|
Sigurðr
Sigurd ( non, Sigurðr ) or Siegfried (Middle High German: ''Sîvrit'') is a legendary hero of Germanic heroic legend, who killed a dragon and was later murdered. It is possible he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin. Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the eleventh century. In both the Norse and continental Germanic tradition, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other resp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigurd Prüft Das Schwert Gram By Johannes Gehrts
Sigurd ( non, Sigurðr ) or Siegfried (Middle High German: ''Sîvrit'') is a legendary hero of Germanic heroic legend, who killed a dragon and was later murdered. It is possible he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin. Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the eleventh century. In both the Norse and continental Germanic tradition, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brunhild
Brunhild, also known as Brunhilda or Brynhild ( non, Brynhildr , gmh, Brünhilt, german: Brünhild , label= Modern German or ), is a female character from Germanic heroic legend. She may have her origins in the Visigothic princess Brunhilda of Austrasia. In the Norse tradition, Brunhild is a shieldmaiden or valkyrie, who appears as a main character in the and some Eddic poems treating the same events. In the continental Germanic tradition, where she is a central character in the , she is a powerful Amazon-like queen. In both traditions, she is instrumental in bringing about the death of the hero Sigurd or Siegfried after he deceives her into marrying the Burgundian king Gunther or Gunnar. In both traditions, the immediate cause for her desire to have Sigfried murdered is a quarrel with the hero's wife, Gudrun or Kriemhild. In the Scandinavian tradition, but not in the continental tradition, Brunhild kills herself after Sigurd's death. Richard Wagner made Brunhild (as ) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gudrun
Gudrun ( ; non, Guðrún) or Kriemhild ( ; gmh, Kriemhilt) is the wife of Sigurd/Siegfried and a major figure in Germanic heroic legend and literature. She is believed to have her origins in Ildico, last wife of Attila the Hun, and two queens of the Merovingian dynasty, Brunhilda of Austrasia and Fredegund. In both the Continental (German) and Scandinavian traditions, Gudrun/Kriemhild is the sister of the Burgundian king Gunther/Gunnar and marries the hero Siegfried/Sigurd. Both traditions also feature a major rivalry between Gudrun and Brunhild, Gunther's wife, over their respective ranks. In both traditions, once Sigurd has been murdered, Gudrun is married to Etzel/Atli, the legendary analogue of Attila the Hun. In the Norse tradition, Atli desires the hoard of the Nibelungen, which the Burgundians had taken after murdering Sigurd, and invites them to his court; intending to kill them. Gudrun then avenges her brothers by killing Atli and burning down his hall. The N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Þiðreks Saga
''Þiðreks saga af Bern'' ('the saga of Þiðrekr of Bern', also ''Þiðrekssaga'', ''Þiðriks saga'', ''Niflunga saga'' or ''Vilkina saga'', with Anglicisations including ''Thidreksaga'') is an Old Norse chivalric saga centering the character it calls Þiðrekr af Bern, who originated as the historical king Theoderic the Great (454–526), but who attracted a great many unhistorical Germanic heroic legends. The text is probably by a Norwegian scholar from the 1200s who translated a lost Low German prose narrative of Theoderic's life, or who compiled it from various German sources, or by an Icelandic scholar from the 1300s. It is a pre-eminent source for a wide range of medieval Germanic legends. Titles The name ''Vilkinasaga'' was first used in Johan Peringskiöld's Swedish translation of 1715. Peringskiöld named it after ''Vilkinaland'', which the saga says was an old name for Sweden and Götaland. Origins The saga contains many narratives found in other medieval tales ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Types Of The Scandinavian Medieval Ballad
''The Types of the Scandinavian Medieval Ballad: A Descriptive Catalogue'' (TSB) is the designation for a cataloguing system for Scandinavian ballads. It is also the title of the underlying reference book: ''The Types of the Scandinavian Medieval Ballad: A Descriptive Catalogue'', edited by Bengt R. Jonsson, Svale Solheim and Eva Danielson, in collaboration with Mortan Nolsøe and W. Edson Richmond, published in 1978 in two places: as volume 5 of the series Skrifter utgivna av svenskt visarkiv (Stockholm: Svenskt visarkiv), and as volume 59 of series B of Oslo's Instituttet for sammenkignende kulturforskning (The Institute for Comparative Research in Human Culture) (Oslo, Bergen, and Tromsø: Universitetsforlaget; ). It attempts to classify all specimens of traditional ballads known in one or more of the Scandinavian languages ( Danish, Norwegian, Swedish, Icelandic, Faeroese, and the extinct Norn). Structure and scope Cognate ballads are assigned the same "TSB No." such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex texture (mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute '' Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as '' Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Götterdämmerung
' (; ''Twilight of the Gods''), WWV 86D, is the last in Richard Wagner's cycle of four music dramas titled (''The Ring of the Nibelung'', or ''The Ring Cycle'' or ''The Ring'' for short). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a translation into German of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. Composition Roles Synopsis Prologue Prelude to the Prologue Scene 1 The three Norns, daughters of Erda, the goddess of Nature, gather beside Brünnhilde's rock, weaving the Rope of Destiny. From it they read of the past, the present, and of the future when Walhalla will be set on fire and the end of the gods will c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the '' Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Dutch
Middle Dutch is a collective name for a number of closely related West Germanic dialects whose ancestor was Old Dutch. It was spoken and written between 1150 and 1500. Until the advent of Modern Dutch after 1500 or c. 1550, there was no overarching standard language, but all dialects were mutually intelligible. During that period, a rich Medieval Dutch literature developed, which had not yet existed during Old Dutch. The various literary works of the time are often very readable for speakers of Modern Dutch since Dutch is a rather conservative language. Phonology Differences with Old Dutch Several phonological changes occurred leading up to the Middle Dutch period. * Earlier Old Dutch , , merge into already in Old Dutch. * Voiceless fricatives become voiced syllable-initially: > , > (merging with from Proto-Germanic ), > . (10th or 11th century) * > * > or . The outcome is dialect-specific, with found in more western dialects and further east. This results in late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Modern German
Early New High German (ENHG) is a term for the period in the history of the German language generally defined, following Wilhelm Scherer, as the period 1350 to 1650. The term is the standard translation of the German (Fnhd., Frnhd.), introduced by Scherer. The term ''Early Modern High German'' is also occasionally used for this period (but the abbreviation EMHG is generally used for '' Early Middle High German''). Periodisation The start and end dates of ENHG are, like all linguistic periodisations, somewhat arbitrary. In spite of many alternative suggestions, Scherer's dates still command widespread acceptance. Linguistically, the mid-14th century is marked by the phonological changes to the vowel system that characterise the modern standard language; the mid-17th sees the loss of status for regional forms of language, and the triumph of German over Latin as the dominant, and then sole, language for public discourse. Scherer's dates also have the merit of coinciding with tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.JPG "Click for more on -> Brunhild")
