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Silenos
In Greek mythology, Silenus (; grc, Σειληνός, Seilēnós, ) was a companion and tutor to the wine god Dionysus. He is typically older than the satyrs of the Dionysian retinue ('' thiasos''), and sometimes considerably older, in which case he may be referred to as a Papposilenus. The plural ''sileni'' refers to the mythological figure as a type that is sometimes thought to be differentiated from a satyr by having the attributes of a horse rather than a goat, though usage of the two words is not consistent enough to permit a sharp distinction. Silenus presides over other daemones and is related to musical creativity, prophetic ecstasy, drunken joy, drunken dances and gestures. Evolution The original Silenus resembled a folkloric man of the forest, with the ears of a horse and sometimes also the tail and legs of a horse. The later sileni were drunken followers of Dionysus, usually bald and fat with thick lips and squat noses, and having the legs of a human. Later still, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and mythology, Pan (; grc, Πάν, Pán) is the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement. Origins Many modern scholars consider Pan to be derived from the reconstructed Proto-Indo-European god ''*Péh₂usōn'', who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr
In Greek mythology, a satyr ( grc-gre, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, σειληνός ), is a male nature spirit with ears and a tail resembling those of a horse, as well as a permanent, exaggerated erection. Early artistic representations sometimes include horse-like legs, but, by the sixth century BC, they were more often represented with human legs. Comically hideous, they have mane-like hair, bestial faces, and snub noses and are always shown naked. Satyrs were characterized by their ribaldry and were known as lovers of wine, music, dancing, and women. They were companions of the god Dionysus and were believed to inhabit remote locales, such as woodlands, mountains, and pastures. They often attempted to seduce or rape nymphs and mortal women alike, usually with little success. They are sometimes shown masturbating or engaging in bestiality. In classical Athens, satyrs made up the chorus in a genre of play known as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Art
The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be minor forms of Roman art, although they were not considered as such at the time. Sculpture was perhaps considered as the highest form of art by Romans, but figure painting was also highly regarded. A very large body of sculpture has survived from about the 1st century BC onward, though very little from before, but very little painting remains, and probably nothing that a contemporary would have considered to be of the highest quality. Ancient Roman pottery was not a luxury product, but a vast production of "fine wares" in '' terra sigillata'' were decorated with reliefs that reflected the latest taste, and provided a large group in society with stylish objects at what was evidently an affordable price. Roman coins were an important means of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and Greek mythology, myth, Dionysus (; grc, wikt:Διόνυσος, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre, theatre. The Ancient Rome, Romans called him Bacchus ( or ; grc, wikt:Βάκχος, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and Cult of Dionysus, his cults took many forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Priapus
In Greek mythology, Priapus (; grc, Πρίαπος, ) is a minor rustic fertility god, protector of livestock, fruit plants, gardens and male genitalia. Priapus is marked by his oversized, permanent erection, which gave rise to the medical term priapism. He became a popular figure in Roman erotic art and Latin literature, and is the subject of the often humorously obscene collection of verse called the '' Priapeia''. Mythology Relationship with other deities Priapus was described in varying sources as the son of Aphrodite by Dionysus; as the son of Dionysus and Chione; as perhaps the father or son of Hermes; or as the son of Zeus or Pan. According to legend, Hera cursed him with inconvenient impotence (he could not sustain an erection when the time came for sexual intercourse), ugliness and foul-mindedness while he was still in Aphrodite's womb, in revenge for the hero Paris having the temerity to judge Aphrodite more beautiful than Hera. In another account, Hera's anger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphic
Orphism (more rarely Orphicism; grc, Ὀρφικά, Orphiká) is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. This type of journey is called a katabasis and is the basis of a several hero worships and journeys. Orphics revered Dionysus (who once descended into the Underworld and returned) and Persephone (who annually descended into the Underworld for a season and then returned). Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's ''Theogony'', based in part on pre-Socratic philosophy. The central focus of Orphism is the suffering and death of the god Dionysus at the hands of the Titans, which forms the basis of Orphism's central myth. According to this myth, the infa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetradrachm
The tetradrachm ( grc-gre, τετράδραχμον, tetrádrachmon) was a large silver coin that originated in Ancient Greece. It was nominally equivalent to four drachmae. Over time the tetradrachm effectively became the standard coin of the Antiquity, spreading well beyond the borders of the Greek World. As a result, tetradrachms were minted in vast quantities by various polities in many weight and finesse standards, though the Athens-derived ''Attic standard'' of about 17.2 grams was the most common. Because of their large size, tetradrachms were often used by various states or rulers to advertise themselves or to deliver political messages. Popularity of the tetradrachm outlived the political independence of the Greeks and it remained in wide circulation in the Mediterranean up until Crisis of the Third Century, while debased varieties persisted in India and Central Asia into early Middle Ages. Due to their often high artistic level tetradrachms are eagerly collected in m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mende (Chalcidice)
Mende ( grc, Μένδη), also Mendae or Mendai (Μένδαι), or Menda (Μένδα), or Mendis, was an ancient Greek city located on the western coast of the Pallene peninsula in Chalkidiki, facing the coast of Pieria across the narrow Thermaic Gulf and near the modern town of Kalandra. History Mende was probably built during the 9th century BC by Eretrian colonists. The city owes its name to the ''minthe'' plant, a species of mint that still sprouts in the area. Mende's abundant lumber resources and possession of silver, gold and lead mines led to its rapid development. From the 6th century BC, it was one of the cities that controlled trade routes along the coast of Thrace; there were even confirmed dealings with the Greek colonies in Italy, especially concerning the export of the famous local wine ''Mendaeos oinos''. During the 5th century BC, Mende became one of the most important allies of Athens and joined the Delian League, paying a tax that varied from six up to fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folkloric
Folklore is shared by a particular group of people; it encompasses the traditions common to that culture, subculture or group. This includes oral traditions such as tales, legends, proverbs and jokes. They include material culture, ranging from traditional building styles common to the group. Folklore also includes customary lore, taking actions for folk beliefs, the forms and rituals of celebrations such as Christmas and weddings, folk dances and initiation rites. Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression. Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain in a formal school curriculum or study in the fine arts. Instead, these traditions are passed along informally from one individual to another either through verbal instruction or demonstrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daimon
Daimon or Daemon ( Ancient Greek: , "god", "godlike", "power", "fate") originally referred to a lesser deity or guiding spirit such as the daimons of ancient Greek religion and mythology and of later Hellenistic religion and philosophy. The word is derived from Proto-Indo-European ''daimon'' "provider, divider (of fortunes or destinies)," from the root ''*da-'' "to divide". Daimons were possibly seen as the souls of men of the golden age acting as tutelary deities, according to entry at Liddell & Scott. See also daimonic: a religious, philosophical, literary and psychological concept. Description Daimons are lesser divinities or spirits, often personifications of abstract concepts, beings of the same nature as both mortals and deities, similar to ghosts, chthonic heroes, spirit guides, forces of nature, or the deities themselves (see Plato's ''Symposium''). According to Hesiod's myth, "great and powerful figures were to be honoured after death as a daimon…" A daimon is n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thiasos
In Greek mythology and religion, the ''thiasus'' ( el, θίασος, thíasos), was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version was his triumphant return from "India", which influenced symbolic conceptions of the Roman triumph and was narrated in rapturous detail in Nonnus' ''Dionysiaca''. In this procession, Dionysus rides a chariot, often drawn by big cats such as tigers, leopards, or lions, or alternatively elephants or centaurs. The ''thiasos'' of the sea god Poseidon is depicted as a triumphal wedding procession with Amphitrite, attended by figures such as sea nymphs and hippocamps. In historical Greek society, ''thiasoi'' (plural; el, θίασοι) were religious organizations whose existence was protected by law. Dionysian ''thiasos'' The most significant members of the thiasus were the human female devotees, the maenads, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek God
The following is a list of gods, goddesses, and many other divine and semi-divine figures from ancient Greek mythology and ancient Greek religion. Immortals The Greeks created images of their deities for many purposes. A temple would house the statue of a god or goddess, or multiple deities, and might be decorated with relief scenes depicting myths. Divine images were common on coins. Drinking cups and other vessels were painted with scenes from Greek myths. Major gods and goddesses Greek primordial deities Titans and Titanesses The Titan gods and goddesses are depicted in Greek art less commonly than the Olympians. File:Eos Memnon Louvre G115.jpg, Eos (Dawn) and the hero Memnon (490–480 BC) File:Ilion---metopa.jpg, Helios in his four-horse chariot (3rd century BC) File:0029MAN-Themis.jpg, Themis, from the Temple of Nemesis (ca. 300 BC) File:Antakya Arkeoloji Muzesi 02366 nevit.jpg, Oceanus wearing crab-claw horns, with Tethys ( Roman-era mosaic) File:Creation Prometh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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