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Saraha
Saraha, Sarahapa, Sarahapāda (or, in the Tibetan language མདའ་བསྣུན་, anün Wyl. mda' bsnun The Archer), (''circa'' 8th century CE) was known as the first sahajiya and one of the Mahasiddhas. The name ''Saraha'' means "the one who has shot the arrow.". According to one, scholar, "This is an explicit reference to an incident in many versions of his biography when he studied with a dakini disguised as a low-caste arrow smith. Metaphorically, it refers to one who has shot the arrow of non duality into the heart of duality." Saraha is considered to be one of the founders of Vajrayana Buddhism, particularly the Mahāmudrā tradition. Saraha was originally known as Rāhula or Rāhulbhadra and was born in Roli, a region of the city-state of Rajni in eastern India, into a Shakya family and studied at the Buddhist monastic university Nalanda. The Arrow Making Dakini Saraha is normally shown seated and holding an arrow (Skt. śaru). It is from a mature nameless ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraha
Saraha, Sarahapa, Sarahapāda (or, in the Tibetan language མདའ་བསྣུན་, anün Wyl. mda' bsnun The Archer), (''circa'' 8th century CE) was known as the first sahajiya and one of the Mahasiddhas. The name ''Saraha'' means "the one who has shot the arrow.". According to one, scholar, "This is an explicit reference to an incident in many versions of his biography when he studied with a dakini disguised as a low-caste arrow smith. Metaphorically, it refers to one who has shot the arrow of non duality into the heart of duality." Saraha is considered to be one of the founders of Vajrayana Buddhism, particularly the Mahāmudrā tradition. Saraha was originally known as Rāhula or Rāhulbhadra and was born in Roli, a region of the city-state of Rajni in eastern India, into a Shakya family and studied at the Buddhist monastic university Nalanda. The Arrow Making Dakini Saraha is normally shown seated and holding an arrow (Skt. śaru). It is from a mature nameless ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahāmudrā
Mahāmudrā (Sanskrit: महामुद्रा, , contraction of ) literally means "great seal" or "great imprint" and refers to the fact that "all phenomena inevitably are stamped by the fact of wisdom and emptiness inseparable". Mahāmudrā is a multivalent term of great importance in later Indian Buddhism and Tibetan Buddhism which "also occurs occasionally in Hindu and East Asian Buddhist esotericism." The name also refers to a body of teachings representing the culmination of all the practices of the Sarma schools of Tibetan Buddhism, who believe it to be the quintessential message of all of their sacred texts. The ''mudra'' portion denotes that in an adept's experience of reality, each phenomenon appears vividly, and the ''maha'' portion refers to the fact that it is beyond concept, imagination, and projection. Reginald Ray, ''Secret of the Vajra World''. Shambhala 2001, page 261. The practice of Mahāmudrā is also known as the teaching called " Sahajayoga" or "Co- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahamudra
Mahāmudrā ( Sanskrit: महामुद्रा, , contraction of ) literally means "great seal" or "great imprint" and refers to the fact that "all phenomena inevitably are stamped by the fact of wisdom and emptiness inseparable". Mahāmudrā is a multivalent term of great importance in later Indian Buddhism and Tibetan Buddhism which "also occurs occasionally in Hindu and East Asian Buddhist esotericism." The name also refers to a body of teachings representing the culmination of all the practices of the Sarma schools of Tibetan Buddhism, who believe it to be the quintessential message of all of their sacred texts. The ''mudra'' portion denotes that in an adept's experience of reality, each phenomenon appears vividly, and the ''maha'' portion refers to the fact that it is beyond concept, imagination, and projection.Reginald Ray, ''Secret of the Vajra World''. Shambhala 2001, page 261. The practice of Mahāmudrā is also known as the teaching called " Sahajayoga" or "Co- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahaja
Sahaja ( pra, সহজ sa, सहज ) means spontaneous enlightenment in Indian and Tibetan Buddhist spirituality. Sahaja practices first arose in Bengal during the 8th century among yogis called Sahajiya siddhas. Ananda Coomaraswamy describes its significance as "the last achievement of all thought", and "a recognition of the identity of spirit and matter, subject and object", continuing "There is then no sacred or profane, spiritual or sensual, but everything that lives is pure and void." Etymology The Sanskrit nd the Tibetan, which precisely follows itliterally means: 'born or produced together or at the same time as. Congenital, innate, hereditary, original, natural (...by birth, by nature, naturally...)'. Etymologically, means 'together with', and derives from the root , meaning 'to be born, produced, to occur, to happen'. The Tibetan is an exact etymological equivalent of the Sanskrit. means 'together with', and means 'to be born, to arise, to come about, to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luipa
Luipa or Luipada (c. 10th century) was a mahasiddha siddhacharya from the Brahmaputra Valley or Luit. He was a Buddhist saint from the Kamrupian Kãivartā community. He was a poet and writer of a number of uddhist textsmainly the Charyapadas which is the earliest form of the Assamese Language. Nomenclature and etymology Although the Tibetan translation for ''Lui'' is "the fish-gut eater" (), the root of the word is probably Sanskrit ''lohita'' which means "red" and the names like Luidhar, Luichandra and Luiya mentioned in the ''Dharmamangal''s of the late medieval period originated from the same root.Sen, Sukumar (2002). ''Charyageeti Padabali'' (in Bengali), Ananda Publishers, Kolkata, , pp.20-1 Ayyappapanicker & Akademi (1997: p. 599) amplify the view of prior scholarship in that the nomenclature "Luipa" is related to the Brahmaputra River: Hagiographical accounts Luipa appears in ''The Legends of Eighty-four Siddhas'' (), a Tibetan namtar detailing the lives of India ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charyapada
The Charyapada (IAST: Caryapāda, Assamese/Bengali: চর্যাপদ) is a collection of mystical poems, songs of realization in the Vajrayana tradition of Buddhism from the tantric tradition in Assam, Bengal, Bihar and Odisha. It was written between the 8th and 12th centuries in an Abahatta that was the ancestor of the Assamese, Bengali, Bhojpuri, Odia, Magahi, Maithili, and many other Eastern Indo-Aryan languages, and it is said to be the oldest collection of verses written in those languages. ''Charyāpada'' written in the script resembles the most closest form of Bengali–Assamese languages used today. A palm-leaf manuscript of the ''Charyāpada'' was rediscovered in the early 20th century by Haraprasad Shastri at the Nepal Royal Court Library. The ''Charyapada'' was also preserved in the Tibetan Buddhist canon. As songs of realization, the ''Caryāpada'' were intended to be sung. These songs of realisation were spontaneously composed verses that expressed a pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadar (ritual Tool)
The Dadar (Tibetan; Wylie: ''mda' dar''), or arrow often though not always dressed with rainbow ribbon, is a teaching tool, ritual instrument symbol for Nyingmapa and Bonpo Dzogchenpa and is a particular attribute for Mandarava and Saraha. An aphorism "to shoot the arrow" of Jigme Lingpa is rendered into English by Gyatso (1998: p. 85); it refers: ...to the need to seek students with whom there is a "karmic connection"; the point is that the bodhisattva cannot always be helpful to everyone, and so one should direct one's efforts at those who are already predisposed to one. Khanpo Palden Sherab commented that the tantric master does not remain isolated but wanders in the world and occasionally is on the mark, that is, has the satisfaction of helping others attain buddhahood. Simmer-Brown (2001: p. 359) asserts that linguistic devices, such as a pun, are common teaching tools in tantra and vajrayana and provides the following homonymic example: The word for ''arrow'' is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahasiddha
Mahasiddha ( Sanskrit: ''mahāsiddha'' "great adept; ) is a term for someone who embodies and cultivates the "siddhi of perfection". A siddha is an individual who, through the practice of sādhanā, attains the realization of siddhis, psychic and spiritual abilities and powers. Mahasiddhas were practitioners of yoga and tantra, or ''tantrika''s. Their historical influence throughout the Indian subcontinent and the Himalayas was vast and they reached mythic proportions as codified in their songs of realization and hagiographies, or namtars, many of which have been preserved in the Tibetan Buddhist canon. The Mahasiddhas are the founders of Vajrayana traditions and lineages such as Dzogchen and Mahamudra. Robert Thurman explains the symbiotic relationship between Tantric Buddhist communities and the Buddhist universities such as Nalanda which flourished at the same time. Genealogy and historical dates The exact genealogy and historical dates of the Mahasiddhas are conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odia Script
The Odia script ( or, ଓଡ଼ିଆ ଅକ୍ଷର, Odiā akṣara, translit-std=ISO) is a Brahmic script used to write primarily Odia language and others including Sanskrit and other regional languages. The script has developed over more than 1000 years from a variant of Siddhaṃ script which was used in Eastern India, where the characteristic top line transformed into a distinct round umbrella shape due to the influence of palm leaf manuscripts and also being influenced by the neighbouring scripts from the Western and Southern regions. Odia is a syllabic alphabet or an abugida wherein all consonants have an inherent vowel embedded within. Diacritics (which can appear above, below, before, or after the consonant they belong to) are used to change the form of the inherent vowel. When vowels appear at the beginning of a syllable, they are written as independent letters. Also, when certain consonants occur together, special conjunct symbols combine the essential parts of e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Of Realization
Songs of realization, or Songs of Experience (; Devanāgarī: दोहा; Romanized Sanskrit: ''Dohā''; Oriya: ପଦ), are sung poetry forms characteristic of the tantric movement in both Vajrayana Buddhism and in Hinduism. Doha is also a specific poetic form. Various forms of these songs exist, including caryagiti ( sa, caryāgīti), or 'performance songs' and vajragiti (Sanskrit: ''vajragīti'', Tibetan: ''rDo-rje gan-sung'' ), or 'diamond songs', sometimes translated as vajra songs and doha (Sanskrit: ''dohā'', दोह, 'that which results from milking the cow'), also called doha songs, distinguishing them from the unsung Indian poetry form of the doha. According to Roger Jackson, caryagiti and vajragiti "differ generically from dohās because of their different context and function"; the doha being primarily spiritual aphorisms expressed in the form of rhyming couplets whilst caryagiti are stand-alone performance songs and vajragiti are songs that can only be under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahasiddha
Mahasiddha ( Sanskrit: ''mahāsiddha'' "great adept; ) is a term for someone who embodies and cultivates the "siddhi of perfection". A siddha is an individual who, through the practice of sādhanā, attains the realization of siddhis, psychic and spiritual abilities and powers. Mahasiddhas were practitioners of yoga and tantra, or ''tantrika''s. Their historical influence throughout the Indian subcontinent and the Himalayas was vast and they reached mythic proportions as codified in their songs of realization and hagiographies, or namtars, many of which have been preserved in the Tibetan Buddhist canon. The Mahasiddhas are the founders of Vajrayana traditions and lineages such as Dzogchen and Mahamudra. Robert Thurman explains the symbiotic relationship between Tantric Buddhist communities and the Buddhist universities such as Nalanda which flourished at the same time. Genealogy and historical dates The exact genealogy and historical dates of the Mahasiddhas are conte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odia Script In Dohakosa By Sarahapada
Odia, also spelled Oriya or Odiya, may refer to: * Odia people in Odisha, India * Odia language, an Indian language, belonging to the Indo-Aryan branch of the Indo-European language family * Odia alphabet, a writing system used for the Odia language ** Oriya (Unicode block), a block of Odia characters in Unicode * Odia (name) Odia is both a surname and a given name. Notable people with the name include: * Churchill Odia (born 1985), Nigerian basketball player * Henry Odia (born 1990), Nigerian footballer * Odia Coates Odia Coates (November 13, 1941 – May 19, ..., including a list of people with the name See also * * {{Disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
