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Siouxsie
Susan Janet Ballion (born 27 May 1957), known professionally as Siouxsie Sioux, is an English singer, songwriter, musician and record producer. She was the lead singer of the rock band Siouxsie and the Banshees (1976–1996). They released 11 studio albums, and had several UK Top 20 singles including " Hong Kong Garden", " Happy House" and " Peek-a-Boo", plus a US ''Billboard'' Top 25 hit, " Kiss Them for Me". Siouxsie also formed a second group, the Creatures (1981–2005). With the Creatures she recorded four studio albums and the hit single " Right Now". After disbanding the Creatures in the mid-2000s, she has continued as a solo artist, only using the name Siouxsie, and released the album '' Mantaray'' to critical acclaim in 2007. AllMusic named Siouxsie as "one of the most influential British singers of the rock era". Her songs have been covered by Jeff Buckley,
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Siouxsie And The Banshees
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album '' The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical dire ...
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Mantaray (album)
''Mantaray'' is the debut solo album by English singer Siouxsie. It was released in September 2007 by W14 Music on Universal Records, four years after the final album of the Creatures, ''Hái!''. After her first solo tour in 2004, Siouxsie wanted to collaborate with other musicians. She met Steve Evans and Charlie Jones, both of them arranged the songs and produced the record. Upon release, ''Mantaray'' was well received by critics, with praise focused on Siouxsie's voice and the different compositional styles. In May 2023, a newly remastered version of ''Mantaray'' will be reissued on CD. Background After the success of her first solo release, the live DVD ''Dreamshow'', which reached the No. 1 position in the UK chart in August 2005, Siouxsie received demos from several composers. Universal soon offered her a new record deal on the label W14, which was about to be created by John Williams - Williams had already previously worked with her for ''Peepshow'' and ''Boomerang''. Co ...
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A Kiss In The Dreamhouse
''A Kiss in the Dreamhouse'' is the fifth studio album by British rock band Siouxsie and the Banshees. It was released on 5 November 1982 by Polydor Records. The record marked a change of musical direction, as the group used strings for the first time and experimented in the studio. Guitarist John McGeoch played more instruments, including recorder and piano. For Julian Marszalek of ''The Quietus'', the release proved the Banshees to be "one of the great British psychedelic bands." Both a critical and commercial success, ''A Kiss in the Dreamhouse'' peaked at No. 11 on the UK Albums Chart. In August 2007 it was ranked No. 1 on ''Mojo'' magazine's list of the best albums of 1982. A 180g vinyl LP reissue of the album, remastered from the original ¼” tapes and cut half-speed at Abbey Road Studios by Miles Showell, was released in September 2018. Background, production and music The band held back from writing after the success of 1981's '' Juju''. During the spring of 1982, t ...
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The Creatures
The Creatures were an English band formed in 1981 by vocalist Siouxsie Sioux and drummer Budgie of the group Siouxsie and the Banshees. The Creatures released their first EP '' Wild Things'' in 1981. They recorded four studio albums: '' Feast'' in 1983, ''Boomerang'' in 1989, '' Anima Animus'' in 1999 and ''Hái!'' in 2003. With ''Feast'', the band dabbled in exotica.Raggett, Ned"''Feast'' – review" Allmusic. Retrieved 10-8-2015 On ''Boomerang'', they added a Spanish-tinged vibe to their music, with elements of flamenco, blues and jazz. In the late 1990s, they developed a more urban sound; ''The Times'' then described their music as "adventurous art rock built around Siouxsie's extraordinary voice and drummer Budgie's battery of percussion". In their last work, they returned to their roots while heading east, with an ode to Japanese minimalism. They disbanded in 2005. Their music was praised by Jeff Buckley, PJ Harvey,
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The Creatures
The Creatures were an English band formed in 1981 by vocalist Siouxsie Sioux and drummer Budgie of the group Siouxsie and the Banshees. The Creatures released their first EP '' Wild Things'' in 1981. They recorded four studio albums: '' Feast'' in 1983, ''Boomerang'' in 1989, '' Anima Animus'' in 1999 and ''Hái!'' in 2003. With ''Feast'', the band dabbled in exotica.Raggett, Ned"''Feast'' – review" Allmusic. Retrieved 10-8-2015 On ''Boomerang'', they added a Spanish-tinged vibe to their music, with elements of flamenco, blues and jazz. In the late 1990s, they developed a more urban sound; ''The Times'' then described their music as "adventurous art rock built around Siouxsie's extraordinary voice and drummer Budgie's battery of percussion". In their last work, they returned to their roots while heading east, with an ode to Japanese minimalism. They disbanded in 2005. Their music was praised by Jeff Buckley, PJ Harvey,
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Downside Up
''Downside Up'' is a four-disc box set collecting B-sides and bonus material from the catalogue of Siouxsie and the Banshees. Also included (on disc four) is '' The Thorn'' EP, originally released in 1984. Most of these songs (only present on these CDs) were classics of the band's live repertoire like "Pulled to Bits", "Eve White/Eve Black", "Red Over White", "I Promise", "Something Blue", "El Día de los Muertos" and "B Side Ourselves". The box set was also released on iTunes. Reception ''The Times'' wrote in its review of ''Downside Up'': "Standouts include the spiky 'Drop Dead/Celebration', the sinister 'Eve White/Eve Black' and the chopped up industrial funk of 'Tattoo'". The reviewer rated the band as one of "the most audacious and uncompromising musical adventurers of the post-punk era".Williamson, Nigel"Siouxsie & the Banshees" ''Downside Up'' review (subscription required ''The Times''. 27 November 2004. ''Stylus'' rated it A saying: "It’s a wonderfully eclecti ...
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The Best Of Siouxsie And The Banshees
Universal Music Group released ''The Best of Siouxsie and the Banshees'' in 2002 as the first reissue of the Siouxsie and the Banshees remastered back-catalogue. The most successful singles of the band were presented in a non-chronological order. Content This best-of includes an unreleased track "Dizzy" (re-edited), only available on this CD; it was recorded in late 1994. The original version of "Dizzy" was included on a one track CD sold at the '' Seven Year Itch'' concerts of 2002. "Dizzy" would later feature in the film ''Notes on a Scandal''. ''The Best of'' also includes for the first time the complete version of "This Wheel's on Fire" with no fade out in the end. Also, The Mark Saunders Mix of " Stargazer" was used instead of the original album version. All except for two of the tracks had previously been included on '' Once Upon a Time/The Singles'' and '' Twice Upon a Time - The Singles'', although there were some minor differences in song versions on this collection ...
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Happy House
"Happy House" is a song written by Siouxsie Sioux and Steven Severin and recorded by their band Siouxsie and the Banshees. It was released as a single in March 1980 by record label Polydor, then later included on the band's third album, ''Kaleidoscope''. "Happy House" was the group's first record made with guitarist John McGeoch and drummer Budgie. Background and recording "Happy House" and the ''Kaleidoscope'' album marked a change in musical direction for Siouxsie and the Banshees due to the arrival of two new musicians: drummer Budgie, previously of the Slits, and guitarist John McGeoch, previously of Magazine. Budgie, who was interested in African polyrhythms, used a reggae vibe on the song, while McGeoch played both atmospheric and edgy guitars. Siouxsie stated that the band almost invented a new sound with this single: It was "Banshees – phase two". When asked if "Happy House" was a cynical song, Siouxsie replied: "It is sarcastic. In a way, like television, all ...
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Kiss Them For Me (song)
"Kiss Them for Me" is a song written and recorded by English rock band Siouxsie and the Banshees. It was produced by Stephen Hague. It was released in 1991 as the first single from the band's 10th studio album, ''Superstition''. Upon its release, the single received enthusiastic reviews. "Kiss Them for Me" became their most successful single in the US. Background and lyrics The song presented a change in musical direction for Siouxsie and the Banshees, adopting a much more straightforward pop-oriented feel than previous efforts, due in part to Hague's production work. Siouxsie Sioux's cryptic lyrics were an ode to actress and sex symbol Jayne Mansfield.The Stud Brothers. "Kiss Of The Spider Woman". ''Melody Maker''. 11 May 1991 The lyrics use Mansfield's catchword "divoon", referring to her heart-shaped swimming pool and her love of champagne and parties, and to the car crash that killed her in 1967. '' Kiss Them for Me'' was also the name of a 20th Century Fox motion picture m ...
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Peek-a-Boo (Siouxsie And The Banshees Song)
"Peek-a-Boo" is a song by English rock band Siouxsie and the Banshees. It was released in 1988 as the first single from the band's ninth studio album, '' Peepshow''. ''Melody Maker'' described the song as "a brightly unexpected mixture of black steel and pop disturbance" and qualified its genre as "thirties hip hop". "Peek-a-Boo" was rated "Single of the Week" in both ''Sounds'' and ''NME''. ''Sounds'' wrote that it was a "brave move", "playful and mysterious". ''NME'' described it as "Oriental marching band hip hop" with "catchy accordion." They then said : "If this nation was served by anything approaching a decent pop radio station, "Peek A Boo" would be a huge hit." PopMatters retrospectively placed it at 18 on their list "The 100 Greatest Alternative Singles of the '80s", saying that its instrumentation was "inventive" with "ingenious vocal phasing". Bloc Party praised "Peek-a-Boo" and their singer Kele Okereke said: "It sounded like nothing else on this planet. ..to ...
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Hong Kong Garden (song)
"Hong Kong Garden" is a song by English rock band Siouxsie and the Banshees. It was released as the band's debut single on 18 August 1978 by Polydor Records. The single reached number 7 on the UK Singles Chart. ''The Independent'' stated that the song was "arguably the most important of the early post-punk hits" and considered the track as one of the "10 best new wave singles" of 1978. In 2005, '' Q'' placed it in its list of the "100 Greatest Guitar Tracks Ever". Background and content The instrumental first version, called "People Phobia", was composed by guitarist John McKay in 1977. The first time the band heard it, they were on a tour bus. The song was named after the Hong Kong Garden Chinese take-away in Chislehurst High Street. In a 2009 interview, Siouxsie Sioux was quoted as explaining the lyrics with reference to the racist activities of skinheads visiting the take-away: I'll never forget, there was a Chinese restaurant in Chislehurst called the Hong Kong Garden. ...
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Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the de ...
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