Sophie De Tott
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Sophie De Tott
Sophie-Ernestine de Tott (1758 – 1848) was a French painter. Born in Constantinople, Tott was the daughter of François Baron de Tott, who served as a consul in that city, and was of Hungary, Hungarian descent. A ''chanoinesse'' of Sainte-Anne de Munich, she was entitled by rank to be called "Madame" and is usually so described, although she never married. Madame de Tessé took an interest in her and served as a maternal influence, and her sister married François, duc de La Rochefoucauld (1765–1848), François, duc de La Rochefoucauld in 1793. Tott was the subject of a portrait by Élisabeth Vigée Le Brun and corresponded with Thomas Jefferson. She is the subject of a portrait miniature in which she is painting a portrait of Madame de Tessé; sometimes attributed to her father, it may instead be a self-portrait. Tott fled the French Revolution, and between 1801 and 1804 exhibited a handful of portraits at the Royal Academy. In 1807 she was a member of the household of Elizabe ...
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Bacchante (Sophie De Tott) By E
In Greek mythology, maenads (; grc, μαινάδες ) were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. Their name literally translates as "raving ones". Maenads were known as Bassarids, Bacchae , or Bacchantes in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox skin. Often the maenads were portrayed as inspired by Dionysus into a state of Ecstasy (emotion), ecstatic frenzy through a combination of dancing and alcohol intoxication, intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes. These women were mythology, mythologized as the "mad women" who were nurses of Dionysus in Nysa (mythology), Nysa. Lycurgus of Thrace, Lycurgus "chased the N ...
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