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Sultan Mohammed
Sultan Mohammad () was an Iranian painter at the Safavid court in Tabriz under Shah Ismail I () and Shah Tahmasp I (). He served as the director of Shah Ismail's artists’ workshop and as the first project director of the ''Shahnameh'' of Shah Tahmasp. He gave painting lessons to Tahmasp when he was the crown prince. Sultan Mohammad’s style was initially based in the Turkman courtly idiom. Sheila R. Canby writes that around 1515, he was perfecting scenes of “man and animal inhabiting a natural world of roaring winds, lush and frenzied vegetation and rocks resembling grotesque faces”, of which his painting “Rustam Sleeping while Rakhsh Fights a Lion” from an unfinished ''Shahnameh'' is an example. In the 1520s however, Sultan Mohammad was influenced by the more sedate and subtle late Timurid mode practiced at Herat; his compositions became more orderly and architectonic. Sultan Mohammad’s painting “The Court of Gayumars” is widely considered the “crowning ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Safavid Iran
The Guarded Domains of Iran, commonly called Safavid Iran, Safavid Persia or the Safavid Empire, was one of the largest and longest-lasting Iranian empires. It was ruled from 1501 to 1736 by the Safavid dynasty. It is often considered the beginning of History of Iran, modern Iranian history, as well as one of the gunpowder empires. The Safavid List of monarchs of Persia, Shāh Ismail I, Ismā'īl I established the Twelver denomination of Shia Islam, Shīʿa Islam as the Safavid conversion of Iran to Shia Islam, official religion of the empire, marking one of the most important turning points in the history of Islam. An Iranian dynasty rooted in the Sufi Safavid order founded by sheikhs claimed by some sources to be of Kurds, Kurdish origin, it heavily intermarried with Turkoman (ethnonym), Turkoman, Georgians, Georgian, Circassians, Circassian, and Pontic Greeks, Pontic GreekAnthony Bryer. "Greeks and Türkmens: The Pontic Exception", ''Dumbarton Oaks Papers, Vol. 29'' (1975), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabriz
Tabriz (; ) is a city in the Central District (Tabriz County), Central District of Tabriz County, in the East Azerbaijan province, East Azerbaijan province of northwestern Iran. It serves as capital of the province, the county, and the district. It is the List of largest cities of Iran, sixth-most-populous city in Iran. Tabriz is in the Quri Chay, Quru River valley in Iran's historic Azerbaijan (Iran), Azerbaijan region between long ridges of volcanic cones in the Sahand and Eynali mountains. Tabriz's elevation ranges between above sea level. The valley opens up into a plain that gently slopes down to the eastern shores of Lake Urmia, to the west. The city was named World Carpet Weaving City by the World Crafts Council in October 2015 and Exemplary Tourist City of 2018 by the Organisation of Islamic Cooperation. With a population of over 1.7 million (2016), Tabriz is the largest economic hub and metropolitan area in northwest Iran. The population is bilingual with most peopl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ismail I
Ismail I (; 17 July 1487 – 23 May 1524) was the founder and first shah of Safavid Iran, ruling from 1501 until his death in 1524. His reign is one of the most vital in the history of Iran, and the Safavid period is often considered the beginning of modern Iranian history.. Under Ismail, Iran was unified under native rule for the first time since the Islamic conquest of the country eight-and-a-half centuries earlier. Ismail inherited leadership of the Safavid Sufi order from his brother as a child. His predecessors had transformed the religious order into a military movement supported by the Qizilbash (mainly Turkoman Shiite groups). The Safavids took control of Azerbaijan, and in 1501 Ismail was crowned as king (''padshah''). In the following years, Ismail conquered the rest of Iran and other neighboring territories. His expansion into Eastern Anatolia brought him into conflict with the Ottoman Empire. In 1514, the Ottomans decisively defeated the Safavids at the Battle o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tahmasp I
Tahmasp I ( or ; 22 February 1514 – 14 May 1576) was the second shah of Safavid Iran from 1524 until his death in 1576. He was the eldest son of Shah Ismail I and his principal consort, Tajlu Khanum. Tahmasp ascended the throne after the death of his father on 23 May 1524. The first years of Tahmasp's reign were marked by civil wars between the Qizilbash leaders until 1532, when he asserted his authority and began an absolute monarchy. He soon faced a long-lasting war with the Ottoman Empire, which was divided into three phases. The Ottoman sultan, Suleiman the Magnificent, tried to install his own candidates on the Safavid throne. The war ended with the Peace of Amasya in 1555, with the Ottomans gaining sovereignty over Iraq, much of Kurdistan, and western Georgia. Tahmasp also had conflicts with the Uzbeks of Bukhara over Khorasan, with them repeatedly raiding Herat. In 1528, at the age of fourteen, he defeated the Uzbeks in the Battle of Jam by using artillery. Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh Of Shah Tahmasp
The ''Shahnameh'' of Shah Tahmasp () or Houghton ''Shahnameh'' is one of the most famous illustrated manuscripts of the ''Shahnameh'', the national epic of Greater Iran, and a high point in the art of the Persian miniature. It is probably the most fully illustrated manuscript of the text ever produced. When created, the manuscript contained 759 pages, 258 of which were miniatures. These miniatures were hand-painted by the artists of the imperial workshop in Tabriz under Shah Ismail I and Shah Tahmasp I. Upon its completion, the ''Shahnameh'' was gifted to the Ottoman Sultan Selim II in 1568. The page size is about 48 x 32 cm, and the text written in Nastaʿlīq script of the highest quality. The manuscript was broken up in the 1970s and the pages are now in a number of different collections around the world. History It was created in Tabriz by the order of Shah Ismail I who had recently taken control of the city. Shah Ismail I was a charismatic and militarily aggressiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sussan Babaie
Sussan Babaie (, born 1954) is an Iranian-born art historian and curator. She is best known for her work on Persian art and Islamic art of the early modern period. She has written extensively on the art and architecture of the Safavid dynasty. Her research takes a multidisciplinary approach and explores topics such as urbanism, empire studies, transcultural visuality and notions of exoticism. In her work as a curator, Babaie has worked on exhibitions at the Sackler Museum of Harvard University (2010), the University of Michigan Museum of Art (installation, 2002–2006), and the Smith College Museum of Art (1998). She lived in the United States from 1979 until 2013. Since 2013, Babaie has been the Dr Andrew W. Mellon Reader in the Arts of Iran and Islam at The Courtauld Institute of Art in London. Biography Babaie was born in Abadan, Iran, in 1954. She studied graphic design at the Faculty of Fine Arts at the University of Tehran with Iranian graphic designer Morteza Momay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shahnameh
The ''Shahnameh'' (, ), also transliterated ''Shahnama'', is a long epic poem written by the Persian literature, Persian poet Ferdowsi between and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 distichs or couplets (two-line verses), the ''Shahnameh'' is one of the world's longest epic poems, and the longest epic poem created by a single author. It tells mainly the Persian mythology, mythical and to some extent the historical past of the Persian Empire from the creation of the world until the Muslim conquest of Persia, Muslim conquest in the seventh century. Iran, Azerbaijan, Afghanistan, Tajikistan and the greater Greater Iran, region influenced by Persian culture such as Armenia, Dagestan, Georgia (country), Georgia, Turkey, Turkmenistan and Uzbekistan celebrate this national epic. The work is of central importance in Persian culture and Persian language. It is regarded as a literary masterpiece, and definitive of the ethno-national cultural ide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timurid Art
Timurid art is a style of art originating during the rule of the Timurid Empire (1370-1507) and was spread across Iran and Central Asia. Timurid art was noted for its usage of both Persian art, Persian and Chinese art, Chinese styles, as well as for taking influence from the art of other civilizations in Central Asia. Scholars regard this time period as an age of cultural and artistic excellence. After the decline of the Timurid Empire, the art of the civilization continued to influence other cultures in Western Asia, West and Central Asia. Considered a rich period of Persian artistic revival, Timurid art can be characterized by an emphasis on book arts and Manuscript Illumination, manuscript illumination as well as luxury arts like metalwork and jade carving. Architecturally, the Timurids had ambitious building programs, most often building Sufi shrines, ''Khanqah, khanqas'', mosques, and Madrasa, madrasas. History The Timurid Empire was established by Timor the Lame in 1370 aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herat
Herāt (; Dari/Pashto: هرات) is an oasis city and the third-largest city in Afghanistan. In 2020, it had an estimated population of 574,276, and serves as the capital of Herat Province, situated south of the Paropamisus Mountains (''Selseleh-ye Safēd Kōh'') in the fertile valley of the Hari River in the western part of the country. An ancient civilization on the Silk Road between West Asia, Central Asia, and South Asia, it serves as a regional hub in the country's west. Herat dates back to Avestan times and was traditionally known for its wine. The city has a number of historic sites, including the Herat Citadel and the Musalla Complex. During the Middle Ages, Herat became one of the important cities of Khorasan, as it was known as the ''Pearl of Khorasan''. After its conquest by Tamerlane, the city became an important center of intellectual and artistic life in the Islamic world. Under the rule of Shah Rukh, the city served as the focal point of the Timurid Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dust Muhammad
Dust Muhammad (or Doust Muhammad) was a Persian painter of miniatures, calligrapher, and art historian, active from about 1510 to 1564. Later in life he worked in India. Early career Dust Muhammad was born in Herat in the late 15th century, although the date is not known. He was a disciple of Kamāl ud-Dīn Behzād, working with teachers in Herat. Prince Bahram Mirza first spotted his talent and invited him to work in his studio. By early 1520 Muhammad moved with Behzad from Herat to Tabriz. After the death of Shah Ismail I, he remained in the service of Shah Tahmasp I, taking part in the illustration of the famous Shahnameh of Shah Tahmasp, however his contribution is much more modest than that of Sultan Mohammed or Mir Musavvir. After the death of Behzad, Muhammad left the Tahmasp court. According to some researchers, he was a nomad and he could no longer sit in the same spot. In the late 1530s he worked at the court of the ruler of Kabul, Kamran Mirza, brother of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khamsa Of Nizami
The ''Khamsa'' (, 'Quintet' or 'Quinary', from Arabic) or ''Panj Ganj'' (, 'Five Treasures') is the main and best known work of Nizami Ganjavi. Description The ''Khamsa'' is in five long narrative poems: * '' Makhzan-ol-Asrâr'' (, 'The Treasury or Storehouse of Mysteries'CHARLES-HENRI DE FOUCHÉCOUR, "IRAN:Classical Persian Literature" in ''Encyclopædia Iranica''), 1163 (some date it 1176) * ''Khosrow o Shirin'' (, 'Khosrow and Shirin'), 1177–1180 * ''Leyli o Majnun'' (, ' Layla and Majnun'), 1192 * '' Eskandar-Nâmeh'' (, 'The Book of Alexander'), 1194 or 1196–1202 * '' Haft Peykar'' (, 'The Seven Beauties'), 1197 The first of these poems, '' Makhzan-ol-Asrâr'', was influenced by Sanai's (d. 1131) monumental ''Garden of Truth''. The four other poems are medieval romances. Khosrow and Shirin, Bahram-e Gur, and Alexander the Great, who all have episodes devoted to them in Ferdowsi's ''Shahnameh'', appear again here at the center of three of four of Nezami's narrative poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shah Mahmud Nishapuri
Shāh (; ) is a royal title meaning "king" in the Persian language.Yarshater, Ehsa, ''Iranian Studies'', vol. XXII, no. 1 (1989) Though chiefly associated with the monarchs of Iran, it was also used to refer to the leaders of numerous Persianate societies, such as the Ottoman Empire, the Khanate of Bukhara and the Emirate of Bukhara, the Mughal Empire, the Bengal Sultanate, and various Afghan dynasties, as well as among Gurkhas. With regard to Iranian history, in particular, each ruling monarch was not seen simply as the head of the concurrent dynasty and state, but as the successor to a long line of royalty beginning with the original Persian Empire of Cyrus the Great. To this end, he was more emphatically known as the Shāhanshāh ( ), meaning "King of Kings" since the Achaemenid dynasty. A roughly equivalent title is Pādishāh (; ), which was most widespread during the Muslim period in the Indian subcontinent. Etymology The word descends from Old Persian ''xšāyaθ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
