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Symphony No. 1 (Scriabin)
Alexander Scriabin's Symphony No. 1, Op. 26, in E major was written in 1899 and 1900. It is an ambitious first symphony, consisting of six movements, the last of which has a chorus and two vocal soloists. This work is one of the first in which Scriabin's idea of art morally transforming a person is clearly expressed. History The composer began to sketch the symphony in 1899. In January 1900 he tried it out at the piano in Moscow with this friend Alexander Goldenweiser. In this version for two pianos the work was played to various musicians, including Lyadov (who later that year conducted the premiere of the symphony, minus the last movement.) Scriabin wrote the bulk of the work in the summer of 1900, working on it intensively in the Moscow district of Daryino. In June 1900 he wrote to the publisher Belyayev that he was "very busy composing for orchestra", and three months later in September he reported: "During the summer I wrote a symphony (6 movements) and am now orchestrati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Scriabin
Alexander Nikolayevich Scriabin (; russian: Александр Николаевич Скрябин ; – ) was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic tones of his scale, while his colour-coded circle of fifths was also inspired by theosophy. He is often considered the main Russian Symbolist composer and a major representative of the Russian Silver Age. Scriabin was an innovator as well as one of the most controversial composer-pianists of the early 20th centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Rubinstein
Nikolai Grigoryevich Rubinstein (russian: Николай Григорьевич Рубинштейн; – ) was a Russian pianist, conductor, and composer. He was the younger brother of Anton Rubinstein and a close friend of Pyotr Ilyich Tchaikovsky. Life Born to Jewish parents in Moscow, where his father had just opened a small factory, Rubinstein showed talent at the keyboard early on. He studied piano first with his mother, and while the family was in Berlin between 1844 and 1846, he studied piano with Theodor Kullak and harmony and counterpoint with Siegfried Dehn; during this time both he and his brother Anton attracted the interest and support of Mendelssohn and Meyerbeer. When the family returned to Moscow, Nikolai studied with Alexander Villoing, who also toured with him. He studied medicine to avoid army conscription, graduating from Moscow University in 1855. As a result of his playing, Rubinstein was welcomed in all the fashionable artistocratic houses in Mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Symphonies
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Alexander Scriabin
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paean
A paean () is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice (monody). It comes from the Greek παιάν (also παιήων or παιών), "song of triumph, any solemn song or chant". "Paeon" was also the name of a divine physician and an epithet ("byname") of Apollo. Etymology The basis of the word παιάν is *παιάϝων." Its ultimate etymology is unclear. R. S. P. Beekes has suggested the meaning "who heals illnesses through magic", from *παῖϝα/*παϝία "blow", related to παίω "beat" (from Proto-Indo-European ''*ph2u-ie/o-'') or παύω "withhold" (of uncertain etymology). He alternatively suggested that ''paian'' "may well be Pre-Greek".R. S. P. Beekes, ''Etymological Dictionary of Greek'', Brill, 2009, p. 1142 (see also pp. 1144 and 1159). Ancient Greek paean In Homer, PaeonMycenaean Greek , ''pa-ja-wo-ne'' /pajāwonei/ ( da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute The minute is a unit of time usually equal to (the first sexagesimal fraction) of an hour, or 60 seconds. In the UTC time standard, a minute on rare occasions has 61 seconds, a consequence of leap seconds (there is a provision to insert a nega ... (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter (music), meter, or these aspects may be indicated along with tempo, all contributing to the overall texture (music), texture. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Eaglefield Hull
Arthur Eaglefield Hull (10 March 1876 – 4 November 1928) was an English music critic, writer, composer and organist.Arthur Eaglefield Hull ( – 7 September 2010). He was the founder of the British Music Society.Alexandre Guilmant. Organ sonatas '. Courier Corporation; 1913. . p. 137–. Early life and education Born in |
Glinka State Prize Of The RSFSR
The Glinka State Prize of the RSFSR (Государственная премия РСФСР имени М.И. Глинки) was a prize awarded to musicians of the Russian Soviet Federative Socialist Republic from 1965–1991. To be distinguished from the Glinka Award (of 500 rubles) won in 1900 by Scriabin (for his First Symphony), in 1904 by Rachmaninov, and three times by Reinhold Glière. Both the prize and the award are named in honour of Russian composer Mikhail Glinka. Partial list of recipients * 1965 Valery Gavrilin (composer) * 1966 Lev Oborin (pianist) * 1968 Borodin Quartet (string quartet): inc. Dmitri Shebalin (viola) * 1974 Dmitri Shostakovich * 1979 Tikhon Khrennikov (composer) * 1979 Vladislav Sokolov (choral conductor) * 1981 Alexander Voroshilo (baritone) * 1981 Viktor Tretiakov (violin) * 1987 Shostakovich Quartet inc. Aleksandr Galkovsky (viola), Alexander Korchagin (cello) * 1991 Dmitri Hvorostovsky (baritone), Ekaterina Maximova and Vladimir Vasiliev (balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Glazunov
Alexander Konstantinovich Glazunov; ger, Glasunow (, 10 August 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov . At the time, his name was spelled Николай Андреевичъ Римскій-Корсаковъ. la, Nicolaus Andreae filius Rimskij-Korsakov. The composer romanized his name as ''Nicolas Rimsky-Korsakow''.The BGN/PCGN transliteration of Russian is used for his name here. ALA-LC system: Nikolaĭ Andrevich Rimskiĭ-Korsakov, ISO 9 system: Nikolaj Andreevič Rimskij-Korsakov. (18 March 1844 – 21 June 1908) was a Russian composer, a member of the group of composers known as The Five. He was a master of orchestration. His best-known orchestral compositions—'' Capriccio Espagnol'', the '' Russian Easter Festival Overture'', and the symphonic suite '' Scheherazade''—are staples of the classical music repertoire, along with suites and excerpts from some of his 15 operas. ''Scheherazade'' is an example of his frequent use of fairy-tale and folk subjects. Rimsky-Korsakov believed in developing a nationalistic style of classi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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