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Sigismondo
''Sigismondo'' is an operatic 'dramma' in two acts by Gioachino Rossini to an Italian libretto by Giuseppe Maria Foppa. The opera was not a success and Rossini later re-used some of its music in ''Elisabetta, regina d'Inghilterra'', ''The Barber of Seville'', and ''Adina''. Performance history ''Sigismondo'' was first performed at the Teatro La Fenice, Venice, on 26 December 1814, with revivals in Cremona, Reggio Emilia, Padua and Senigallia (all in 1819), Florence and Siena (both in 1820) and finally in Bologna (1827). Its modern revival took place in Rovigo in 1992 (see recording details below). Synopsis :Time: 16th Century :Place: PolandOsborne, Charles, p. 43 Roles Recordings References Notes Sources * Gossett, Philip; Brauner, Patricia (2001), " ''Sigismondo'' " in Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam. * Osborne, Charles (1994), ''The Bel Canto Operas of Rossini, Donizetti, and Bellini'', London: Methuen; Portland, Oregon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabetta Manfredini-Guarmani
Elisabetta Manfredini-Guarmani (2 June 1780 – after 1828) was an Italian opera singer best known for having created the leading soprano roles in four of Rossini's operas, roles which he wrote specifically for her voice. She was born Antonia Elisabetta Manfredini in Bologna and was the daughter of the composer and music theorist Vincenzo Manfredini. After her stage debut in 1810 when she sang in the premiere of Stefano Pavesi's ''Il trionfo di Gedeone'' at Bologna's Teatro del Corso, she went on to perform at La Fenice, La Scala, Teatro Regio di Torino, Rome's Teatro Argentina and several other opera houses, primarily in Northern Italy. In addition to the roles she created in Rossini's operas, she also sang in the world premieres of operas by several composers who are lesser known today, including Pietro Raimondi, Simon Mayr, and Ferdinando Paër. Her last known appearance was in 1828 after which there is no further trace of her. The date and place of her death are unknown. Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonia Ganassi
Sonia Ganassi (born 1966) is an Italian mezzo-soprano. Born in Reggio Emilia, she made her debut as Rosina in Rossini’s ''The Barber of Seville'' in Rome in 1992. She has performed in many of the world’s famous opera houses including the Metropolitan Opera in New York City, the Royal Opera House in London and the Teatro alla Scala, Milan. She is best known for her work in the bel canto repertoire. Her roles in Rossini operas also include soprano parts, such as Elisabetta in ''Elisabetta, regina d'Inghilterra'' ( ROF, 2004), Elena in ''La donna del lago (Lady of the Lake)'' (Rossini in Wildbad, 2006), ''Ermione'' (ROF, 2008), and Elcia in '' Mosè in Egitto'' (ROF, 2011).In 2010 she also debuted the soprano title role in Handel's '' Rodelinda'' at the 36th Festival della Valle d'Itria, Martina Franca. In 2009 she participated in a live recording of Giuseppe Verdi's Messa da Requiem conducted by Antonio Pappano (EMI Classics 6 98936 2). In October 2019 she debuted the leading ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marietta Marcolini
Marietta Marcolini (born c. 1780 – 26 December 1855) was an Italian operatic contralto. Marcolini was born in Florence. The date of her stage debut is unknown, but she was appearing in Venice in 1800. She subsequently sang in Naples, Livorno, Pisa, Rome and Milan, singing in the premieres of Pietro Carlo Guglielmi's ''La serva bizzarra'' (Naples 1803), Giacomo Tritto's ''Andromaca e Pirro'' (Rome 1807), Giuseppe Nicolini's ''Traiano in Dacia'' (Rome 1807), Carlo Bigatti's ''L'amante prigioniero'' (Milan 1809) and Ercole Paganini's ''Le rivale generose'' (Milan 1809). Rossini wrote five parts for her between 1811 and 1814 which – by their subject matter and technical difficulty – justify Marcolini's contemporary reputation for talent as a comedian and a splendid voice. Rossini roles created *Ernestina in Rossini's ''L'equivoco stravagante'' (Bologna 1811) *Ciro in Rossini's '' Ciro in Babilonia'' ( Ferrara 1812) *Clarice in Rossini's '' La pietra del paragone'' (Milan 181 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini In Wildbad
Rossini in Wildbad is a bel canto opera festival in Bad Wildbad, Baden-Württemberg, specialising in the lesser-known operas of Gioachino Rossini and his contemporaries. The festival commemorates a stay by Rossini at the town's spa in 1856, which apparently invigorated him enough to start composing again. George Loomis, '' New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
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Antonino Fogliani
Antonino Fogliani (born in Messina, June 29, 1976) is an Italian conductor. Biography Fogliani studied composition at the Conservatorio "G. B. Martini" in Bologna with and graduated with honors in orchestral conducting at the Milan Conservatory, under Vittorio Parisi. He then furthered his musical training at the Accademia Musicale Chigiana in Siena where he studied conducting with Gianluigi Gelmetti and composition with Franco Donatoni and Ennio Morricone. Fogliani's debut at the '' Rossini Opera Festival'' in Pesaro in 2001 with ''Il viaggio a Reims'' was the beginning of an international career. He went on to conduct productions such as Gaetano Donizetti's '' Ugo conte di Parigi'' and ''Maria Stuarda'' at La Scala in Milan, Pietro Mascagni's '' Amica'' and Rossini's ''Mosè in Egitto'' at the Rome Opera, ''Lucia di Lammermoor'' in St. Gallen, Verdi's '' Oberto conte di San Bonifacio'' in the Verona Philharmonic Theatre, ''Il barbiere di Siviglia'' at La Fenice in V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cremona
Cremona (, also ; ; lmo, label= Cremunés, Cremùna; egl, Carmona) is a city and ''comune'' in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the ''Pianura Padana'' ( Po Valley). It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family. History Ancient Celtic origin Cremona is first mentioned in history as a settlement of the Cenomani, a Gallic ( Celtic) tribe that arrived in the Po valley around 400 BC. However, the name Cremona most likely dates back to earlier settlers and puzzled the ancients, who gave many fanciful interpretations. Roman military outpost In 218 BC the Romans established on that spot their first military o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Bonoldi
Claudio Bonoldi (26 October 1783 – 14 February 1846 ) was an Italian tenor. Musical career Bonoldi started his career as a lyric tenor, particularly suited to cover roles in opera buffa. Over the time, when his vocal timbre became darker and more resonant, he interpreted more dramatic parts, such as Pollione in Vincenzo Bellini's '' Norma''. He also sang the roles of bass, such as Assur in ''Semiramide'' by Gioachino Rossini and ''Don Giovanni'' by Wolfgang Amadeus Mozart. His voice was categorised as baritenor. He studied singing in his hometown with maestro Giacomo Carcani (1734–1820) and perfected his vocal training with maestro B. Gherardi. He began his career in 1803 at Teatro d'Angennes in Turin performing in parts of second half character. He made his debut at Teatro alla Scala in 1811 as Peronio in the premiere performance of Giuseppe Farinelli's ''Annibale in Capua''. Rossini wrote for him the role of Giocondo for '' La pietra del paragone'' that was premiered on 26 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Senigallia
Senigallia (or Sinigaglia in Old Italian, Romagnol: ''S’nigaja'') is a ''comune'' and port town on Italy's Adriatic coast. It is situated in the province of Ancona in the Marche region and lies approximately 30 kilometers north-west of the provincial capital city Ancona. Senigallia's small port is located at the mouth of the river Misa. It is one of the endpoints of the Massa-Senigallia Line, one of the most important dividing lines (isoglosses) in the classification of the Romance languages. History Senigallia was first settled in the 4th century BC by the gallic tribe of the Senones who first settled this coastal area. In 284 BC, the settlement was taken over by Romans, who established the colony ''Sena Gallica'' there''. "''Sena''"'' is probably a corrupted form of "Senones" and "Gallica''"'' (meaning "Gaulish") distinguished it from ''Saena'' (Siena) in Etruria. In the prelude to the Battle of the Metaurus between Romans and Carthaginians in 207 BC, ''Sena Gallica'' wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adina (opera)
''Adina'' is an operatic farsa in one act by Gioachino Rossini with a libretto by Marchese Gherardo Bevilacqua-Aldobrandini. The opera develops the popular theme of the "abduction from the seraglio". The première took place on 22 June 1826 at the Teatro Nacional de São Carlos, Lisbon. Composition history ''Adina'' was commissioned in 1818 by Diego Ignazio de Pina Manique, police superintendent of Lisbon and inspector of Portuguese theatres. The opera was intended as a gift for a now unknown soprano who had apparently enthralled the superintendent with her performances at São Carlos. The contract Rossini made was for a quick completion of the work, and the opera was finished in the same year it was commissioned. Rossini did not write an overture for the opera because none was specified in the contract and took little interest in the project. The plot is very similar to that of Francesco Basili's 1819 opera, ''Il califfo e la schiava'', for which the libretto was written by F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Maria Foppa
Giuseppe Maria Foppa (Venice, 12 July 1760 – Venice, 1 March 1845) was an Italian librettist. He wrote around 150 libretti, mainly for comic operas, as well as Latin oratorio texts and his memoirs.Richard Osborne ''Rossini'' 2007 0199724407 p.368 "Foppa, Giuseppe (1760–1845), librettist. An archivist and government official, he wrote some 150 opera libretti. A master of the one-act farsa popular in Venice from the early 1790s, he drew his material from French and Neapolitan sources," Librettos * ''Romeo and Juliet'', for Nicola Antonio Zingarelli *''L'inganno felice'', '' La scala di seta'', ''Il signor Bruschino'' and ''Sigismondo'' (1814) for Gioachino Rossini *''Gli artigiani'', 1795 for Pasquale Anfossi *''L'intrigo della lettera'' 1797, and several oratorios for Simone Mayr *''Lo spazzacamino principe'' 1794, and ''Le donne cambiate'' 1797 for Marcos António Portugal *''Teresa e Claudio'', 1801 for Giuseppe Farinelli *'' Le metamorfosi di Pasquale'', 1802 for Gas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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