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Shimpa
(also rendered ''shimpa'') is a form of theater in Japan, usually featuring melodramatic stories, contrasted with the more traditional ''kabuki'' style. It later spread to cinema. Art form The roots of ''Shinpa'' can be traced to a form of agitation propaganda theater in the 1880s promoted by Liberal Party members Sadanori Sudo and Otojirō Kawakami. Theatre historians have characterized Shinpa as a transitional movement, closely associated with the Meiji restoration, whose primary rationale was the rejection of "old" values in favor of material that would appeal to a partially westernized urban middle class which still maintained some traditional habits of thought. Some of the innovations associated with Shinpa included: shortened performance times, the occasional re-introduction of female performers to the stage, the abolition of teahouses that had previously controlled ticket sales, the use of contemporary patriotic events as subject matter, and the frequent adaptation of ...
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Theatre Of Japan
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the ped ...
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Pure Film Movement
The was a trend in film criticism and filmmaking in 1910s and early 1920s Japan that advocated what were considered more modern and cinematic modes of filmmaking. Critics in such magazines as '' Kinema Record'' and '' Kinema Junpo'' complained that existing Japanese cinema was overly theatrical. They said it presented scenes from kabuki and shinpa theater as is, with little cinematic manipulation and without a screenplay written with cinema in mind. Women were even played by onnagata. Filmmakers were charged with shooting films with long takes and leaving the storytelling to the benshi in the theater instead of using devices such as close-ups and analytical editing to visually narrate a scene. The novelist Jun'ichiro Tanizaki was an important supporter of the movement. Critics such as Norimasa Kaeriyama eventually became filmmakers to put their ideas of what cinema is into practice, with Kaeriyama directing '' The Glow of Life'' at the Tenkatsu Studio in 1918. This is often c ...
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Theatre In Japan
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the p ...
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Theatrical Genres
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patric ...
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Cinema Of Japan
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. '' Tokyo Story'' (1953) ranked number three in '' Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning ''Citizen Kane'', while Akira Kurosawa's '' Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kad ...
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Korean Theater
Theater in Korea or Korean theater are theater performances which were originally done in courtyards, but which have now moved to stages. Korean theater is performed in the Korean language, and is generally made up of Korean people. Rising to prominence in Ancient Korea, Korean theater remains vibrant today and is now gaining popularity around the world. Korean theater before the 20th century was more ' performance' than 'drama'. There were no plot-driven dramas, and all the performative presentations, including dance, shaman ritual, and circus, were called ''Nolum'' (놀음) or ''Yeonhee'' (연희), which means 'playing'. Up until the 19th century, the two leading forms of Korean public theater were ''Talchum'' (탈춤) and ''Pansori'' (판소리). Talchum literally translates to "mask-dance". Multiple players wearing masks performed a loosely fixed text through dance, dialogue and song. Since the performers were able to conceal their identities, many of the plays that were p ...
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Shōtarō Hanayagi
Shōtarō, Shotaro or Shoutarou (written: 正太郎, 昭太郎, 正太朗, 章太郎, 庄太郎, 祥太郎 or 翔太郎) is a masculine Japanese given name. Notable people with the name include: *, Japanese photographer *, Japanese photographer *, Japanese footballer *, Japanese footballer *, Japanese writer *, Japanese cyclist *, Japanese manga artist *, Japanese photographer *, Japanese voice actor and singer * Shotaro Mamiya (間宮 祥太朗, born 1993), real name Shotaro Mawatari (馬渡祥太朗), Japanese actor *, Japanese K-pop idol in NCT *, Japanese writer See also * 7594 Shotaro, a main-belt asteroid * Shōta *Shotacon , abbreviated from , is, in Japanese contexts, the attraction to young (or young-looking) boy characters, or media centered around this attraction. The term refers to a genre of manga and anime wherein prepubescent or pubescent male character ... {{DEFAULTSORT:Shotaro Japanese masculine given names ...
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Rokurō Kitamura
Rokurō, Rokuro or Rokurou (written: or ) is a masculine Japanese given name. Notable people with the name include: *, Japanese businessman *, Japanese film director *, Japanese voice actor *, Japanese rower *, Imperial Japanese Navy admiral Fictional characters *, a character in the video game ''Tales of Berseria is an action role-playing video game developed and published by Bandai Namco Entertainment for PlayStation 3, PlayStation 4, and Microsoft Windows. It is the sixteenth main entry in the ''Tales'' series and a prequel of ''Tales of Zestiria''. ...'' {{DEFAULTSORT:Rokuro Japanese masculine given names ...
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Living National Treasures Of Japan
is a Japanese popular term for those individuals certified as by the Minister of Education, Culture, Sports, Science and Technology as based on Japan's . The term "Living National Treasure" is not formally mentioned in the law, but is an informal term referencing the cultural properties designated as the National Treasures. The Japanese government provides a subsidy of 2 million yen per person per year for Living National Treasures. The total amount of the subsidy is determined by the national budget, and since 2002 it has been 232 million yen. Therefore, the number of Living National Treasures in existence is a maximum of 116, and if there are 116 Living National Treasures, no person with any outstanding skills will be newly designated as a Living National Treasure unless a vacancy occurs due to death.
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Yaeko Mizutani
Yaeko Mizutani I (1 August 1905 – 1 October 1979) (水谷八重子 in Japanese, or しょだい みずたに やえこ in kana) was "grande dame of the Japanese stage" and in film from the 1920s through the 1970s. Mizutani's daughter is also an actress called Yaeko Mizutani, so the elder Mizutani is sometimes referred to with an "I" after her name. Early life Mizutani was born in Kagurazaka, Tokyo, daughter of Toyozo and Tome Matsuno. Her father was a watchmaker who died when Yaeko was a small child. She was raised in the household of her older sister and her brother-in-law, writer , whose family name she also used. She attended Futaba Girls' High School. Career Theatre Mizutani began acting in plays as a child. She formed an outdoor theatre company with as a young woman, and she was active in several experimental and artistic theatre companies in the mid-1920s. There is an audio recording of her performing in 1929, in ''Shishi ni Kuwareru Onna'' (''The Woman Eaten b ...
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Matsutarō Kawaguchi
was a Japanese writer of short stories, novels, dramas and screenplays. He repeatedly collaborated on the films of director Kenji Mizoguchi. Biography Kawaguchi was born in the plebeian Asakusa district of Tokyo into an impoverished family. He was forced to leave home at the age of 14 to seek employment. He started to write in his spare time, while working at various jobs, which included working in a pawn shop, as a tailor, a policeman and as a postman at one point in his life. He came to be acquainted with author Kubota Mantaro, who encouraged him in his literary efforts. Kawaguchi was arrested in Kamakura, Kanagawa in 1933, along with fellow literati Kume Masao and Satomi Ton for illegal card gambling. In 1935, Kawaguchi won the first Naoki Prize for a short story titled ''Tsuruhachi Tsurujirō''. He followed this with a serialized novel, ''Aizen Katsura'', a melodramatic love story involving a nurse and a doctor, which ran from 1937–1938. The story became a tremendous ...
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