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Sound Collage
In music, montage (literally "putting together") or sound collage ("gluing together") is a technique where newly branded sound objects or Musical composition, compositions, including songs, are created from collage, also known as musique concrète. This is often done through the use of sampling (music), sampling, while some sound collages are produced by gluing together sectors of different vinyl records. Like its visual cousin, sound collage works may have a completely different effect than that of the component parts, even if the original parts are recognizable or from a single source. Audio collage was a feature of the audio art of John Cage, Fluxus, postmodern music, postmodern hip-hop and postconceptual digital art. History The origin of sound collage can be traced back to the works of Heinrich Ignaz Biber, Biber's programmatic sonata ''Battalia'' (1673) and Wolfgang Amadeus Mozart, Mozart's ''Don Giovanni'' (1789), and certain passages in Gustav Mahler, Mahler symphonies as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Break-in Record
A break-in record is a Novelty song, novelty record which combines spoken word comedy with clips of popular music to create a humorous effect. The subject matter was often inspired by contemporary events or popular culture such as television shows and films. Such comedy recordings were popular in the United States for several decades beginning in 1956 with "The Flying Saucer (song), The Flying Saucer" by Dickie Goodman and Bill Buchanan (songwriter), Bill Buchanan. Notable break-in records See also * Mashup (culture), Mashup culture * YouTube Poop, similarly edited humorous videos often incorporating music videos, popular in the 2000s and 2010s References {{Music-genre-stub Lists of songs by genre Novelty songs, Sound collages Break-in records, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Ignaz Biber
Heinrich Ignaz Franz von Biber correctly ''Biber von Bibern'' ( bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours. Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning.A Survey of the Unaccompanied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi-documentary ' city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of sound collages and audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated high school in 1905 and began architectural studies in Zürich in 1907. In 1909 Ruttmann began painting in Munich, where he befriended Paul Klee and Lyonel Feininger, and he would later paint in Marburg. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of World War I he was sent to the Eastern Front, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (professor Of Music)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Tyrrell was born in Salisbury, Zimbabwe and worked as a professor of music and executive editor of ''The New Grove Dictionary of Music and Musicians''. He died in 2018, aged 76. Early life and education Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He graduated Bachelor of Music at the University of Cape Town following which he moved to the University of Oxford to pursue a doctoral degree under the supervision of Edmund Rubbra. Career Tyrrell started his career working in an editorial capacity at '' The Musical Times''. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centonization
In music centonization (from Latin ''cento'' or patchwork) is musical composition via the combination of pre-existing motivic units, typically in reference to Christian liturgical chant. A piece created using centonization is known as a "centonate". The concept of centonization was borrowed from literary theory, and first applied to Gregorian chant in 1934 by Dom ; it has since also been applied to Byzantine chant. Overview Centonization, according to Ferretti's theory, is a very old and widespread technique. The musical modes used in Gregorian chant are supposed to reflect this use; according to the theory, the modes were more collections of appropriate melodic formulas than a set of pitches. Similar ideas appear in the music theory of other cultures; for example, the maqam of Arab music, the raga of Indian music, or the pathet of Indonesian music. These do not designate merely scales, but sets of appropriate melodies and specific ornaments on certain tones (they are s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Potpourri (music)
Potpourri or Pot-Pourri ( , ; ) is a kind of musical form structured as ABCDEF..., the same as medley or, sometimes, fantasia. It is often used in light, easy-going and popular types of music. This is a form of arrangement where the individual sections are simply juxtaposed with no strong connection or relationship. This type of form is organized by the principle of non- repetition. This is usually to be applied to a composition that consists of a string of favourite tunes, like a potpourri based on either some popular opera, operetta, or a collection of songs, dances, etc. The term has been in use since the beginning of the 18th century, or to be more specific, since it was used by the French music publisher Christophe Ballard (1641–1715) for the edition of a collection of pieces in 1711. In the 18th century the term was used in France for collections of songs which, with a thematic link, were sometimes given stage presentation. Later the term was used also for instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medley (music)
In music, a medley is a piece composed from parts of existing pieces played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumentals. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre. A cover version combining elements of multiple pre-existing songs is a ''cover medley''.When a piece of music specifically superimposes elements of multiple pre-existing songs at the same time, it is more particularly referred to as a mashup. A medley is the most common form of overture for musical theatre productions. In Latin music, medleys are known as '' potpourrís'' or ''mosaicos''; the latter were popularized by artists such as Roberto Faz and Billo Frómeta, and most commonly consist of boleros, guarachas, merengues or congas. See also * Segue, a term for the transition between songs * DJ mix * Megamix * Mash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quodlibet
A quodlibet (; Latin for "whatever you wish" from '' quod'', "what" and '' libet'', "pleases") is a musical composition that combines several different melodies—usually popular tunes—in counterpoint, and often in a light-hearted, humorous manner. There are three main types of quodlibet: * A ''catalogue quodlibet'' consists of a free setting of catalogue poetry (usually humorous lists of loosely related items). * In a ''successive quodlibet'', one voice has short musical quotations and textual quotations while the other voices provide homophonic accompaniment. * In a ''simultaneous quodlibet'', two or more pre-existing melodies are combined. The simultaneous quodlibet may be considered a historical antecedent to the modern-day musical mashup. Simultaneous quodlibets are found in elementary music classes, referred to as Partner Songs. History Renaissance The quodlibet originated in 15th-century Europe, during a time when the practice of combining folk tunes was popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Central Park In The Dark
''Central Park in the Dark'' is a musical composition by Charles Ives for chamber orchestra. It was composed in 1906 and has been paired with '' The Unanswered Question'' as part of "Two Contemplations" and with ''Hallowe'en'' and ''The Pond'' in "Three Outdoor Scenes". Composition The piece was first titled ''A Contemplation of Nothing Serious or Central Park in the Dark in "The Good Old Summer Time"'' (in comparison to ''A Contemplation of a Serious Matter or The Unanswered Perennial Question''). Ives wrote detailed notes concerning the purpose and context of ''Central Park in the Dark'': This piece was composed in 1906. The piece is scored for piccolo, flute, oboe, E (B) clarinet, bassoon, trumpet, trombone, percussion, two pianos and strings. Ives specifically suggests the two pianos be a player-piano and a grand piano. The orchestral groups are to be separated spatially from each other. Ives described the role of the instruments in a programmatic description of the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
