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Son Huasteco
Son huasteco is one of eight Mexican song styles and is a traditional Mexican musical style originating in the six state area of Northeastern Mexico called La Huasteca. It dates back to the end of the 19th century and is influenced by Spanish and indigenous cultures. Usually it is played by a '' Trio Huasteco'' composed of a guitarra quinta huapanguera (a five course, eight stringed guitar-like instrument) a Jarana huasteca (a stringed instrument related to the jarana) and a violin. Singers will often use the falsetto register. The son huasteco is particularly noteworthy for its flamboyant and virtuoso violin parts, although the style varies from state to state. Footwork often danced to son huasteco is the Zapateado. Improvisation plays a strong role in the style, with musicians creating their own lyrics and arrangements to a standard repertoire. Typical ''sones huastecos'' are "''Cielito Lindo''", "''La huazanga''", "''La sirena''", "''El querreque''" and "''La cigarra''".Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Cubano (music)
Son cubano is a genre of music and dance that originated in the highlands of eastern Cuba during the late 19th century. It is a syncretic genre that blends elements of Spanish and African origin. Among its fundamental Hispanic components are the vocal style, lyrical metre and the primacy of the tres, derived from the Spanish guitar. On the other hand, its characteristic clave rhythm, call and response structure and percussion section ( bongo, maracas, etc.) are all rooted in traditions of Bantu origin. Around 1909 the son reached Havana, where the first recordings were made in 1917. This marked the start of its expansion throughout the island, becoming Cuba's most popular and influential genre. While early groups had between three and five members, during the 1920s the ''sexteto'' (sextet) became the genre's primary format. By the 1930s, many bands had incorporated a trumpet, becoming ''septetos'', and in the 1940s a larger type of ensemble featuring congas and piano became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapateado (Mexico)
The zapateado is a group of dance styles of Mexico, characterized by a lively rhythm punctuated by the striking of the dancer's shoes, akin to tap dance. The name derives from the Spanish word '' zapato'' for "shoe": ''zapatear'' means to strike with a shoe. It is widely used in sones, huapangos and chilenas. The term is also used to refer to percussive footwork in some Spanish/Latin dances that involve elaborate shoe clicking and tapping and to the percussion music produced by shoe striking. See also * Zapateado (Spain) Zapateado is a style of dance and traditional music of Andalusian origins in metre , with lively movement, marked on two beats, the second being very stressed. The dance shows a gracious tapping. Humanists of 16th century affirmed that zapateado d ... References *David Ewen, ''Encyclopedia of Concert Music''. New York: Hill and Wang, 1959. Dance in Mexico Uses of shoes {{dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Son Jarocho
Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term '' jarocho'', a colloquial term for people or things from the port city of Veracruz. Characteristics It represents a fusion of indigenous (primarily Huastecan), Spanish, and African musical elements, reflecting the population which evolved in the region from Spanish colonial times. Lyrics include humorous verses and subjects such as love, nature, sailors, and cattle breeding that still reflect life in colonial and 19th century Mexico. Verses are often shared with the wider Mexican and Hispanic Caribbean repertoire and some have even been borrowed from famous works by writers of the Spanish " Siglo de Oro". It is usually performed by an ensemble of musicians and instruments which collectively are termed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cielito Lindo
"Cielito Lindo" is a popular Mexican song '' copla'', popularized in 1882 by Mexican author Quirino Mendoza y Cortés (c. 1862–1957). It is roughly translated as "Lovely Sweet One". Although the word ''cielo'' means "sky" or "heaven", it is also a term of endearment comparable to "sweetheart" or "honey." ''Cielito'', the diminutive, can be translated as "sweetie"; ''lindo'' means "cute", "lovely" or "pretty". Sometimes the song is known by words from the refrain, "Canta y no llores" or simply the "Ay, Ay, Ay, Ay song". Commonly played by mariachi bands, it has been recorded by many artists in the original Spanish as well as in English and other languages. There is some debate as to whether the song talks about the Sierra Morena, a mountain range in the south region of Spain, or the similarly named Sierra Morones in the Mexican state of Zacatecas. It has become a famous song of Mexico, especially in Mexican expatriate communities around the world or for Mexicans attending inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunto Huasteco
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and ''tejano'', Cuban ''conjuntos'' specialize in the ''son'', as well as its derivations such as ''salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The ''bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural and soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mariachi
Mariachi (, , ) is a genre of regional Mexican music that dates back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar, including a high-pitched vihuela and an acoustic bass guitar called a guitarrón, and all players taking turns singing lead and doing backup vocals. From the 19th to 20th century, migrations from rural areas into Guadalajara, along with the Mexican government's cultural promotion gradually re-labeled it as ''son'' style, with its alternative name of ''mariachi'' becoming used for the 'urban' form. Modifications of the music include influences from other music such as polkas and waltzes, the addition of trumpets and the use of charro outfits by mariachi musicians. The musical style began to take on national prominence in the first half of the 20th century, with its promotion at presidential ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarabe Tapatío
''Jarabe tapatío'', often referred to as the Mexican hat dance, is the national dance of Mexico. It originated as a courtship dance in Guadalajara, Jalisco, during the 19th century, although its elements can be traced back to the Spanish '' zambra'' and ''jarabe gitano'', which were popular during the times of the viceroyalty. Female dancers traditionally wear a '' china poblana'' outfit, while the male dancers dress as ''charros''. The standard music of the ''jarabe tapatío'' was composed by Jesús González Rubio in the 19th century. However, its more common instrumental arrangement dates from the 1920s. Sometimes it is confused with La Raspa, another Mexican dance. Nowadays, its music is most commonly performed by either mariachi groups or string ensembles. History The word ''jarabe'' (from Arabic ''xarab''), originally meaning "herb mixture", denotes the combination of various Mexican musics (''sones'') and dances ('' zapateados''). ''Tapatío'', the popular demonym of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fandango
Fandango is a lively partner dance originating from Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charro
Charro has several meanings, but it generally refers to Mexican horse riders, who maintain traditional dress, such as some form of sombrero, which in Mexican Spanish are called ''sombrero de charro'' (a charro's hat). The charros could also be thought of as old Mexican cowboys who dress like such, although more modern dress is now seen on those who still work the ranches (''rancheros''). See also, ''vaquero''. Also old Mexican outlaws, bandits, revolutionaries, bounty hunters, and gunmen who wore similar dress are also called ''charro''. The traditional ''charro'' competition '' charreada'' (similar to a rodeo) has become the official sport of Mexico and maintains traditional rules and regulations in effect from colonial times up to the Mexican Revolution. Etymology The word ''charro'' (syn. ''charrar, charra'') is first documented in Spain in the book “Vocabulario de refranes y frases proverbiales” published in 1627 by Gonzalo Correas as a synonym of dumb or stupid p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Huapango
is a family of Mexican music styles. The word likely derives from the Nahuatl word that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform dance steps. It is interpreted in different forms, the most common being the classic interpreted by a trio of musicians (); the interpreted by a group (); and the , which can be performed by a large group of musicians. () The classical brings together a violin, a and a . The classical is characterized by a complex rhythmic structure mixing duple and triple metres which reflect the intricate steps of the dance. When the players sing (in a duet, in a falsetto tone), the violin stops, and the (the rhythm provided by heels hitting the floor) softens. The is danced by men and women as couples. A very popular is , in which two singers alternate pert and funny repartées. Huapango arribeño or son arribeño is a style of music played in the "zona media" region (part of San Luis Potosi, Qu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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