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String Quartet No. 19 (Mozart)
The String Quartet No. 19 in C major, K. 465, is a chamber music composition by Wolfgang Amadeus Mozart, nicknamed " Dissonance" on account of the unusual counterpoint in its slow introduction. History It is the last in the set of six quartets composed between 1782 and 1785 that he dedicated to Joseph Haydn. According to the catalogue of works Mozart began early the preceding year, it was completed on 14 January 1785. On 12 February, Mozart and his father performed the string quartet along with two others (K. 458, 464) for Haydn. Anton and Bartholomäus Tinti most likely played the other parts in the ensemble. No patron commissioned these quartets, which makes them an unusually personal effort by the composer. In his dedication, he refers to the quartets as his "children" that he is sending "out into the great world". Mozart continues, "They are, it is true, the fruit of a long and laborious endeavour..." Deutsch, Otto. Mozart: A Documentary Biography'. Translated by Eric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his rapid pace of composition and proficiency from an early age resulted in List of compositions by Wolfgang Amadeus Mozart, more than 800 works representing virtually every Western classical genre of his time. Many of these compositions are acknowledged as pinnacles of the symphony, symphonic, concerto, concertante, chamber music, chamber, operatic, and choir, choral repertoires. Mozart is widely regarded as one of the greatest composers in the history of Classical music, Western music, with his music admired for its "melodic beauty, its formal elegance and its richness of harmony and texture". Born in Salzburg, Mozart showed Child prodigy, prodigious ability from his earliest childhood. At age five, he was already competent on keyboard and violin, had begun to compose, and performed before European r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marius Flothuis
Marius Flothuis, (30 October 1914 – 13 November 2001) born and died in Amsterdam, was a Dutch people, Dutch composer, musicologist and music critic. Biography Flothuis first took courses at Vossius Gymnasium in Amsterdam. There he studied piano and music theory with . His musicology studies continued at the University of Amsterdam under the direction of Albert Smijers and . Flothuis graduated in 1969 with a thesis on the arrangements of the works of Wolfgang Amadeus Mozart, Mozart. In 1937, Marius Flothuis became assistant artistic director of the Concertgebouw, Amsterdam, Concertgebouw in Amsterdam. In 1942 his career was interrupted because of his refusal to cooperate with occupying Germans. From 1946 to 1950 he was librarian at the Donemus Foundation, and was a music critic there until 1953. That year Flothuis re-joined the Concertgebouw orchestra, becoming artistic director until 1974. Marius Flothuis was also professor of musicology at the Utrecht University from 1974 to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term '' viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eighth Note
180px, Figure 1. An eighth note with stem extending up, an eighth note with stem extending down, and an eighth rest. 180px, Figure 2. Four eighth notes beamed together. An eighth note ( American) or a quaver ( British) is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note. It is the equivalent of the ''fusa'' in mensural notation. Notation Eighth notes are notated with an oval, filled-in note head and a straight note stem with one note flag (see Figure 1). The stem is on the right of the notehead extending upwards or on the left extending downwards, depending primarily on where the notehead lies relative to the middle line of the staff. A related symbol is the eighth rest (or quaver rest), which denotes a silence for the same duration. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musopen
Musopen is an organization which creates, produces and disseminates Western classical music, via public domain recordings, sheet music and educational resources. It stands with the ChoralWiki and the Wind Repertory Project as among the most prominent online music databases. Founded by Aaron Dunn in 2006, the site operates out of Palo Alto, California as a 501(c)(3) organization, 501(c)(3) non-profit organization. It rose to prominence amid a viral crowdfunding Kickstarter campaign in 2010, which raised to record a wide variety of orchestral and chamber works. Other commissioning projects include the Piano sonatas (Beethoven), complete Beethoven piano sonatas and the List of compositions by Frédéric Chopin by opus number, complete works of Frédéric Chopin. Overview Musopen, under the URL musopen.org, is a 501(c)(3) organization, 501(c)(3) non-profit organization which prioritizes "improving access and exposure to music by creating free resources and educational materials". T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Chicago Press
The University of Chicago Press is the university press of the University of Chicago, a Private university, private research university in Chicago, Illinois. It is the largest and one of the oldest university presses in the United States. It publishes a wide range of academic titles, including ''The Chicago Manual of Style'', numerous academic journals, and advanced monographs in the academic fields. The press is located just south of the Midway Plaisance on the University of Chicago campus. One of its quasi-independent projects is the BiblioVault, a digital repository for scholarly books. History The University of Chicago Press was founded in 1890, making it one of the oldest continuously operating university presses in the United States. Its first published book was Robert F. Harper's ''Assyrian and Babylonian Letters Belonging to the Kouyunjik Collections of the British Museum''. The book sold five copies during its first two years, but by 1900, the University of Chicago Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elisabeth Mann Borgese
Elisabeth Veronika Mann Borgese, (24 April 1918 – 8 February 2002) was an internationally recognized expert on maritime law and policy and the protection of the environment. Called "the mother of the oceans", she received the Order of Canada and awards from the governments of Austria, China, Colombia, Germany, the United Nations and the World Conservation Union. Elisabeth was a child of Nobel Prize–winning German author Thomas Mann and his wife Katia Mann. Born in Germany, Elisabeth experienced displacement due to the rise of the Nazi Party and became a citizen first of Czechoslovakia, then of the United States, and finally of Canada. Elisabeth Mann Borgese worked as a senior fellow at the Center for the Study of Democratic Institutions in Santa Barbara, California and as a university professor at Dalhousie University in Halifax, Nova Scotia, Canada. She became a proponent of international cooperation and world federalism. In 1968, she was one of the founding memb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schenker
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theory, music theorist #Theoretical writings, whose writings have had a profound influence on subsequent musical analysis. His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, ''Neue musikalische Theorien und Phantasien'' (''New Musical Theories and Phantasies''), which included ''Harmony (Schenker), Harmony'' (1906), ''Counterpoint (Schenker), Counterpoint'' (1910; 1922), and ''Free Composition'' (1935). Born in Vyshnivchyk, Wiśniowczyk, Austrian Galicia, he studied law at University of Vienna and music at what is now the University of Music and Performing Arts Vienna where his teachers included Franz Krenn, Ernst Ludwig, Anton Bruckner, and Johann Nepomuk Fuchs (composer), Johann Nepomuk Fuchs. Despite his law degree, he focused primarily on a musical career following graduation, finding minimal success as a composer, conductor, and accompanist. After 1900 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Konrad Küster
Konrad Küster (born 11 March 1959) is a German musicologist. Born in Stuttgart, Küster studied musicology, Medieval and Modern History and Comparative Regional Studies at the Eberhard Karls University Tübingen and received his doctorate in 1989 with a thesis on the design of the first movements in Mozart's concerts (Kassel 1991). In 1993 he habilitated in Freiburg with the thesis ''Opus primum in Venice - tradition of the vocal movement, 1590-1650''. Since 1995 he has been professor of musicology at the Albert-Ludwigs-University of Freiburg. From 1995 to 1997 he was dean, and from 2002 to 2006 dean of studies. From 2003 to 2018 he was a member of the board of the International Heinrich Schütz Society. Küster's spectrum of research covers a wide range from the music of the Middle Ages to the Protestant musical culture of the 16th to 19th centuries (especially Heinrich Schütz and Johann Sebastian Bach) and on to First Viennese School. He became known as the editor of the ''B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
