mozart's way of saying to the world, "Look what I could produce, if only you were ready for it." Beethoven thoroughly studied this quartet he much "admired and even copied into score", wh ...
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Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court ...
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Köchel Catalogue
The Köchel catalogue (german: Köchel-Verzeichnis, links=no) is a chronological catalogue of compositions by Wolfgang Amadeus Mozart, originally created by Ludwig Ritter von Köchel, in which the entries are abbreviated ''K.'', or ''KV''. The numbers of the Köchel catalogue reflect the continuing establishment of a complete chronology of Mozart's works, and provide a shorthand reference to the compositions. According to Köchel's counting, Requiem in D minor is the 626th piece Mozart composed, thus is designated ''K. 626''; Köchel's original catalogue (1862) has been revised twice; catalogue numbers from the sixth edition are indicated either by parentheses or by superscript: K. 49 (47d) or K. 47d. History In the decades after Mozart's death there were several attempts to catalogue his compositions, for example by Franz Gleißner and Johann Anton André (published in 1833), but it was not until 1862 that Ludwig von Köchel succeeded in producing a comprehensive listin ...
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Haydn Quartets (Mozart)
The "Haydn" Quartets by Wolfgang Amadeus Mozart are a set of six string quartets published in 1785 in Vienna as his Op. 10, dedicated to the composer Joseph Haydn. They contain some of Mozart's most memorable melodic writing and refined compositional thought. The six quartets * String Quartet No. 14 in G major, ("Spring"), K. 387, Op. 10, No. 1 (31 December 1782) * String Quartet No. 15 in D minor, K. 421/417b, Op. 10, No. 2 (17 June 1783) * String Quartet No. 16 in E-flat major, K. 428/421b, Op. 10, No. 4 (June–July 1783) * String Quartet No. 17 in B-flat major ("Hunt"), K. 458, Op. 10, No. 3 (9 November 1784) * String Quartet No. 18 in A major, K. 464, Op. 10, No. 5 (10 January 1785) * String Quartet No. 19 in C major ("Dissonance"), K. 465, Op. 10, No. 6 (14 January 1785) The quartets were published in a set (labelled Mozart's "Op. 10") in Vienna, 1785. Dates of completion are shown in parentheses above. Mozart arranged the six quartets in the order of composition, exce ...
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E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Startin ...
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D Major
D major (or the key of D) is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has two sharps. Its relative minor is B minor and its parallel minor is D minor. The D major scale is: : Characteristics According to Paolo Pietropaolo, D major is Miss Congeniality: it is persistent, sunny, and energetic. D major is well-suited to violin music because of the structure of the instrument, which is tuned G D A E. The open strings resonate sympathetically with the D string, producing a sound that is especially brilliant. This is also the case with all other orchestral strings. Thus, it is no coincidence that many classical composers throughout the centuries have chosen to write violin concertos in D major, including those by Mozart ( No. 2, 1775, No. 4, 1775); Ludwig van Beethoven (1806); Paganini ( No. 1, 1817); Brahms (1878); Tchaikovsky (1878); Prokofiev ( No. 1, 1917); Stravinsky (1931); and Korngold ( 1945). The k ...
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has bee ...
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Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and ...
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Maynard Solomon
Maynard Elliott Solomon (January 5, 1930 – September 28, 2020) was an American music executive and musicologist, a co-founder of Vanguard Records as well as a music producer."Maynard Solomon" in '' Baker's Biographical Dictionary of Musicians'', vol. 5 ( N. Slonimsky & D. Kuhn, 2001). Later, he became known for his biographical studies of Viennese Classical composers, specifically Beethoven (writing an influential biography and an award-winning collection of essays), Mozart (biography), and Schubert (Solomon was the first to openly propose the highly disputed theory of Schubert's homosexuality in a scholarly setting). Education Having attended New York's High School of Music & Art, Solomon graduated Phi Beta Kappa'' Billboard'', 19 November 1966, featuring Vanguard Records from Brooklyn College, CUNY, with a BA in 1950, subsequently pursuing graduate studies at Columbia University from 1950 to 1952. In 1979 he became adjunct associate professor at the Graduate School, CUNY, ...
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Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively t ...
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Carl Czerny
Carl Czerny (; 21 February 1791 – 15 July 1857) was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils. Early life Infancy Carl Czerny was born in Vienna (Leopoldstadt) and was baptized in St. Leopold parish. His parents were of Czech origin; his mother was Moravian. His parents spoke Czech with him. Czerny came from a musical family: his grandfather was a violinist at Nymburk, near Prague, and his father, Wenzel, was an oboist, organist and pianist. When Czerny was six months old, his father took a job as a piano teacher at a Polish manor and the family moved to Poland, where they lived until the third partition of Poland prompted the family to return to Vienna in 1795. As a child prodigy, Czerny began pla ...
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String Quartet No
String or strings may refer to: * String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * '' Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * ''The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, music ...
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Borromeo String Quartet
The Borromeo String Quartet is an American string quartet, in residence at the New England Conservatory since 1992. They have performed throughout North and South America, Europe, and Asia, at numerous festivals and in many distinguished chamber music series. They are named after the Borromean Islands. The ensemble was formed in 1989 by violinists Nicholas Kitchen and Ruggero Allifranchini, violist EnSik Choi, and cellist Yeesun Kim, who were then all young musicians at the Curtis Institute of Music. Kitchen and Kim are husband and wife. Violist Hsin-Yun Huang joined the ensemble in 1994 after Choi left to pursue other opportunities. Allifranchini and Huang left the ensemble in 2000 to be replaced, respectively, by William Fedkenheuer and Mai Motobuchi. In 2006, Fedkenheuer left to pursue other opportunities (is now a member of the Miró Quartet) and was replaced by violinist Kristopher Tong. The quartet's recent disk, ''As It Was, Is, And Will Be'' (2011), on the GM/Livin ...
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