Sony DSC-R1
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Sony DSC-R1
The Sony Cyber-shot DSC-R1 is a bridge digital camera announced by Sony in 2005. It featured a 10.3 megapixel APS-C CMOS sensor (21.5 × 14.4 mm), a size typically used in DSLRs and rarely used in bridge cameras (which were using at that time 2/3" (= 6.6 × 8.8 mm) or 1/1.8" (= 5.3 × 7.1 mm)). This was the first time such a large sensor was incorporated into a bridge camera. Besides the APS-C sensor, the DSC-R1 also featured a 14.3–71.5 mm Carl Zeiss Vario-Sonnar T* lens, providing for an angle of view equivalent to 24–120 mm on a full frame camera. Advantages Compared to a standard DSLR the Sony DSC-R1 had the following advantages: * since there is no mirror between the sensor and the lens, the lens can be positioned closer to the sensor, which improves the performance at wide angle. The back focal length of the DSC-R1 in wide-angle mode is 2.1 millimeters, which is much smaller than the wide angle back focal length found typically in DSLRs (up ...
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Cybershot R1
Cyber-shot is Sony's line of point-and-shoot camera, point-and-shoot digital cameras introduced in 1996. Cyber-shot model names use a DSC prefix, which is an initialism for "Digital Still Camera". Many Cyber-shot models feature Carl Zeiss AG, Carl Zeiss trademarked lenses, while others use Sony, or Sony G lenses. All Cyber-shot cameras accept Sony's proprietary Memory Stick or Memory Stick#Memory PRO Duo, Memory Stick PRO Duo flash memory. Select models have also supported CompactFlash. Current Cyber-shot cameras support Memory Stick PRO Duo, Secure Digital, SD, SDHC, and SDXC. From 2006 to 2009, Sony Mobile Communications, Sony Ericsson used the Cyber-shot brand in a List of Sony Ericsson products#C series: Cyber-shot, line of mobile phones. Models The current lineup consists of: * List of Sony Cyber-shot cameras#R series, R and RX series – state-of-the-art, large-sensor compact cameras ** Sony Cyber-shot DSC-RX100, DSC-RX100/DSC-RX100 II/III/IV/V/VI/VII – pocketable ca ...
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Full-frame Digital SLR
A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format (). Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format. The full-frame DSLR is in contrast to full-frame mirrorless interchangeable-lens cameras, and DSLR and mirrorless cameras with smaller sensors (for instance, those with a size equivalent to APS-C-size film), much smaller than a full 35 mm frame. Many digital cameras, both compact and SLR models, use a smaller-than-35 mm frame as it is easier and cheaper to manufacture imaging sensors at a smaller size. Historically, the earliest digital SLR models, such as the Nikon NASA F4 or Kodak DCS 100, also used a smaller sensor. Kodak states that 35 mm film (note: in " Academy format", 21.0 mm × 15.2 mm) has the equivalent of 6K horizontal resolution, according to a senior vice president of IMAX. This equates to 10K horizontal resolution in full ...
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Cyber-shot Cameras
Cyber-shot is Sony's line of point-and-shoot digital cameras introduced in 1996. Cyber-shot model names use a DSC prefix, which is an initialism for "Digital Still Camera". Many Cyber-shot models feature Carl Zeiss trademarked lenses, while others use Sony, or Sony G lenses. All Cyber-shot cameras accept Sony's proprietary Memory Stick or Memory Stick PRO Duo flash memory. Select models have also supported CompactFlash. Current Cyber-shot cameras support Memory Stick PRO Duo, SD, SDHC, and SDXC. From 2006 to 2009, Sony Ericsson used the Cyber-shot brand in a line of mobile phones. Models The current lineup consists of: * R and RX series – state-of-the-art, large-sensor compact cameras ** DSC-RX100/DSC-RX100 II/III/IV/V/VI/VII – pocketable camera with the largest 1" sensor of all cameras of its size ** DSC-RX10/DSC-RX10 II — zoom lens 1" 24-200mm equivalent 35mm bridge camera with constant widest aperture F2.8 ** DSC-RX10 III/DSC-RX10 IV — zoom lens 1" 24-600m ...
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Sigma DP2
The Sigma DP2 is a high-end compact digital camera introduced by the Sigma Corporation. It features a 14-megapixel Foveon X3 sensor (2652 × 1768 × 3 layers), the same sensor used in its predecessor, the Sigma DP1 and in the Sigma SD14 DSLR, a fixed 24.2mm 2.8 lens (41mm equivalent), a 2.5” LCD and a pop-up flash. With its predecessor, the DP1, it is one of the few "compact" cameras that featured sensor with a size equivalent to APS-C. Sigma claimed this (comparatively large) sensor size would result in DSLR quality images from a small, pocketable camera. The camera does not include auto or scene modes as it is not aimed against the average consumer. The DP series are therefore targeted against professional photographers or enthusiasts seeking a compact, yet capable camera. It was announced in September 2008, and began shipping in 2009. Differences to the DP1 include a lens that is one stop faster, f/2.8 vs. f/4.0, 24.2 vs. 16.6mm(35mm equivalent of 41mm vs 28mm) and a faste ...
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Sigma DP1
The Sigma DP1 was a high-end compact digital camera introduced by the Sigma Corporation. It featured a 14-megapixel Foveon X3 sensor (2652 × 1768 × 3 layers), a fixed 16.6 mm F4.0 lens (28mm equivalent), a LCD and a pop-up flash. It was the first "compact" camera that featured an APS-C sized sensor, a feature that Sigma claimed would result in DSLR quality images from a small, pocketable camera. It was first announced on September 26, 2006, and after several production delays was delivered in the spring of 2008. A follow-up camera, the Sigma DP2, was released in 2009; it features a different lens, and they are being sold in parallel. An improved version called Sigma DP1S was announced on November 17, 2009. Reviews It has been praised for innovation (large sensor in compact body) and class-leading detail at ISO 100 – best image quality in a compact camera, in the same class as DSLRs, and suited for daylight landscape and architecture photography – but criticized for poor ...
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Contrast-detection Autofocus
An autofocus (or AF) optical system uses a sensor, a control system and a motor to focus on an automatically or manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication. Autofocus methods are distinguished as active, passive or hybrid types. Autofocus systems rely on one or more sensors to determine correct focus. Some AF systems rely on a single sensor, while others use an array of sensors. Most modern SLR cameras use through-the-lens optical sensors, with a separate sensor array providing light metering, although the latter can be programmed to prioritize its metering to the same area as one or more of the AF sensors. Through-the-lens optical autofocusing is usually speedier and more precise than manual focus with an ordinary viewfinder, although more precise manual focus can be achieved with special accessories such as focusing magnifiers. Autofocus accura ...
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Frame Rate
Frame rate (expressed in or FPS) is the frequency (rate) at which consecutive images ( frames) are captured or displayed. The term applies equally to film and video cameras, computer graphics, and motion capture systems. Frame rate may also be called the , and be expressed in hertz. Frame rate in electronic camera specifications may refer to the maximal possible rate, where, in practice, other settings (such as exposure time) may reduce the frequency to a lower number. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs between individuals. The human visual system can process 10 to 12 images per second and perceive them individually, while higher rates are perceived as motion. Modulated light (such as a computer display) is perceived as stable by the majority of participants in studies when the rate is higher than 50 Hz. This perception of modulated light as steady is kn ...
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Raw Image Format
A camera raw image file contains unprocessed or minimally processed data from the image sensor of either a digital camera, a motion picture film scanner, or other image scanner. Raw files are named so because they are not yet processed and therefore are not ready to be printed, viewed or edited with a bitmap graphics editor. Normally, the image is processed by a raw converter in a wide-gamut internal color space where precise adjustments can be made before conversion to a viewable file format such as JPEG or PNG for storage, printing, or further manipulation. There are dozens of raw formats in use by different manufacturers of digital image capture equipment. Rationale Raw image files are sometimes incorrectly described as "digital negatives", but neither are they negatives nor do the unprocessed files constitute visible images. Rather, the Raw datasets are more like exposed but undeveloped film which can be converted (electronically developed) in a non-destructive mann ...
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Electronic Viewfinder
An electronic viewfinder (EVF) is a camera viewfinder where the image captured by the lens is displayed on a small screen (usually LCD or OLED) which the photographer can look through when composing their shot. It differs from a live preview screen in being smaller and shaded from ambient light, and may also use less power. The sensor records the view through the lens, the view is processed, and finally projected on a miniature display which is viewable through the eyepiece. Digital viewfinders are used in digital still cameras and in video cameras. Some cameras (such as Panasonic, Sony, Fujifilm) have an automatic eye sensor which switches the display from screen to EVF when the viewfinder is near the eye. More modest cameras use a button to switch the display. Some have no button at all. While many cameras come with a built-in EVF, this is fixed in place and can only be used while holding the camera to the user's eye, which may not be convenient. Other cameras don't come ...
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Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower ...
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DSLR
A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor as it presents it as a direct optical view through the main camera lens, rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILC) beginning in the 2010s. ...
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