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Arabesque (ballet Position)
Arabesque (; literally, "in Arabic fashion") in dance, particularly ballet, is a body position in which a dancer stands on one leg–the ''supporting'' leg–with the other leg–the ''working'' leg– turned out and extended behind the body, with both legs held straight. In classical ballet, an arabesque can be executed with the supporting leg ''en pointe'' or '' demi pointe'' or with foot flat on the floor. The working leg may touch the floor in ''tendu'' back – an ''arabesque par terre'' – or be elevated. Common elevation angles of the raised leg are 45° – ''à demi hauteur'' – and 90° – ''à la hauteur''. When the angle is much greater than 90° and the body trunk leans forward to counterbalance the working leg, the position is called ''arabesque penchée''. The arms may be held in various positions. Arabesques are described from the perspective of the dancer, in terms of the stage reference points used by the training system. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aplomb
In classical ballet, aplomb () refers to an unwavering stability maintained during a vertical pose or movement. The word is of French origin, coming from ''à plomb'', "according to the plummet". Dictionary.com Unabridged, (Retrieved August 23, 2015) French ballet master Jean-Étienne Despréaux used the term in 1806 to refer to the dynamic balancing that is fundamental to all well-executed ballet positions and movements.Bernard Taper (1996) "Balanchine: A Biography", In 1887, German dance theorist Friedrich Albert Zorn analogized aplomb in dancers as "the sureness of touch of the pianist". [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Positions
Human positions refer to the different physical configurations that the human body can take. There are several synonyms that refer to human positioning, often used interchangeably, but having specific nuances of meaning. *''Position'' is a general term for a configuration of the human body. *'' Posture'' means an intentionally or habitually assumed position. *''Pose'' implies an artistic, aesthetic, athletic, or spiritual intention of the position. *''Attitude'' refers to postures assumed for purpose of imitation, intentional or not, as well as in some standard collocations in reference to some distinguished types of posture: "Freud never assumed a fencer's attitude, yet almost all took him for a swordsman." *''Bearing'' refers to the manner of the posture, as well as of gestures and other aspects of the conduct taking place. Basic positions While not moving, a human is usually in one of the following basic positions: All-fours This is the static form of crawling which is in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Moves
Dance moves or dance steps (more complex dance moves are called dance patterns, dance figures, dance movements, or dance variations) are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection. In most cases, dance moves by themselves are independent of musicality, which is the appropriateness of a move to the music (for a notable exception, see Bharatanatyam). Generally, they are memorized in sets of eight counts. Also there are two different movements: concrete and abstract. These two movements show time, space, relationship, quality and focus. For example, relationship could describe the movement of two or more different dancers. The names of moves may be somewhat arbitrary and vary from person to person and city to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Terminology
Because ballet became formalized in France, a significant part of ballet terminology is in the French language. A À la seconde () (Literally "to second") If a step is done "à la seconde," it is done to the side. 'Second position'. It can also be a balance extending one foot off the ground in ‘Second Position’. À la quatrième () One of the directions of body, facing the audience (''en face''), arms in second position, with one leg extended either to fourth position in front (''quatrième devant'') or fourth position behind (''quatrième derrière''). À terre () Touching the floor; on the floor. Adagio Italian, or French ''adage'', meaning 'slowly, at ease.' # Slow movements performed with fluidity and grace. # One of the typical exercises of a traditional ballet class, done both at barre and in center, featuring slow, controlled movements. # The section of a '' grand pas'' (e.g., '' grand pas de deux''), often referred to as ''grand adage'', that features dance part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Technique
Ballet technique is the foundational principles of body movement and form used in ballet. It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement., pp. 6-7 & 21. The techniques found in classical ballet are a framework for many other styles of dance, including jazz and contemporary ballet. Aspects of ballet technique include alignment, which refers to keeping the head, shoulders, and hips vertically aligned. Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful '' port de bras'' (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the muscles to increase turnout and enhance alignment and thus improve the quality of turns. Ballet technique is also used to exhibit ''ballon'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Blanc
A ''ballet blanc'' (, "white ballet") is a scene in which the ballerina and the female ''corps de ballet'' all wear white dresses or tutus. Typical in the Romantic style of ballet from the nineteenth century, ''ballets blancs'' are usually populated by ghosts, dryads, naiads, enchanted maidens, fairies, and other supernatural creatures and spirits. History A precursor of the genre was ''Ballet of the Nuns'', an episode in act 3 of Giacomo Meyerbeer's opera ''Robert le Diable''. The ghosts of cloistered nuns who, in life, were unfaithful to their vows are summoned from their graves to tempt the hero, Robert, with dancing, gambling, drink, and love making. Choreographed by Filippo Taglioni and first presented in Paris in November 1831, it starred his daughter, Marie Taglioni as Helena, the abbess of the ruined convent of Saint Rosalia. Costumes in modern productions are usually white dresses with black sashes and headpieces. The next year, 1832, Marie Taglioni appeared in the title ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Ballet
In ballet, the ''corps de ballet'' (; French for "body of the ballet") is the group of dancers who are not principal dancers or soloists. They are a permanent part of the ballet company and often work as a backdrop for the principal dancers. A ''corps de ballet'' works as one, with synchronized movements and corresponding positioning on the stage. Specific roles are sometimes made for the ''corps de ballet'', such as Swan Lake, the Snow Corps de Ballet and the Flower Corps in ''The Nutcracker''. See also *Ballet dancer A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on ye ... References * Ballet occupations Ballet terminology it:Glossario della danza classica#Corps de ballet {{ballet-dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Ballet
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as pointe work, turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities. There are stylistic variations related to an area or origin, which are denoted by classifications such as Russian ballet, French ballet, British ballet and Italian ballet. For example, Russian ballet features high extensions and dynamic turns, whereas Italian ballet tends to be more grounded, with a focus on fast, intricate footwork. Many of the stylistic variations are associated with specific training methods that have been named after their originators. Despite these variations, the performance and vocabulary of classical ballet are largely consistent throughout the world. History Ballet originated in the Italian Renaissance courts and was brought to France by Catherine d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for '' The Pharaoh's Daughter'' (1862); '' Don Quixote'' (1869); '' La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); '' Le Réveil de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bayadère
''La Bayadère'' ("the temple dancer") ( ru. «Баядерка», ''Bayaderka'') is a ballet, originally staged in four acts and seven tableaux by French choreographer Marius Petipa to the music of Ludwig Minkus. The ballet was staged especially for the benefit performance of the Russian '' Prima ballerina'' Ekaterina Vazem, who created the principal role of Nikiya. ''La Bayadère'' was first presented by the Imperial Ballet at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia, on . From the first performance the ballet was universally hailed by contemporary critics as one of the choreographer Petipa's supreme masterpieces, particularly the scene from the ballet known as ''The Kingdom of the Shades'', which became one of the most celebrated pieces in all of classical ballet. By the turn of the 20th century, ''The Kingdom of the Shades'' scene was regularly extracted from the full-length work as an independent showpiece, and it has remained so to the present day. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Academy Of Dance
"Health and happiness" , predecessor = , successor = , formation = 1920 , extinction = , type = NGO , status = Registered charity , purpose = Examination board – dance education and training , headquarters = 36 Battersea SquareSW11 3RA , location = London , coords = , region_served = Worldwide , membership = 12,337 , language = English , general = , leader_title = President , leader_name = Dame Darcey Bussell, DBE , leader_title2 = Chairman , leader_name2 = Guy Perricone , leader_title3 = Chief Executive , leader_name3 = Tim Arthur , leader_title4 = Artistic Director , leader_name4 = Gerard Charles , key_people = , main_organ = Board of Trustees , parent_organization = , affiliations = *Ofqual * Council for Dance Education and Training *International Dance Teachers Association , budget = , num_staff = , num_volunteers = , website = , remarks = , former name = Association of Teachers of Operatic Dancing The Royal Academy of Dance (RA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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