|
Stars Group
The Stars Art Group or simply "The Stars" (Xīngxīng 星星) was a Chinese avant-garde group of non-professional artists in the late 1970s and early 1980s (the exact interval usually given as 1979 to 1983). It was founded by Ma Desheng and Huang Rui and included Wang Keping (王克平), Qu Leilei, Ah Cheng, Ai Weiwei, and Li Shuang (artist) as the only female member. A historically significant exhibition, now called the Star Art Exhibition, took place in late 1979 in Beihai Park, Beijing, outside the China Art Gallery. After the exhibition was closed by officials, the group staged a protest for cultural openness. They succeeded in reopening the exhibition. The exhibition took place between 23 November and 2 December, in which around 200,000 people attended the event. The group organized another exhibition the next year. Around and after 1983, the group disbanded, partly due to their members going into exile under political pressure, especially the Anti-Spiritual Pollution Camp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Desheng
Ma Desheng, born 1952 in Beijing, is a Chinese artist and one of the founding members of the Stars Group. After being arrested for his role in arranging the group's first exhibition and repressions against "liberal thinkers", the artist relocated to Paris in 1986. Ma is self-trained as a woodblock craftsman, his works are held in various significant public and private collections including the Ashmolean Museum, and the British Museum The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It docum .... References {{DEFAULTSORT:Desheng, Ma Artists from Beijing 1952 births Living people ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anti-Spiritual Pollution Campaign
The Anti-Spiritual Pollution Campaign () was a political campaign spearheaded by conservative factions within the Chinese Communist Party that lasted from October 1983 to December 1983. In general, its advocates wanted to curb Western-inspired liberal ideas among the Chinese populace, a by-product of nascent economic reforms which began in 1978. Spiritual Pollution has been called "a deliberately vague term that embraces every manner of bourgeois import from erotica to existentialism," and is supposed to refer to "obscene, barbarous or reactionary materials, vulgar taste in artistic performances, indulgence in individualism" and statements that "run counter to the country's social system" according to Deng Liqun, the Party's Propaganda Chief at the time of the campaign. The campaign reached a climax in mid November 1983 and largely faded into obscurity into 1984 after intervention from Deng Xiaoping. However, elements of the campaign were rehashed during the " anti-Bourgeois l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1989 Tiananmen Square Protests
The Tiananmen Square protests, known in Chinese as the June Fourth Incident (), were student-led demonstrations held in Tiananmen Square, Beijing during 1989. In what is known as the Tiananmen Square Massacre, or in Chinese the June Fourth Clearing () or June Fourth Massacre (), troops armed with assault rifles and accompanied by tanks fired at the demonstrators and those trying to block the military's advance into Tiananmen Square. The protests started on 15 April and were forcibly suppressed on 4 June when the government declared martial law and sent the People's Liberation Army to occupy parts of central Beijing. Estimates of the death toll vary from several hundred to several thousand, with thousands more wounded. The popular national movement inspired by the Beijing protests is sometimes called the '89 Democracy Movement () or the Tiananmen Square Incident (). The protests were precipitated by the death of pro-reform Chinese Communist Party (CCP) general secretary Hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Democracy Movement
Democracy movements of China are a series of organized political movements, inside and outside of China, addressing a variety of grievances, including objections to socialist bureaucratism and objections to the continuation of the one-party rule of the Chinese Communist Party (CCP) itself. The Democracy Wall movement of November 1978 to spring 1981 is typically regarded as the beginning of contemporary Chinese democracy movement. In addition to the Democracy Wall movement, the events of the 1989 Tiananmen Square protests and massacre are among the notable examples of Chinese democracy movements. History The beginning of China's democracy movements is usually regarded as the Democracy Wall movement of November 1978 to spring 1981. The Democracy Wall movement framed the key issue as the elimination of bureaucratism and the bureaucratic class. Former Red Guards from both rebel and conservative factions were the core of the movement. Democracy Wall participants agreed that "dem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Fifth Modernization
"The Fifth Modernization" is an essay by human rights activist Wei Jingsheng, originally begun as a signed wall poster placed on the Democracy Wall in Beijing on December 5, 1978. Summary The poster called on the Chinese Communist Party to add democracy to the list of Four Modernizations which includes industry, agriculture, science and technology and national defense.Schell, Orville. Shambaugh, David L. 999(1999). The China reader: the reform era. Random House, Inc. , . It openly stated democracy as an additional modernization which needs to be taken if China truly wants to modernize itself. The five Modernizations would include: *Democracy *Agriculture *Industry *National Defense * Science and Technology See also *Beijing Spring *Democracy Wall From November 1978 to December 1979, thousands of people put up " big character posters" on a long brick wall of Xidan Street, Xicheng District of Beijing, to protest about the political and social issues of China. Under acqui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Intellectualism
The current status of Chinese intellectuals reflects traditions established in the imperial period. For most of this period, government officials were selected from among the literati on the basis of the Confucian civil service examination system. Intellectuals were both participants in and critics of the government. As Confucian scholars, they were torn between their loyalty to the emperor and their obligation to "correct wrong thinking" when they perceived it. Then, as now, most intellectual and government leaders subscribed to the premise that ideological change was a prerequisite for political change. Historically, Chinese intellectuals rarely formed groups to oppose the established government. Rather, individual intellectuals or groups of intellectuals allied themselves with cliques within the government to lend support to the policies of that clique. Background With the abolition of the civil service examination system in 1905 and the end of the last imperial dynasty in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of The People's Republic Of China
The culture of the People's Republic of China is a rich and varied blend of traditional Chinese culture with communism, communist and other international modern and post-modern influences. During the Cultural Revolution, an enormous number of cultural treasures of inestimable value were seriously damaged or destroyed, and the practice of many arts and crafts was prohibited. Since the early 1980s, however, official repudiation of those policies has been complemented by vigorous efforts to renew China's distinct cultural traditions. China's culture thus remains highly complex, encompassing ancient traditions and modern experiments, in what sometimes appears to be a rather dynamic but tenuous mix. The culture of the People's Republic was in development long before its foundation in 1949 and is mainly a combination of traditional Chinese culture and communism. Much of the diversity of China's culture seems to come from the diversity of the Han Chinese who make up China, and the natio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang Hongtu
Zhang Hongtu (Simplified Chinese: 张宏图; Traditional Chinese: 張宏圖; Wade-Giles: Chang Hung-t'u; Pinyin: Zhāng Hóngtú) (born 1943) is a Chinese people, Chinese artist based in New York City. Zhang was born in Pingliang. He works in a variety of media such as painting (sometimes with soy sauce), sculpture, collage, Ceramic art, ceramics, digital imaging and installation art, installation. His work explores the freedom to criticize the Chinese authorities afforded to an artist living in the West. It also reflects on themes of authority and belief (specifically the power of iconic imagery)and cross-cultural 'East and West' connections.These themes are largely derived from his "outsider" standing as a Muslim in China and, after his move to the United States, as a Chinese citizen in the Western world. He studied at the Central Academy of Arts and Crafts in Beijing. In 1987 he took part in the founding of The Chinese United Overseas Artists Association, along with Li Shu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socialist Realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is characterized by the depiction of communist values, such as the emancipation of the proletariat. Despite its name, the figures in the style are very often highly idealized, especially in sculpture, where it often leans heavily on the conventions of classical sculpture. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern, or other forms of "realism" in the visual arts. Socialist realism was made with an extremely literal and obvious meaning, usually showing an idealized USSR. Socialist realism was usually devoid of complex artistic meaning or interpretation. Socialist realism was the predominant form of approved art in the Soviet Union from its development i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Art Museum Of China
The National Art Museum of China (NAMOC, ) is located at 1 Wusi Ave, Dongcheng District, Beijing, People's Republic of China. It is one of the largest art museums in China, and is funded by the Ministry of Culture of the People's Republic of China, Ministry of Culture. The construction of the museum started in 1958, and concluded in 1962. It has a total land area of . The museum was renovated between May 2004 and January 2005, and has been given an additional area of . Collection Its permanent collection includes both ancient and contemporary Chinese artworks as well as notable Western artworks. Although the museum contains collection of imperial Chinese art, its main mission is to serve as a national level art museum dedicated to displaying, collecting and researching the modern and contemporary artistic works of China. It has a main building of four stories, the first three being display areas. There are 21 exhibition halls at the museum. Its collections are divided into spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Art Gallery
The National Art Museum of China (NAMOC, ) is located at 1 Wusi Ave, Dongcheng District, Beijing, People's Republic of China. It is one of the largest art museums in China, and is funded by the Ministry of Culture. The construction of the museum started in 1958, and concluded in 1962. It has a total land area of . The museum was renovated between May 2004 and January 2005, and has been given an additional area of . Collection Its permanent collection includes both ancient and contemporary Chinese artworks as well as notable Western artworks. Although the museum contains collection of imperial Chinese art, its main mission is to serve as a national level art museum dedicated to displaying, collecting and researching the modern and contemporary artistic works of China. It has a main building of four stories, the first three being display areas. There are 21 exhibition halls at the museum. Its collections are divided into specific categories of: *traditional Chinese painting, *o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huang Rui
Huang Rui (born 1952) is a Chinese artist known for his social and cultural criticism. Life and work Huang Rui was born in Beijing in 1952. During the Cultural Revolution, he was sent at the age of 16 to Inner Mongolia where he worked as a farmer. He later returned to Beijing, working in a leather company until 1979. There, he studied art briefly at Beijing Worker's Cultural Center. Huang Rui was a founding member of the Chinese avant-garde art group The Stars Art Group which included artists Wang Keping, Ai Weiwei, Mao Lizi, Ma Desheng and Li Shuang and was active in from 1979 to 1983. This groundbreaking group of amateur artists was the first publicly active art collective to protest government censorship after the Cultural Revolution. The group made headlines in 1979 when, under the direction of Huang Rui and Ma Desheng, they held an exhibition outside the China Arts Gallery (now the National Art Museum of China). On the third day of the exhibit, the police shut it down, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> 1989 Tiananmen Square Protests")
