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Still Life Paintings By Vincent Van Gogh (Paris)
''Still life paintings by Vincent van Gogh (Paris)'' is the subject of many drawings, sketches and paintings by Vincent van Gogh in 1886 and 1887 after he moved to Montmartre in Paris from the Netherlands. While in Paris, Van Gogh transformed the subjects, color and techniques that he used in creating still life paintings. He saw the work and met the founders and key artists of Impressionism, Pointillism and other movements and began incorporating what he learned into his work. Japanese art, Ukiyo-e, and woodblock prints also influenced his approach to composition and painting. There was a gradual change from the somber mood of his work in the Netherlands to a far more varied and expressive approach as he began introducing brighter color into his work. He painted many still life paintings of flowers, experimenting with color, light and techniques he learned from several different modern artists before moving on to other subjects. By 1887, his work incorporated several elements ...
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Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum buildin ...
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Hague School
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the ''Gray School''. Precursors After the great periods of Dutch art in the Golden Age of the 17th century, there were economic and political problems which diminished activity in art. The fine arts in the Netherlands enjoyed a revival around 1830, a time now referred to as the Romantic period in Dutch painting. The style was an imitation of the great 17th-century artists. The most widely accepted paintings of this period were landscapes and paintings which reflected national history. Andreas Schelfhout was a painter of landscapes, especially winter scenes, but also woodlands and the dunes between The Hague and Scheveningen. His best known pupils included Wijnand N ...
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Symbolism (arts)
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's '' Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related Decadents of literature and of art. Etymology The term ''symbolism'' is derived from the word "symbol" which derives from ...
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Paul Gauguin
Eugène Henri Paul Gauguin (, ; ; 7 June 1848 – 8 May 1903) was a French Post-Impressionist artist. Unappreciated until after his death, Gauguin is now recognized for his experimental use of colour and Synthetist style that were distinct from Impressionism. Toward the end of his life, he spent ten years in French Polynesia. The paintings from this time depict people or landscapes from that region. His work was influential on the French avant-garde and many modern artists, such as Pablo Picasso and Henri Matisse, and he is well known for his relationship with Vincent and Theo van Gogh. Gauguin's art became popular after his death, partially from the efforts of dealer Ambroise Vollard, who organized exhibitions of his work late in his career and assisted in organizing two important posthumous exhibitions in Paris. Gauguin was an important figure in the Symbolist movement as a painter, sculptor, printmaker, ceramist, and writer. His expression of the inherent meaning of ...
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Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863. Seurat: p. 16 His father, Antoine Chrysostome ...
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Paul Signac
Paul Victor Jules Signac ( , ; 11 November 1863 – 15 August 1935) was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style. Biography Paul Signac was born in Paris on 11 November 1863. He followed a course of training in architecture before, at the age of 18, deciding to pursue a career as a painter, after attending an exhibit of Monet's work. He sailed on the Mediterranean Sea, visiting the coasts of Europe and painting the landscapes he encountered. In later years, he also painted a series of watercolors of French harbor cities. In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colors and he became Seurat's faithful supporter, friend, and heir with his description of Neo-Impressionism and Divisionism method. Under Seurat's influence he abandoned the short brushstrokes of Impressionism to experiment with scientifically-juxtaposed small dots ...
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Camille Pissarro
Jacob Abraham Camille Pissarro ( , ; 10 July 1830 – 13 November 1903) was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas (now in the US Virgin Islands, but then in the Danish West Indies). His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54. In 1873 he helped establish a collective society of fifteen aspiring artists, becoming the "pivotal" figure in holding the group together and encouraging the other members. Art historian John Rewald called Pissarro the "dean of the Impressionist painters", not only because he was the oldest of the group, but also "by virtue of his wisdom and his balanced, kind, and warmhearted personality". Paul Cézanne said "he was a ...
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Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionism, Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, Printmaking, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a Realist visual arts, realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb Drawing, draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female Nude (art), nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning ...
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Louis Anquetin
Louis Émile Anquetin (26 January 1861 – 19 August 1932) was a French painter. Biography Anquetin was born in Étrépagny, France, and educated at the Lycée Pierre Corneille in Rouen. In 1882 he came to Paris and began studying art at Léon Bonnat's studio, where he met Henri de Toulouse-Lautrec. The two artists later moved to the studio of Fernand Cormon, where they befriended Émile Bernard and Vincent van Gogh. Around 1887, Anquetin and Bernard developed a painting style that used flat regions of color and thick, black contour outlines. This style, named ''cloisonnism'' by critic Édouard Dujardin, was inspired by both stained glass and Japanese ukiyo-e. One example of this can be seen in ''Avenue de Clichy: Five O’Clock in the Evening'', argued by Dr. Bogomila Welsh-Ovcharov as being inspiration for Van Gogh's famous ''Cafe Terrace at Night''.Welsh-Ovcharov, Bogomila: ''Vincent van Gogh and the Birth of Cloisonism'' (!), Art Gallery of Ontario, Toronto, 24 January ...
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Henri De Toulouse-Lautrec
Comte Henri Marie Raymond de Toulouse-Lautrec-Monfa (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, caricaturist and illustrator whose immersion in the colourful and theatrical life of Paris in the late 19th century allowed him to produce a collection of enticing, elegant, and provocative images of the sometimes decadent affairs of those times. Born into the aristocracy, Toulouse-Lautrec broke both his legs around the time of his adolescence and, due to the rare condition Pycnodysostosis, was very short as an adult due to his undersized legs. In addition to his alcoholism, he developed an affinity for brothels and prostitutes that directed the subject matter for many of his works recording many details of the late-19th-century bohemian lifestyle in Paris. Toulouse-Lautrec is among the painters described as being Post-Impressionists, with Paul Cézanne, Vincent van Gogh, Paul Gauguin, and Georges Seurat also commonly consider ...
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Fernand Cormon
Fernand Cormon (24 December 1845 – 20 March 1924) was a French painter born in Paris. He became a pupil of Alexandre Cabanel, Eugène Fromentin, and Jean-François Portaels, and one of the leading historical painters of modern France. Biography His father was the playwright Eugène Cormon. His mother was Charlotte Furais, the actress. At an early age he attracted attention for the perceived sensationalism in his art, although for a time his powerful brush dwelled with particular delight on scenes of bloodshed, such as the ''Murder in the Seraglio'' (1868) and the ''Death of Ravana, King of Lanka'' at the Toulouse Museum. The Musée d'Orsay has his ''Cain fleeing before Jehovah's Curse''; and for the Mairie of the fourth arrondissement of Paris he executed in grisaille a series of panels: ''Birth, Death, Marriage, War'', etc. ''A Chiefs Funeral'', and a series of large paintings for the Museum of natural history in Paris with themes from the Stone Age, occupied him for seve ...
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National Gallery Of Scotland
The Scottish National Gallery (formerly the National Gallery of Scotland) is the national art gallery of Scotland. It is located on The Mound in central Edinburgh, close to Princes Street. The building was designed in a neoclassical style by William Henry Playfair, and first opened to the public in 1859. The gallery houses Scotland's national collection of fine art, spanning Scottish and international art from the beginning of the Renaissance up to the start of the 20th century. The Scottish National Gallery is run by National Galleries of Scotland, a public body that also owns the Scottish National Gallery of Modern Art and the Scottish National Portrait Gallery. Because of its architectural similarity, the Scottish National Gallery is frequently confused by visitors with the neighbouring Royal Scottish Academy Building (RSA), a separate institution which works closely with the Scottish National Gallery. History The origins of Scotland's national collection lie with the Ro ...
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