Santa Maria Maggiore, Assisi
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Santa Maria Maggiore, Assisi
The Church of Santa Maria Maggiore, also known as Sanctuary of the Spoliation, is a church in Assisi, Umbria, central Italy. The current structure dates from the 11th-12th centuries, although it was built on a pre-existing Palaeo-Christian church; the latter had been in turn erected above a Roman edifice, the so-called " Propertius' Domus" or a temple dedicated to Apollo or, according to the tradition, to Janus. The church served as the city's cathedral until 1036, when the title was moved to the current Cathedral, the church of San Rufino. It has an undecorated façade divided vertically by pilasters. The entrance door is surmounted by an ogival arch and a rose window, dated 1163 and signed by one ''Johannes'', identified by some with Giovanni da Gubbio, the architect of the Assisi Cathedral. The bell tower, built in the 14th century, is in Gothic-Romanesque style. The interior has a basilica plan with a nave and two aisles, separated by pillars. The walls house fresco rema ...
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Rose Window
Rose window is often used as a generic term applied to a circular window, but is especially used for those found in Gothic cathedrals and churches. The windows are divided into segments by stone mullions and tracery. The term ''rose window'' was not used before the 17th century and comes from the English flower name rose. The name "wheel window" is often applied to a window divided by simple spokes radiating from a central boss or opening, while the term "rose window" is reserved for those windows, sometimes of a highly complex design, which can be seen to bear similarity to a multi-petalled rose. Rose windows are also called "Catherine windows" after Saint Catherine of Alexandria, who was sentenced to be executed on a spiked breaking wheel. A circular window without tracery such as are found in many Italian churches, is referred to as an ocular window or oculus. Rose windows are particularly characteristic of Gothic architecture and may be seen in all the major Gothic Cat ...
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Roman Catholic Churches In Assisi
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ...
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Carlo Acutis
Carlo Acutis (3 May 1991 – 12 October 2006) was an English-born Italian Catholic youth and amateur computer programmer, who is best known for documenting Eucharistic miracles around the world and cataloguing them onto a website which he created before his death from leukemia. He was noted for his cheerfulness, computer skills, and deep devotion to the Eucharist, which became a core theme of his life. He was beatified on 10 October 2020, two days before the 14th anniversary of his death. Life Carlo Acutis was born in London on 3 May 1991 to a wealthy Italian family. His baptism took place on 18 May 1991 in the church of Our Lady of Dolours, Chelsea. His parents, Andrea Acutis and Antonia Salzano, who were not especially religious, had worked in London and Germany, finally settled in Milan in September 1991, not long after their first son's birth. In 1995, when Acutis was four years old, his maternal grandfather died and was said to have appeared to him in a dream asking to b ...
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Pinturicchio
Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname (meaning "little painter") because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries."PINTURICCHIO." ''Benezit Dictionary of Artists''. ''Oxford Art Online''. Oxford University Press. Web. 14 February 2017. . Biography Early years Pinturicchio was born the son of Benedetto or Betto di Biagio, in Perugia. In his career, he may have trained under lesser known Perugian painters such as Bonfigli and Fiorenzo di Lorenzo. According to Vasari, Pinturicchio was a paid assistant of Perugino. The works of the Perugian Renaissance school are very similar and often paintings by Perugino, Pinturicchio, Lo Spagna, and a young Raphael may be mistaken, one for the other. In the execution of large frescoes, pupils a ...
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Pace Di Bartolo
Pace di Bartolo or Pace da Faenza was an Italian painter, active in Assisi in 1344-1368. He is mentioned by Giorgio Vasari as a pupil of Giotto, and is said to have executed some decorations in fresco on the exterior of San Giovanni at Bologna. He had a particular talent for representing small figures. About the year 1574 the following works by him existed at Forlì: ''The Holy Cross'', a small picture in tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ..., representing ''the Passion'', and ''Four Scenes from the Life of the Virgin''. References * {{DEFAULTSORT:Bartolo, Pace di Year of birth unknown Year of death unknown 14th-century Italian painters Italian male painters ...
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Tiberio D'Assisi
Tiberio d'Assisi (circa 1470–1524) was an Italian painter of the Renaissance period, active in the early 16th century. He painted in the style of Pietro Perugino. He is also known as ''Tiberio Diatelevi'' or ''Tiberio di Assisi''. He painted a ''Madonna'' in the church of S. Martino, near Trevi; a ''Madonna and five scenes from the life of St. Francis'' (1512), in the church of San Francesco in Montefalco; a ''St. Sebastian'' for the church of San Fortunato in Montefalco; a ''Madonna'' in S. Domenico in Assisi, and Scenes from the ''life of St. Francis'' in Basilica of Santa Maria degli Angeli in the same city (1518). Fresco work was discovered in Castel Ritaldi. Gallery File:Tiberio d'Assisi Mad. Bamb. santi.jpg, Madonna and Child with Saints Peter and Bonaventure Bonaventure ( ; it, Bonaventura ; la, Bonaventura de Balneoregio; 1221 â€“ 15 July 1274), born Giovanni di Fidanza, was an Italian Catholic Franciscan, bishop, cardinal, scholastic theologian and ...
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Pietà
The Pietà (; meaning " pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of ...
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Basilica Plan
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences ...
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Assisi Cathedral
Assisi Cathedral ( it, Cattedrale di Assisi or ''Cattedrale di San Rufino di Assisi''), dedicated to San Rufino (Rufinus of Assisi) is a major church in Assisi, Italy. This stately church in Umbrian Romanesque style was the third church built on the same site to contain the remains of bishop Rufinus of Assisi, martyred in the 3rd century. The construction was started in 1140 to the designs by Giovanni da Gubbio, as attested by the wall inscription visible inside the apse. He may be the same Giovanni who designed the rose-window on the façade of Santa Maria Maggiore in 1163. The cathedral has been important in the history of the Franciscan order. In this church Saint Francis of Assisi (1182), Saint Clare (1193), and many of their original disciples were baptised. It was on hearing Francis preaching in this church in 1209 that Clare became deeply touched by his message and realized her calling. Tommaso da Celano related that once Saint Francis was witnessed praying in this ...
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Pilaster
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battista Alberti's use of pilasters, which Alberti reintroduced into wall-architecture, Rudolf Wittkower wrote: "The pilaster is the logical transformation of the column for the decoration of a wall. It may be defined as a flattened column which has lost its three-dimensional and tactile value." A ...
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