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Srishti Manipal Institute Of Art, Design And Technology
The Srishti Manipal Institute of Art, Design and Technology, (formerly Srishti School of Art, Design and Technology), is a multi-disciplinary design school established in 1996 by Geetha Narayanan in Bangalore, India. It offers courses in digital video production, film, visual communication, experimental media arts, design in education, textile design, animation and visual effects, interaction design, product and interface design, and business systems and design. Approach Srishti has a number of centres and labs that offer practice- and research-based environments for students and faculty from a multitude of disciplines. Notable projects * Blank Noise * The JALDI Innovation Lab, Vidhi, in collaboration with Srishti, put together a report that addresses infrastructural and accessibility issues in courts and tribunals. Notable faculty * Mamta Sagar * Nina Sabnani * Shai Heredia * Yashas Shetty Notable alumni * Jasmeen Patheja * Shilo Shiv Suleman References External links * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bangalore
Bengaluru, also known as Bangalore (List of renamed places in India#Karnataka, its official name until 1 November 2014), is the Capital city, capital and largest city of the southern States and union territories of India, Indian state of Karnataka. As per the 2011 Census of India, 2011 census, the city had a population of 8.4 million, making it the List of cities in India by population, third most populous city in India and the most populous in South India. The Bengaluru metropolitan area had a population of around 8.5 million, making it the List of million-plus urban agglomerations in India, fifth most populous urban agglomeration in the country. It is located near the center of the Deccan Plateau, at a height of above sea level. The city is known as India's "Garden City", due to its parks and greenery. Archaeological artifacts indicate that the human settlement in the region happened as early as 4000 Common Era, BCE. The first mention of the name "Bengalooru" is from an ol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visual Communication
Visual communication is the use of visual elements to convey ideas and information which include (but are not limited to) signs, typography, drawing, graphic design, illustration, industrial design, advertising, animation, and electronic resources. This style of communication relies on the way one's brain perceives outside images. These images come together within the human brain making it as if the brain is what is actually viewing the particular image. Visual communication has been proven to be unique when compared to other verbal or written languages because of its more abstract structure. It stands out for its uniqueness, as the interpretation of signs varies on the viewer's field of experience. The brain then tries to find meaning from the interpretation. The interpretation of imagery is often compared to the set alphabets and words used in oral or written languages. Another point of difference found by scholars is that, though written or verbal languages are taught, sight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textile Design
Textile design, also known as textile geometry, is the creative and technical process by which thread or yarn fibers are interlaced to form a piece of Textile, cloth or Textile, fabric, which is subsequently printed upon or otherwise adorned. Textile design is further broken down into three major disciplines: printed textile design, woven textile design, and mixed media textile design. Each uses different methods to produce a fabric for variable uses and markets. Textile design as an industry is involved in other disciplines such as fashion, interior design, and fine arts. Overview Articles produced using textile design include clothing, carpets, Drapery, drapes, and towels. Textile design requires an understanding of the technical aspects of textile manufacturing, the production process, as well as the properties of numerous fibers, yarns, and dyes. Textile design disciplines Printed textile design Printed textile designs are created by using various printing techniques on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interaction Design
Interaction design, often abbreviated as IxD, is "the practice of designing interactive digital products, environments, systems, and services." While interaction design has an interest in form (similar to other design fields), its main area of focus rests on behavior. Rather than analyzing how things are, interaction design synthesizes and imagines things as they could be. This element of interaction design is what characterizes IxD as a design field, as opposed to a science or engineering field. Interaction design borrows from a wide range of fields like psychology, Human–computer interaction, human-computer interaction, information architecture, and user research to create designs that are tailored to the needs and preferences of users. This involves understanding the context in which the product will be used, identifying user goals and behaviors, and developing design solutions that are responsive to user needs and expectations. While disciplines such as software engineering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blank Noise
Blank Noise is a community/public art project that seeks to confront street harassment, commonly known as eve teasing, in India. The project, initiated by Jasmeen Patheja in August 2003, started out as a student project at Srishti School of Art Design and Technology in Bangalore and has since spread out to other cities in India. Activities Blank Noise is led and run completely by volunteers. A core team of male and female volunteers from across geographical locations and age groups work with the collective. Blank Noise seeks to trigger public dialogue on the issue of street sexual harassment. Conversations range from collectively building a definition of "eve-teasing" to defining the boundaries of "teasing", "harassment", "flirting". The collective builds testimonials of street sexual violence, harassment and "eve-teasing" and disperses them back in public, thereby creating public debate. It addresses women's fear based relationship with their cities via direct street actio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamta Sagar
Mamta Sagar is an Indian poet, academic, and activist writing in the Kannada language. Her writings focus on identity politics, feminism, and issues around linguistic and cultural diversity. She is a professor of academic and creative writing at Srishti Institute of Art Design and Technology. In 2024, Sagar won the World Literary Prize, conferred by the World Organization of Writers. Work Sagar has translated poetry, prose, and critical writings into Kannada and English. Her own poems have been translated into many languages, and have been included in textbooks from Jain University, Bangalore and the University of Kerala. Some of her poems are accompanied by music by Vasu Dixit. Bindumalini, and Sunitha Ananthaswamy. Sagar produced ''Interversions 1,2, & 3'', three poetry films based on her own collection of the same name, with Srishti Films as part of the Wales-India collaborative projects (2018). She has also written and produced ''For Gauri'', a video presentation of her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nina Sabnani
Nina Sabnani (born 1956) is an Indian animation filmmaker, illustrator and an educator. She is known for her films which blend together animation and ethnography. Collaboration with diverse ethnic communities as well as storytelling with words and imagery have been her research interests. Sabnani has taught for more than two decades at the National Institute of Design (NID), Ahmedabad. Along with Animation Design, Sabnani also served as the coordinator of the New Media Design when it was introduced in 2001 at National Institute of Design. She is currently a professor at the Industrial Design Centre (IDC), IIT Bombay. Academic background Sabnani graduated in painting from the Faculty of Fine Arts, MSU, Vadodara and completed a certificate program in animation film making at the NID, Ahmedabad. She received a Fulbright Fellowship in 1997 to purse post-graduate studies in film at Syracuse University, New York. Her doctoral research at the IDC, IIT Bombay was based on Rajasth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shai Heredia
Shai (also spelt Sai, occasionally Shay, and in Greek, Psais) was the deification of the concept of fate in Egyptian mythology. As a concept, with no particular reason for associating one gender over another, Shai was sometimes considered female, rather than the more usual understanding of being male, in which circumstance Shai was referred to as Shait (simply the feminine form of the name). His name reflects his function, as it means ''(that which is) ordained''. The Egyptians believed that Shai determined the length of each person’s life and was born with each person at their birth and remained at their side until they faced their final judgement before Osiris in the underworld Duat. In consequence, he was sometimes identified as the husband of Meskhenet, goddess of birth, or, in later years, of Renenutet Renenūtet (also transliterated Ernūtet, Renen-wetet, Renenet) was a goddess of grain, grapes, nourishment and the harvest in the ancient Egyptian religion. The import ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
