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Spotting (dance Technique)
Spotting is a technique used by dancers during the execution of various dance turns. The goal of spotting is to attain a constant orientation of the dancer's head and eyes, to the extent possible, in order to enhance the dancer's control and prevent dizziness. As a dancer turns, spotting is performed by rotating the body and head at different rates. While the body rotates smoothly at a relatively constant speed, the head periodically rotates much faster and then stops, so as to fix the dancer's gaze on a single location (the ''spotting point'', or simply the ''spot''). Dancers will sometimes focus on an actual visual spot if one is available (e.g., a light or other object), but if no suitable object is available they will attempt to end each head rotation in a consistent orientation. The spotting point may be another dancer, in which case the spot may move. Usage Spotting is advantageous for dancers in several ways: * it prevents dizziness by providing a fixed focus for the eye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fouetté En Tournant (CF46618267 109996904033)
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to '' relevé'' (supported on the ball of the foot) or by stepping direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turn (dance)
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to '' relevé'' (supported on the ball of the foot) or by stepping direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dizziness
Dizziness is an imprecise term that can refer to a sense of disorientation in space, vertigo, or lightheadedness. It can also refer to disequilibrium or a non-specific feeling, such as giddiness or foolishness. Dizziness is a common medical complaint, affecting 20-30% of persons. Dizziness is broken down into 4 main subtypes: vertigo (~25-50%), disequilibrium (less than ~15%), presyncope (less than ~15%), and nonspecific dizziness (~10%). * Vertigo is the sensation of spinning or having one's surroundings spin about them. Many people find vertigo very disturbing and often report associated nausea and vomiting. * Presyncope describes lightheadedness or feeling faint; the name relates to syncope, which is actually fainting. * Disequilibrium is the sensation of being off balance and is most often characterized by frequent falls in a specific direction. This condition is not often associated with nausea or vomiting. * Non-specific dizziness may be psychiatric in origin. It is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balance (ability)
Balance in biomechanics, is an ability to maintain the line of gravity (vertical line from centre of mass) of a body within the base of support with minimal postural sway. Sway is the horizontal movement of the centre of gravity even when a person is standing still. A certain amount of sway is essential and inevitable due to small perturbations within the body (e.g., breathing, shifting body weight from one foot to the other or from forefoot to rearfoot) or from external triggers (e.g., visual distortions, floor translations). An increase in sway is not necessarily an indicator of dysfunctional balance so much as it is an indicator of decreased sensorimotor control. Maintaining balance Maintaining balance requires coordination of input from multiple sensory systems including the vestibular, somatosensory, and visual systems. * Vestibular system: sense organs that regulate equilibrium ( equilibrioception); directional information as it relates to head position (internal gravita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glossary Of Ballet
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pirouette
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to '' relevé'' (supported on the ball of the foot) or by stepping direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adagio (ballet Technique)
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabesque (ballet Position)
Arabesque (; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the ''supporting'' leg–with the other leg–the ''working'' leg– turned out and extended behind the body, with both legs held straight. In classical ballet, an arabesque can be executed with the supporting leg ''en pointe'' or '' demi pointe'' or with foot flat on the floor. The working leg may touch the floor in ''tendu'' back – an ''arabesque par terre'' – or be elevated. Common elevation angles of the raised leg are 45° – ''à demi hauteur'' – and 90° – ''à la hauteur''. When the angle is much greater than 90° and the body trunk leans forward to counterbalance the working leg, the position is called ''arabesque penchée''. The arms may be held in various positions. Arabesques are described from the perspective of the dancer, in terms of the stage reference points used by the training system. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attitude (ballet Position)
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance partn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa (dance)
Salsa is a latin dance, associated with the music genre of the same name, which was first popularized in the United States in the 1960s in New York City. Salsa is an amalgamation of Cuban dances, such as mambo, pachanga and rumba, as well as American dances such as swing and tap. Origin Salsa dancing — as a dance to accompany salsa music — was popularized in the 1960s. It was primarily developed by Puerto Ricans and Cubans living in New York in the late 1960s and early 1970s. Different regions of Latin America and the United States (including countries in the Caribbean) have distinct salsa styles, such as Cuban, Puerto Rican, Colombian, and New York styles. Salsa dance socials are commonly held in nightclubs, bars, ballrooms, restaurants, and outside, especially when part of an outdoor festival. Some debate exists about the exact origins of the name "salsa". Some claim it originated from something musicians shouted while playing to generate excitement. The term was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cross-body Lead
A–K Apple Jacks A step on the spot, with twisting foot and the weight on the heel, likthis Ball change Ball change is a movement where the dancer shifts the weight from the ball of one foot to the other and back. This is mostly used in jazz and jive (dance), jive. Basic (step / figure / movement / or pattern) A Basic (dance move), basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different #Handhold, handholds and #Dance position, dance positions to enjoy it socially. Box step The box step is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in Glossary of partner dance terms#American Style, American Style ballroom dances: Rhumba, rumba, waltz, bronze-level Foxtrot (dance), foxtrot. The leader begins with the left foot and proceeds as follows. :''First ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
First Person (video Games)
In video games, first person is any graphical perspective rendered from the viewpoint of the player's character, or a viewpoint from the cockpit or front seat of a vehicle driven by the character. The most popular type of first-person video game today is the first-person shooter (FPS), in which the graphical perspective is an integral component of the gameplay. Many other genres incorporate first-person perspectives, including other types of shooter games (such as light gun shooters, rail shooters and shooting gallery games), adventure games (including visual novels), amateur flight simulations (including combat flight simulators), racing games (including driving simulators), role-playing video games, and vehicle simulations (including sailing simulators and vehicular combat games). Game mechanics Games with a first-person perspective are usually avatar-based, wherein the game displays what the player's avatar would see with the avatar's own eyes. Thus, players typical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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