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String Quartet No. 10 (Beethoven)
Ludwig van Beethoven's String Quartet No. 10 in E-flat major, Op. 74, was written in 1809 and is nicknamed the "Harp" quartet. The nickname "Harp" refers to the characteristic pizzicato sections in the allegro of the first movement, where pairs of members of the quartet alternate notes in an arpeggio, reminiscent of the plucking of a harp. Like many nicknames for Beethoven's works, this was created by the publisher. It is also speculated that the nickname might have sparked from an arrangement for harp of the first movement, circulating in the form of a now lost manuscript written by an anonymous arranger. Movements 1. Poco adagio – Allegro The first movement is in sonata form. : Slow introduction – Poco adagio (mm. 1–24) :Exposition – Allegro (mm. 25–77) :: 1st tonal area, E major (mm. 25–51) :: Pizzicati lead transition to tonal area 2 :: 2nd tonal area, B major (mm. 52–69) :: Closing (mm. 70–77) ::Development (mm. 78–139) Recapitulation (mm. 140–205) : ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantilena
A (Italian for "lullaby" and Latin for "old, familiar song") is a vocal melody or instrumental passage in a smooth, lyrical style. References {{classical-music-stub Classical music styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isabella Stewart Gardner Museum
The Isabella Stewart Gardner Museum is an art museum in Boston, Massachusetts, which houses significant examples of European, Asian, and American art. Its collection includes paintings, sculpture, tapestries, and decorative arts. It was founded by Isabella Stewart Gardner, whose will called for her art collection to be permanently exhibited "for the education and enjoyment of the public forever." The museum opened in 1903. An auxiliary wing designed by Italian architect Renzo Piano, adjacent to the original structure near the Back Bay Fens, was completed in 2012. In 1990, thirteen of the museum's works were stolen; the crime remains unsolved, and the works, valued at an estimated $500 million, have not been recovered. History The museum was built in 1898–1901 by Isabella Stewart Gardner (1840–1924), an American art collector, philanthropist, and patron of the arts in the style of a 15th-century Venetian palace. It opened to the public in 1903. Gardner began collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Borromeo String Quartet
The Borromeo String Quartet is an American string quartet, in residence at the New England Conservatory since 1992. They have performed throughout North and South America, Europe, and Asia, at numerous festivals and in many distinguished chamber music series. They are named after the Borromean Islands. The ensemble was formed in 1989 by violinists Nicholas Kitchen and Ruggero Allifranchini, violist EnSik Choi, and cellist Yeesun Kim, who were then all young musicians at the Curtis Institute of Music. Kitchen and Kim are husband and wife. Violist Hsin-Yun Huang joined the ensemble in 1994 after Choi left to pursue other opportunities. Allifranchini and Huang left the ensemble in 2000 to be replaced, respectively, by William Fedkenheuer and Mai Motobuchi. In 2006, Fedkenheuer left to pursue other opportunities (is now a member of the Miró Quartet) and was replaced by violinist Kristopher Tong. In 2022, Mai Motobuchi was replaced by Melissa Reardon. The quartet's recent d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markand Thakar
Markand Thakar (born 1955, New York City) is an American conductor anmusic director emeritusof the Baltimore Chamber Orchestra (BCO). Biography From the age of six, Markand Thakar attended the Juilliard School's Pre-College Division, where he was a piano student of Leonora B. Pardee and a violin student of Christine Dethier. He also studied composition privately with Suzanne Bloch and Noah Creshevsky. Additional instrumental studies during summers at The Quartet Program included violin with Charles Castleman, viola with Heidi Castleman and Paul Doktor, and chamber music with Josef Gingold, Norman Carol, Renato Bonancini, Samuel Mayes, and the Tokyo Quartet. Thakar earned the Bachelor of Music degree in 1975 from Juilliard, with a major in composition as a student of Vincent Persichetti and Milton Babbitt, and a minor in violin performance as a student of Christine Dethier. After two years of private study of counterpoint and conducting with Jacques-Louis Monod, he att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Shepherd
Arthur Shepherd (February 19, 1880 – January 12, 1958) was an American composer and conductor in the 20th century. Life and career Shepherd was born in Paris, Idaho, into a Mormon family. His family loved to sing and his father, William N. B. Shepherd, wrote the hymn “Give Us Room That We May Dwell.” Mormon Arts Center Newsletter, May 2017. Accessed May 22, 2017. Shepherd performed with both the Paris Brass Band and the Bear Lake Stake Choir. Shepherd entered the New England Conservatory when he was only twelve years old. After graduating with honors and as president of his class, Shepherd returned to his family who had moved to Salt Lake City, Utah, and led a local orchestra for six years. In 1901, he married Hattie Hooper Jennings. After some encouragement, he returned to the east and took a teaching position at the New England Conservatory where he studied under Charles F. Dennée, Percy Goetschius, Carl Faelten, and George W. Chadwick. He briefly served as a ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Radcliffe
Philip FitzHugh Radcliffe (27 April 1905 – 2 September 1986) was an English academic, musicologist and composer, born in Godalming, Surrey. Early life He was educated at Charterhouse and read Classics at King's College, Cambridge, gaining a scholarship and a First in Part I of the degree, but then only a Third in Part II, causing him to switch his attention to music, studying under Edward Dent and Henry Moule. He was a gifted pianist. Career Philip Radcliffe had his first sight of Cambridge in December 1923 when he sat for a scholarship examination. "I attended evensong in the Chapel of my future College and can still recall the impact made upon me by the quiet, other-world sound of the choir singing '' Remember, O thou man''." His dissertation on tonality in sixteenth and seventeenth century music developed on the work of Richard Terry and Edmund Fellowes. Radcliffe became a music fellow at King's College, Cambridge in 1931, and a lecturer between 1947 and 1972. His pupils i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Analysis (journal)
''Music Analysis'' is a peer-reviewed academic journal specializing in music theory and analysis. It is based in England and published its first issue in 1982. Although the journal "is not produced on behalf of a society, it is closely associated with the Society for Music Analysis." Its website describes ''Music Analysis'' as an "international forum for the presentation of new writing focused on musical works and repertoires." It "is eclectic in its coverage of music from medieval to post-modern times, and has regular articles on non-western music. Its lively tone and focus on specific works makes it of interest to the general reader as well as the specialist." The journal has also featured translations of articles by Theodor W. Adorno and Heinrich Schenker. The journal's first editor-in-chief was Jonathan Dunsby Jonathan Mark Dunsby (born 16 March 1953) is a British classical pianist, musicologist, author and translator, particularly known for his research in musical analysis. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Kerman
Joseph Wilfred Kerman (3 April 1924 – 17 March 2014) was an American musicologist and music critic. Among the leading musicologists of his generation, his 1985 book ''Contemplating Music: Challenges to Musicology'' (published in the UK as ''Musicology'') was described by Philip Brett in '' The Grove Dictionary of Music and Musicians'' as "a defining moment in the field". He was Professor Emeritus of Musicology at the University of California, Berkeley. Life and career Kerman, the son of an American journalist, William Zukerman, was born in London and educated at University College School there. He then attended New York University where he received his BA in 1943 and Princeton University where he received his PhD in 1950. While at Princeton he studied under Oliver Strunk, Randall Thompson and Carl Weinrich and wrote his doctoral thesis on the Elizabethan madrigal. When young, he used Kerman as a pen-name, and then adopted it officially. From 1949 to 1951 he taught at West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a musical form, formal technique where material is musical repetition, repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with musical Development (music), development, which is a slightly different means to the same end. Variation depends upon ''one'' type of presentation at a time, while development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time. Variation techniques Wolfgang Amadeus Mozart, Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), a French folk song known in the English-speaking world as "Twinkle, Twinkle, Little Star", exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attacca
A variety of musical terms is encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1 : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the highest-pitched, thinnest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
