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Symphony In E-flat (Eberl)
The Symphony in E-flat Major, Opus 33 by the Viennese composer Anton Eberl (1765-1807) was written during the course of 1803. The premiere took place in Vienna, Austria on January 6, 1804. Also, at the same concert Eberl premiered his Piano Concerto in E-flat, Op. 40, and his Concerto for Two Pianos in B-flat, Op. 45. It is classical in style. The performance time is about 30 minutes. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. The work was dedicated by Eberl to Prince Lobkowitz, or Le Prince Regnant De Lobkowitz. Movements #Andante sostenuto, - Allegro con fuoco e vivace, in E flat major #Andante con moto, in C minor #Menuetto e Trio, in E flat #Finale: Vivace assai, in E flat major Early Performances and Reviews The Viennese correspondent for the ''Allgemeine Musikzeitung'' (AMZ) wrote that this first performance “was extraordinarily well conceived, full of incisive and new ideas.” ''Historisches Taschenbuc ...
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Anton Eberl
Anton Franz Josef Eberl (13 June 1765 – 11 March 1807) was an Austrian composer, teacher and pianist of the Classical period. He was a student of Salieri and Mozart. He was also seen as an early friend and rival of Beethoven. Biography Eberl was born in Vienna, Austria in 1765, the son of a wealthy imperial official. He was a gifted pianist who gave recitals in Vienna from the age of eight. The family eventually fell into financial difficulties, so Eberl was unable to continue courses and training as a lawyer. Instead, he was then free to pursue his studies in music. Eberl may have been taught by Mozart starting around 1781, when the famous composer arrived in Vienna. Stylistic similarities with Mozart led to several of Eberl's works being mistakenly published under Mozart's name. Eberl's cantata "Bei Mozarts Grabe", completed just six days after Mozart died in December of 1791, may well represent the homage of a student to his teacher and mentor. Eberl maintained strong conn ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "c ...
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Compositions By Anton Eberl
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ...
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Teldec
Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group. History Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing facility was located in Nortorf near Kiel in Germany. The company was founded in 1950 as a co-operation between Telefunken and Decca Records. The name Teldec is the result of taking the first three letters of both labels: Telefunken and Decca. Records manufactured by Teldec mostly were released under the Telefunken or Decca label, but normally these records contained no hint that they were made by Teldec. In 1983, Telefunken and Decca pulled out of Teldec and in 1987 Teldec was sold to Time Warner. In 1997, the remaining compact-disc production facility in Nortorf was to be closed by Time Warner, but after a management buyout, the new company OK Media, continued CD production. In 2001, after the merger of AOL & Time Warner, Teldec closed. ...
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Concerto Köln
Concerto Köln is an ensemble specialising in music of the eighteenth and nineteenth centuries. The group formed in 1985, one of many groups associated with the surging interest in period instruments in that decade. Its members consisted mainly of recent graduates of conservatories from across Europe. They began touring the Continent, often making appearances at major festivals. In 1992 they founded the Cologne Festival of Early Music with the aid of Deutschland Radio. They receive no government subsidies, and do not have a permanent conductor, though the group has an artistic director, Martin Sandhoff. Among the concert masters is Evgeny Sviridov. Their repertory stretches from early Baroque on through the Classical Era and as far into the nineteenth century as Wagner. They have also done a number of collaborative works, such as a disc juxtaposing Turkish folk music with pieces in a Turkish style by composers such as Mozart. They have recorded frequently with, among others, Re ...
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Leopold Kozeluch
Leopold may refer to: People * Leopold (given name) * Leopold (surname) Arts, entertainment, and media Fictional characters * Leopold (''The Simpsons''), Superintendent Chalmers' assistant on ''The Simpsons'' * Leopold Bloom, the protagonist of James Joyce's ''Ulysses'' * Leopold "Leo" Fitz, a character on the television series ''Agents of S.H.I.E.L.D.'' * Leopold "Butters" Stotch, a character on the television series ''South Park'' * General Leopold von Flockenstuffen, a character in the BBC sitcom Allo 'Allo!'' * Leopold the Cat, Russian cartoon character Other arts, entertainment, and media * Leopold (prize), a biennial German prize for music for children * ''Kate & Leopold'', 2001 romantic comedy film * ''King Leopold's Ghost'', popular history book by Adam Hochschild * " King Leopold's Soliloquy", 1905 pamphlet by Mark Twain. * '' Leopold the Cat'', television series * Léopold Nord & Vous, Belgian musical band Brands and enterprises * Leopold (publisher), a Nether ...
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Vanhal
Johann Baptist Wanhal (12 May 1739 – 20 August 1813) was a Czech classical music composer. He was born in Nechanice, Bohemia, and died in Vienna. His music was well respected by Mozart, Haydn, Beethoven and Schubert. He was an instrumental performer as well. While being a proficient organist, he also played the violin and cello. Name Wanhal and at least one of his publishers used the spelling Waṅhal, the dot being an archaic form of the modern háček. Other attested variants include Wanhall, Vanhal and Van Hall. The modern Czech form Jan Křtitel Vaňhal was introduced in the 20th century."He himself spelt his name Johann Baptist Waṅhal; his Viennese contemporaries and most scholars until World War II used the spelling Waṅhal, but later in the 20th century a modern Czech form, Jan Křtitel Vaňhal, was erroneously introduced." Paul Robey Bryan, "Vanhal, Johann Baptist an Křtitel in ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Sta ...
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Ignaz Fränzl
Ignaz Fränzl (3 June 1736 – 6 September 1811 (buried)) was a German violinist, composer and representative of the second generation of the so-called Mannheim School. Mozart who heard him at a concert in November 1777 wrote of him in a letter to his father: ''He may not be a sorcerer, but he is a very solid violinist indeed.'' Fränzl carried the Mannheim violin technique, established by Johann Stamitz, one step further to real virtuosity. Mozart, quite a good violinist himself and thoroughly acquainted with the instrument, praised Fränzl's double trill and said he had never heard a better one. Biography Ignaz Fränzl was born and died in Mannheim, and entered the Mannheim court orchestra in 1747 as a violinist, probably as a ''scholar'' (i.e. apprentice) similar to Christian Cannabich, another composer-violinist of the Mannheim school. In the personnel list of 1756 he is documented as a first violinist together with Cannabich and Carlo Giuseppe Toeschi. As was the case ...
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Anton Fils
Anton Fils (also Antonín Fils, Johann Anton Fils, Johann Anton Filtz), 22 September 1733 (baptized) – 14 March 1760 (buried) was a German classical composer. Fils was born in Eichstätt, in the Bishopric of Eichstätt. Long thought to have been of Bohemian origin (e.g., ), despite having been described as "from Bavaria" by Friedrich Wilhelm Marpurg in 1756, his true origins were discovered in the 1960s . Fils studied law and theology at the University of Ingolstadt, and in 1754 became part of the "Mannheimer Hofkapelle" as a cellist. The Mannheim orchestra at the time was led by Johann Stamitz . In 1757 Fils married Elizabeth Range, and in 1759 the couple bought a house. Although he died at age 26, he left an extensive body of work, including at least thirty-four symphonies. Although he composed about thirty concertos, mainly for cello and for flute, only about half have survived . Fils died in Mannheim and was buried on 14 March 1760 . In his book ''Ideas for an Aesthe ...
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Carl Stamitz
Carl Philipp Stamitz ( cs, Karel Stamic; baptized 8 May 17459 November 1801) was a German composer of partial Czech ancestry. He was the most prominent representative of the second generation of the Mannheim School. He was the eldest son of Johann Stamitz, a violinist and composer of the early classical period. Born in Mannheim, he received lessons from his father and Christian Cannabich, his father's successor as leader of the Mannheim orchestra. As a youth, Stamitz was employed as a violinist in the court orchestra at Mannheim. In 1770, he began travelling as a virtuoso, accepting short-term engagements, but never managing to gain a permanent position. He visited a number of European cities, living for a time in Strasbourg and London. In 1794, he gave up travelling and moved with his family to Jena in central Germany, but his circumstances deteriorated and he descended into debt and poverty, dying in 1801. Papers on alchemy were found after his death. Stamitz wrote symph ...
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Christian Cannabich
Johann Christian Innocenz Bonaventura Cannabich (28 December 1731 (bapt.) – 20 January 1798), was a German violinist, composer, and Kapellmeister of the Classical era. A composer of some 200 works, he continued the legacy of Johann Stamitz and helped turn the Mannheim orchestra into what Charles Burney described as "the most complete and best disciplined in Europe.". The orchestra was particularly noted for the carefully graduated crescendos and diminuendos characteristic of the Mannheim school. Together with Stamitz and the other composers of the Mannheim court, he helped develop the orchestral texture that paved the way for the orchestral treatment of the First Viennese School. Biography Background Christian Cannabich was born in Mannheim, the third child of Martin Friedrich Cannabich (1690–1773), a flautist, oboist and music teacher at the Mannheim court. Cannabich's father was the personal flute teacher of the Prince elector Carl Theodor which in itself created f ...
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Pietro Locatelli
Pietro Antonio Locatelli (3 September 1695 in Bergamo – 30 March 1764 in Amsterdam) was an Italian Baroque composer and violinist. Biography Bergamo Little is known about Locatelli's childhood. In his early youth he was the third violinist and held the title of ''virtuoso'' in the ''cappella musicale'' (musical establishment) of the church of Santa Maria Maggiore in Bergamo. His first violin teachers were probably Ludovico Ferronati and Carlo Antonio Marino, both of whom were members of the ''cappella''. The '' maestro di cappella'', Francesco Ballarotti, may have taught him composition. In autumn 1711 Locatelli went to Rome to seek greater recognition. Rome Locatelli began studying in Rome in autumn 1711, probably under Antonio Montanari or Giuseppe Valentini and perhaps for a short time under Arcangelo Corelli, who died in January 1713. In a letter of 17 March 1714 Locatelli wrote to his father in Bergamo that he was a confirmed member of the ''compita accademia di var ...
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