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Semele (Handel)
''Semele'' ( HWV 58) is a 'musical drama', originally presented "after the manner of an oratorio", in three parts by George Frideric Handel. Based on an existing opera libretto by William Congreve, the work is an opera in all but name but was first presented in concert form at Covent Garden theatre on 10 February 1744. The story comes from Ovid's ''Metamorphoses'' and concerns Semele, mother of Bacchus. Handel also referred to the work as 'The Story of Semele'. The work contains the famous aria ''Where'er you walk.'' The work fuses elements of opera, oratorio and classical drama. ''Semele'' was presented during Lent, one of Handel's regular oratorio seasons. However it was not what London audiences were expecting of an oratorio during the solemn season of Lent. ''Semele'' has a secular text with a story involving an adulterous sexual relationship. It is distinguished from Handel's operas by the large number of polyphonic choruses. ''Semele'' was performed four times during i ...
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John Eccles (composer)
John Eccles (1668 – 12 January 1735) was an English composer. Born in London, eldest son of professional musician Solomon Eccles and brother of fellow composer Henry Eccles, John Eccles was appointed to the King's Private Music in 1694, and in 1700 became Master of the King's Musick. Also in 1700 he finished second in a competition to write music for William Congreve's masque '' The Judgement of Paris'' ( John Weldon won). Eccles was very active as a composer for the theatre, and from the 1690s wrote a large amount of incidental music including music for Congreve's ''Love for Love'', John Dryden's ''The Spanish Friar'' and William Shakespeare's ''Macbeth''. Jointly with Henry Purcell he wrote incidental music for Thomas d'Urfey's ''Don Quixote''. He became a composer to Drury Lane theatre in 1693 and when some of the actors broke off to form their own company at Lincoln's Inn Fields in 1695, he composed music for them as well including for John Dennis's '' Rinaldo and Armida' ...
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Hercules (Handel)
''Hercules'' ( HWV 60) is a ''Musical Drama'' in three acts by George Frideric Handel, composed in July and August 1744. The English language libretto was by the Reverend Thomas Broughton, based on Sophocles's ''Women of Trachis'' and the ninth book of Ovid's ''Metamorphoses''. Performance history ''Hercules'' was first given at the King's Theatre in London on 5 January 1745 in concert style. There were only two performances in the original run. The role of Lichas was written first as a small one for tenor, but it was greatly expanded before the premiere to provide Susanna Cibber with six airs. She was too ill to sing on the first night, and the music was either omitted or redistributed on that occasion. She sang in the second performance on 12 January. The music for the chorus "Wanton God" and the air "Cease, ruler of the day" was never given in this opera: the latter was adapted for the final chorus of ''Theodora''. The work was a total failure and caused Handel to suspend h ...
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Arminio
''Arminio'' ( HWV 36) is an opera composed by George Frideric Handel. The libretto is based on a libretto of the same name by Antonio Salvi, which had been set to music by Alessandro Scarlatti. It is a fictionalisation of events surrounding the Germanic leader Arminius, who defeated the Romans under Publius Quinctilius Varus at the Battle of the Teutoburg Forest in AD 9, and his wife Thusnelda. The opera was performed for the first time at the Covent Garden Theatre on 12 January 1737. Background The German-born Handel had brought Italian opera to London stages for the first time in 1711 with his opera '' Rinaldo''. An enormous success, ''Rinaldo'' created a craze in London for Italian opera seria, a form focused overwhelmingly on solo arias for the star virtuoso singers. Handel had presented new operas in London for years with great success. One of the major attractions in Handel's operas was the star castrato Senesino whose relationship with the composer was often stormy a ...
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Henry Reinhold
Henry Reinhold (c. 1690 – 1751), also known as Thomas Reinhold, was a German opera singer. He was born in Dresden and showed an early aptitude for music, which his family apparently discouraged. But he secretly left Dresden to follow Handel, a friend of his reputed father, to London. There, through Handel's good offices, he came under the protection of Frederick, Prince of Wales, who ultimately stood sponsor to his eldest son. In 1731 Reinhold, described as Reynholds, was singing at the Haymarket Theatre. He sang in the first performance of Handel's Arminio at Covent Garden on 12 January 1737, and created principal parts in many of Handel's operas and oratorios. Reinhold was one of the founders, in 1738, of the Royal Society of Musicians. When vocal music was added to the other attractions of Vauxhall Gardens in 1745, Reinhold was one of the first singers engaged. He died in Chapel Street, Soho, on 14 May 1751, and on 20 May Garrick lent his theatre for a benefit performance ...
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John Beard (tenor)
John Beard (c. 1716 – 5 February 1791) was an English tenor of the 18th century. He is best remembered for creating an extensive number of roles in the operas and oratorios of George Frideric Handel. Beard's début came in Handel's 1734 revival of his '' Il pastor fido'', which was a great success. Beard continued to sing for Handel, creating roles in ten of his operas and performing in every one of Handel's English-language oratorios, odes, and music dramas, with the sole exception of '' The Choice of Hercules''. He also performed for Thomas Arne, and sang at the Chapel Royal. His marriage, during 1739, to Lady Henrietta Herbert, only daughter of James Waldegrave, 1st Earl Waldegrave caused much scandal: Lord Egmont commented that "there is no prudence below the girdle". Lady Henrietta died in 1753. In 1759 Beard married again, this time to Charlotte Rich, whose father John Rich was the proprietor of the opera house in Covent Garden. After John Rich died in 1761, Beard succe ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the '' Iliad'' and the '' Odyssey''. Two poems by Homer's near contemporary Hesiod, the ''Theogony'' and the '' Works and Days'', contain accounts of the ...
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English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood and J ...
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John Beard
John Beard may refer to: * John Beard (artist) (born 1943), Welsh artist and painter * John Beard (colonial administrator) (died 1685), Chief Agent and Governor of Bengal * John Beard (embryologist) (1858–1924), Scottish embryologist and anatomist * John Beard (news anchor) (born 1945), American newscaster and ''Arrested Development'' actor ** John Beard (''Arrested Development''), the character he plays * John Beard (politician) (1797–1876), American politician * John Beard (tenor) John Beard (c. 1716 – 5 February 1791) was an English tenor of the 18th century. He is best remembered for creating an extensive number of roles in the operas and oratorios of George Frideric Handel. Beard's début came in Handel's 1734 revi ... ( 1716–1791), English singer of Handel's operas and oratorios * John Beard (trade unionist) (1871–1950), British trade unionist and politician * John F. Beard (1822–1891), Wisconsin legislator * John Relly Beard (1800–1876), Unitarian mini ...
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Mary Delany
Mary Delany ( Granville; 14 May 1700 – 15 April 1788) was an English artist, letter-writer, and bluestocking, known for her "paper-mosaicks" and botanic drawing, needlework and her lively correspondence. Early life Mary Delany was born at Coulston, Wiltshire, the daughter of Colonel Bernard Granville by his marriage to Mary Westcombe, loyal Tory supporters of the Stuart Crown. She was a niece of George Granville, 1st Baron Lansdowne, her father's brother. Mary had one older brother, Bernard (1699), known as Bunny; a younger brother Bevil, born between 1702 and 1706; and a sister, Anne (1707) who married John Dewes (D'Ewes). When Mary was young, her parents moved the family to London, and she attended a school taught by a French refugee, Mademoiselle Puelle. Mary came into close contact with the Court when she was sent to live with her aunt, Lady Stanley, who was childless – the intention being that she would eventually become a Maid of Honour.Hayden, 1980. While l ...
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Recitatives
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ...
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Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably b ...
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Il Pompeo
''Il Pompeo'' is a dramma per musica in three acts by composer Alessandro Scarlatti. Written in 1682 when Scarlatti was 22 years old, it was his fourth opera and first dramatic work on a serious and grand subject. The opera uses an Italian language libretto by Nicolò Minato which had previously been used by Francesco Cavalli for his 1666 opera ''Pompeo Magno''. The work premiered at the Teatro di Palazzo Colonna in Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ... on 25 January 1683. Roles References 1683 operas Italian-language operas Operas Operas by Alessandro Scarlatti {{Italian-opera-stub ...
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