Sharawadgi
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Sharawadgi
Sharawadgi or sharawaggi is a style of landscape gardening or architecture in which rigid lines and symmetry are avoided to give the scene an organic, naturalistic appearance. This was supposedly a concept in the Chinese garden, and starting with Sir William Temple's essay ''Upon the gardens of Epicurus'', may have been influential in English landscape gardening in the 18th century (Temple had in fact never visited China). The reports from China of the Jesuit missionary, Jean Denis Attiret, Father Attiret added to this. Sir William Temple first used the word "sharawadgi" in discussing the Chinese idea of beauty without order in garden design, in contrast to the straight lines, regularity, and symmetries then popular in the formal Baroque gardens of Europe, led by the French formal garden. The style indicates a certain irregularity in the design. The term seems in fact to derive from a version of a Japanese word, though much scholarly effort has been devoted to trying to find a Ch ...
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Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the ''sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ...
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