Silappadikaram
''Cilappatikāram'' ( IPA: ʧiləppət̪ikɑːrəm, ''lit.'' "the Tale of an Anklet"), also referred to as ''Silappathikaram'' or ''Silappatikaram'', is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely ''akaval'' (''aciriyam'') meter. The epic is a tragic love story of an ordinary couple, Kaṇṇaki and her husband Kōvalaṉ. The ''Cilappatikāram'' has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the '' Natṟiṇai'' and later texts such as the ''Kovalam Katai''. It is attributed to a prince-turned-jain-monk Iḷaṅkō Aṭikaḷ, and was probably composed in the 5th century CE (although estimates range from 2nd to 6th century CE). The ''Cilappatikāram'' is an ancient literary masterpiece. It is to the Tamil culture what the ''Iliad'' is to the Greek culture, states R. Parthasarathy. It blends the themes, mythologies and theological ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Manimekalai
''Maṇimēkalai'' (, ), also spelled ''Manimekhalai'' or ''Manimekalai'', is a Tamil Buddhist epic composed by Kulavāṇikaṉ Seethalai Sataṉar probably somewhere between the 2nd century to the 6th century. It is an "anti-love story", a sequel to the "love story" in the earliest Tamil epic '' Cilappatikaram'', with some characters from it and their next generation. The epic consists of 4,861 lines in ''akaval'' meter, arranged in 30 cantos. The title ''Manimekalai'' is also the name of the daughter of Kovalan and Madhavi, who follows in her mother's footsteps as a dancer and a Buddhist nun. The epic tells her story. Her physical beauty and artistic achievements seduces the Chola prince Udayakumara. He pursues her. She, a nun of Mahayana Buddhism persuasion, feels a commitment to free herself from human ties. She rejects his advances, yet finds herself drawn to him. She hides, prays and seeks the help of her mother, her Buddhist teacher Aravana Adikal and angels. They ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indra
Indra (; ) is the Hindu god of weather, considered the king of the Deva (Hinduism), Devas and Svarga in Hinduism. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. [3 volumes] Indra is the most frequently mentioned deity in the ''Rigveda''. He is celebrated for his powers based on his status as a god of order, and as the one who killed the great evil, an Asura (Hinduism), asura named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rain and sunshine as the saviour of mankind. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various mythological events. He is depicted as a powerful hero. According to the ''Vishnu Purana'', Indra is the title borne by the king of the gods, which changes every Manvantara – a cyclic period of time in Hindu cosmology. Each Manvantara has its own Indra and the In ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ilango Adigal
Ilango Adigal (a title, literally "prince ascetic", fl. c. 4th-6th century CE) was a Jain monk, belonging to the Chera royal family, from the city of Vanchi. He is traditionally credited as the author of the epic poem Cilappatikaram (the Song of the Anklet), one of the Five Great Epics of Tamil literature. In the patikam (the prologue) to the poem, Ilango Adigal identifies himself as the brother of the Chera king Cenkuttuvan (c. late 2nd century CE). However, it is generally assumed that the author was a member of the Chera royal family who lived much later than Cenkuttuvan and composed the poem based on a reliable version of the historical tradition concerning Cenkuttuvan and Kannaki. Biography No directly verifiable information about Ilango Adigal exists outside of Cilappatikaram ("The Lay of the Anklet") and its prologue. According to the text, Ilango Adigal was a Chera prince ("Kudakko Ceral Ilanko"). He was the younger son of the Chera king "Imayavarampan" Ce ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cheran Chenkutuvan
Chenkuttuvan (c. 180 CE, literally 'the Righteous Kuttuvan'), title Kadal Pirakottiya, identified with Kadalottiya Vel Kezhu Kuttuvan, was the most celebrated Chera ruler of early historic South India. He is also mentioned in Chilappathikaram, the Tamil epic poem purportedly composed by the Chera prince Ilanko Adikal''.'' Chenkuttavan is eulogized by the poet Paranar in the fifth decade of the Pathitrupathu Collection, part of the Ettuthokai anthology of early Tamil literature. He was likely a member of the Muchiri-Karur branch (associated with present-day central Kerala) of the Chera dynasty. During his reign, the Chera territory encompassed the Malabar Coast (present-day Kerala) and the interior Kongu country (western Tamil Nadu). The influx of Yavana (Greco-Roman) gold into south India through the Indian Ocean spice trade during Chenkuttavan's reign is memorably described in ancient Tamil poems. According to Fifth Decade, Pathitrupathu, Chenkuttavan achieved a majo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Early Cholas
The Early Cholas were a Tamil kingdom of the Chola dynasty - pre and post Sangam period (600 BCE–300 CE). It was one of the three main kingdoms of Tamilakam. Their early capitals were Urayur or Tiruchirapalli and Kaveripattinam. Along with the Pandyas and the Cheras, the Chola history goes back to the period when written records were scarce. Sources Ancient Tamil Nadu contained three monarchical states, headed by kings called ''Vendhar'' and several chieftaincies, headed by the chiefs called by the general denomination ''Vel'' or '' Velir''. Still lower at the local level there were clan chiefs called ''kizhar'' or ''mannar''. The Tamil area had an independent existence outside the control of these northern empires. The Tamil kings and chiefs were always in conflict with each other mostly over property. The royal courts were mostly places of social gathering rather than places of dispensation of authority; they were centres for distribution of resources. The names of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cenkuttuvan
Chenkuttuvan (c. 180 CE, literally 'the Righteous Kuttuvan'), title Kadal Pirakottiya, identified with Kadalottiya Vel Kezhu Kuttuvan, was the most celebrated Chera ruler of early historic South India. He is also mentioned in Chilappathikaram, the Tamil epic poem purportedly composed by the Chera prince Ilanko Adikal''.'' Chenkuttavan is eulogized by the poet Paranar in the fifth decade of the Pathitrupathu Collection, part of the Ettuthokai anthology of early Tamil literature. He was likely a member of the Muchiri-Karur branch (associated with present-day central Kerala) of the Chera dynasty. During his reign, the Chera territory encompassed the Malabar Coast (present-day Kerala) and the interior Kongu country (western Tamil Nadu). The influx of Yavana (Greco-Roman) gold into south India through the Indian Ocean spice trade during Chenkuttavan's reign is memorably described in ancient Tamil poems. According to Fifth Decade, Pathitrupathu, Chenkuttavan achieved a majo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sangam Period
The Sangam literature ( Tamil: சங்க இலக்கியம், ''caṅka ilakkiyam''), historically known as 'the poetry of the noble ones' ( Tamil: சான்றோர் செய்யுள், ''Cāṉṟōr ceyyuḷ''), connotes the early classical Tamil literature and is the earliest known literature of South India. The Tamil tradition links it to legendary literary gatherings around Madurai in the ancient Pandya kingdom. It is generally accepted by most scholars that the historical Sangam literature era, also known as the Sangam period, spanned from 100 BCE to 250 CE, on the basis of linguistic, epigraphic, archaeological, numismatic and historical data; though some scholars give a broader range of 300 BCE to 300 CE. The Eighteen Greater Texts (Patiṉeṇmēlkaṇakku), along with the Tamil grammar work Tolkappiyam, are collectively considered as Sangam literature. These texts are classified into the Ettuttokai (Eight Anthologies) and Pattupattu (T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pallava Dynasty
The Pallava dynasty existed from 275 CE to 897 CE, ruling a significant portion of the Deccan, also known as Tondaimandalam. The Pallavas played a crucial role in shaping in particular southern Indian history and heritage. The dynasty rose to prominence after the downfall of the Satavahana Empire, whom they had formerly served as feudatories. The Pallavas became a major southern Indian power during the reign of Mahendravarman I (600–630 CE) and Narasimhavarman I (630–668 CE), and dominated the southern Telugu region and the northern parts of the Tamil region for about 600 years, until the end of the 9th century. Throughout their reign, they remained in constant conflict with both the Chalukyas of Vatapi to the north, and the Tamil kingdoms of Chola and Pandyas to their south. The Pallavas were finally defeated by the Chola ruler Aditya I in the 9th century CE. The Pallavas are most noted for their patronage of Hindu Vaishnava temple architecture, the fine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anklet
An anklet, also called ''ankle chain'', ''ankle bracelet'' or ''ankle string'', is an ornament worn around the ankle. Barefoot anklets and toe rings historically have been worn for at least over 8,000 years by girls and women in Indus Valley, in Indian Subcontinent where it is commonly known as ''pattilu'', ''payal, golusu'' and sometimes as ''nupur''. They have also been worn by Egyptian women since predynastic times. In the United States both casual and more formal anklets became fashionable from the 1930s to the late–20th century. While in Western popular culture both younger men and women may wear casual leather anklets, they are popular among barefoot women. Formal anklets (of silver, gold, or beads) are used by some women as fashion jewellery. Anklets are an important piece of jewellery in Indian marriages, worn along with saris. Occasionally, anklets on both ankles are joined by a chain to limit the step. This practice was once prevalent in Southeast Asia, where th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sattanar
Satthanar or Chithalai Satthanar (, ''cītalai cāttanār'') was the Tamil poet who composed the epic Manimekalai. A total of 11 verses of the Sangam literature have been attributed to Satthanar, including verse 10 of the Tiruvalluva Maalai. Etymology Pronounced ''Sa-tha-naar,'' the name is derived from (, ''sāttu'') meaning Buddhist monk. Applying this principle to the name Maturai Kulavāṇikan Cāttan, the author of Manimekalai, we see that the two appellations Maturai and Kulavanikan were prefixed to his name in order to distinguish him from another poet of Maturai with the same name and from a third who lived elsewhere. Several examples could be cited of this system of nomenclature which prevailed during the early days. Biography Satthanar hailed from a place known as Seerthandalai, later came to be known as Seethalai. He was a grain merchant at Madurai and hence came to be called "Koolavanigan". He was a contemporary of Cheran Senguttuvan and was believed to have pract ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kamil Zvelebil
Kamil Václav Zvelebil (November 17, 1927 – January 17, 2009) was a Czech scholar in Indian literature and linguistics, notably Tamil, Sanskrit, Dravidian linguistics and literature and philology. Life and career Zvelebil studied at the Charles University in Prague from 1946 to 1952 where he majored in Indology, English, literature and philosophy. After obtaining his PhD in 1952 and until 1970 he was a senior research fellow in Tamil and Dravidian linguistics and literature at the Oriental Institute of the Czechoslovak Academy of Sciences. He held the role of associate professor of Tamil and Dravidian at Charles University in Prague until 1968, when he and his family (including his son, the later archaeologist, Marek Zvelebil) were forced to flee after the Warsaw Pact invasion of Czechoslovakia. They fled to the United States at first, but later settled in the Netherlands. During the late 1960s, he made many field trips including those to South India. From 1965 to 1966 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Oral Tradition
Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.Jan Vansina, Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Pre-history", 1990, ''UNESCO International Scientific Committee for the Drafting of a G ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |