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Symphony No. 4 (Nielsen)
Symphony No. 4, Op. 29, FS 76, also known as "The Inextinguishable" (), was completed by Danish composer Carl Nielsen in 1916. Composed against the backdrop of World War I, this symphony is among the most dramatic that Nielsen wrote, featuring a "battle" between two sets of timpani. Origin Nielsen was thinking about a new symphony in 1914, and in May he wrote to his wife (who was in Celle): I have an idea for a new composition, which has no programme but will express what we understand by the spirit of life or manifestations of life, that is: everything that moves, that wants to live ... just life and motion, though varied – very varied – yet connected, and as if constantly on the move, in one big movement or stream. I must have a word or a short title to express this; that will be enough. I cannot quite explain what I want, but what I want is good. Nielsen concentrated on this until 1916, and named his 4th symphony "The Inextinguishable" (). The name does not apply ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Carl Nielsen
This table of works by the Danish composer Carl Nielsen initially lists them by genre and composition date within a genre. History Nielsen wrote music in many genres, notably #symphonies, symphonies, #concertos, concertos and #vocal, choral music, but also #stage works, operas and incidental music, #chamber, chamber music, #solo, solo works for violin, piano and organ as well as a considerable number of List of songs composed by Carl Nielsen, songs. Nielsen assigned an opus number only to selected compositions, from Op 1 for the Suite for String Orchestra (Nielsen), Suite for String Orchestra in 1888 to Op 58 for the organ work (1930–1931). The opus number 59 was assigned posthumously to three piano pieces (1928). The FS catalogue was first compiled in 1965 by Dan Fog and Torben Schousboe. It is arranged roughly in chronological order in accordance with the publication date of the works, initially up to FS 161. Compositions discovered after 1965 were assigned higher num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attacca
A variety of musical terms is encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portamento
In music, portamento (: ''portamenti''; from old , meaning 'carriage' or 'carrying'), also known by its French name glissade, is a pitch sliding from one Musical note, note to another. The term originated from the Italian language, Italian expression ('carriage of the voice'), denoting from the beginning of the 17th century its use in vocal performances and emulation by members of the violin family and certain wind instruments, and is sometimes used interchangeably with Nonchord tone#Anticipation, anticipation. It is also applied to one type of glissando on, e.g., slide trombones, as well as to the "glide" function of Pedal steel guitar, steel guitars and synthesizers. Vocal portamento In the first example, Rodolfo's first aria in ''La sonnambula'' (1831), the portamento is indicated by the Slur (music), slur between the third and fourth notes. The second example, Judit's first line in ''Bluebeard's Castle'' (1912) by composer Béla Bartók, employs an inclining, wavy line b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trill (music)
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trillTaylor, Eric. ''The AB Guide to Music Theory: Part I'', p. 92. (compare mordent and tremolo). It is sometimes referred to by the German Triller, the Italian trillo, the French trille or the Spanish trino. A cadential trill is a trill associated with each cadence. A groppo or gruppo is a specific type of cadential trill which alternates with the auxiliary note directly above it and ends with a musical turn as additional ornamentation. A trill provides rhythmic interest, melodic interest, and—through dissonance—harmonic interest. Sometimes it is expected that the trill will end with a turn (by sounding the note below rather than the note above the principal note, immediately before the last sounding of the principa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes referred to as a fiddle, is a wooden chordophone, and is the smallest, and thus highest-pitched instrument (soprano) in regular use in the violin family. Smaller violin-type instruments exist, including the violino piccolo and the pochette (musical instrument), pochette, but these are virtually unused. Most violins have a hollow wooden body, and commonly have four strings (music), strings (sometimes five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and are most commonly played by drawing a bow (music), bow across the strings. The violin can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
Unison (stylised as UNISON) is a Great Britain, British trade union. Along with Unite the Union, Unite, Unison is one of the two largest trade unions in the United Kingdom, with over 1.2 million members who work predominantly in public services, including local government, education, health and outsourcing, outsourced services. The union was formed in 1993 when three public sector trade unions, the National Association of Local Government Officers, National and Local Government Officers Association (NALGO), the National Union of Public Employees (NUPE) and the Confederation of Health Service Employees (COHSE) merged. UNISON's current general secretary is Christina McAnea, who replaced Dave Prentis in 2021. Members and organisation Members of UNISON are typically from industries within the public sector and generally cover both full-time and part-time support and administrative staff. The majority of people joining UNISON are workers within sectors such as local government, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantilena
A (Italian for "lullaby" and Latin for "old, familiar song") is a vocal melody or instrumental passage in a smooth, lyrical style. References {{classical-music-stub Classical music styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intermezzo
In music, an intermezzo (, , plural form: intermezzi), in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo. Renaissance intermezzo The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589. In Baroque Spain the equivalent entremés or paso was a one-act comic scene, often ending in music and dance, between ''jornadas'' (acts) of a play.L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music), sharp. Its relative key, relative minor is E minor and its parallel key, parallel minor is G minor. The G major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G Harmonic major scale, harmonic major and Melodic major scale, melodic major scales are: Scale degree chords The scale degree chords of G major are: * Tonic (music), Tonic – G major * Supertonic – A minor * Mediant – B minor * Subdominant – C major * Dominant (music), Dominant – D major * Submediant – E minor * Leading-tone – Diminished triad, F-sharp diminished Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The A major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The A harmonic major and melodic major scales are: In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. Scale degree chords The scale degree chords of A major are: * Tonic – A major * Supertonic – B minor * Mediant – C-sharp minor * Subdominant – D major * Dominant – E major * Submediant – F-sharp minor * Leading-tone – G-sharp diminished History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphonal
An antiphonary or antiphonal is one of the liturgical books intended for use (i.e. in the liturgical choir), and originally characterized, as its name implies, by the assignment to it principally of the antiphons used in various parts of the Latin liturgical rites. Medieval antiphonaries varied with regional liturgical tradition. In 1570, following the Council of Trent, the Roman Rite antiphonary was declared universal. The Roman Antiphonary (''Antiphonale Romanum'') contains the chants for the canonical hours for the hours of Lauds, Prime, Terce, Sext, None, Vespers and Compline for every day of the year. The ''Vesperale Romanum'' is an excerpt of the Antiphonary containing the chants sung at Vespers. The music for use at the Mass is contained in the Roman Gradual (''Graduale Romanum''), the chants of the ordinary are also edited as an excerpt from the Gradual, the ''Kyriale Romanum''. The ''Antiphonale Romanum'' was substantially revised in 1910–11 in the course of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
