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Shime-daiko
The is a small Japanese drum. It has a short but wide body with animal skin drumheads on both its upper and bottom sides. The hide is first stretched on metal hops, then stretched over the body. Similar to the tsuzumi and to African talking drums, both drum heads are bound together with cords so that the drum heads are bound by each other. Like the larger taiko drums, the shime-daiko is played with sticks called " bachi," while it's suspended on a stand. Being very taut, the shime-daiko has a higher pitch than that of normal taiko. Shime-daiko are used in various Japanese music ensembles, from nagauta, hayashi, taiko are a broad range of Traditional Japanese musical instruments, Japanese percussion instruments. In Japanese language, Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various J ..., to folk music, or min'yō ensembles. Shime-daiko have been used in Japanese music genre since the ''den ...
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Taiko
are a broad range of Traditional Japanese musical instruments, Japanese percussion instruments. In Japanese language, Japanese, the term refers to any kind of drum, but outside Japan, it is used specifically to refer to any of the various Japanese drums called and to the form of ensemble drumming more specifically called . The process of constructing varies between manufacturers, and the preparation of both the drum body and skin can take several years depending on the method. have a mythological origin in Japanese folklore, but historical records suggest that were introduced to Japan through China, Chinese and Korean cultural influence as early as the 6th century CE; pottery from the Haniwa period depicting drums has also been found. Some are similar to instruments originating from India. Archaeological evidence also supports the view that were present in Japan during the 6th century in the Kofun period. Their function has varied throughout history, ranging from com ...
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Shime Daiko Drum - Shime Taiko Trommel
270pxWinding tower and slant entrance of 8th mine of former Shime Coal Mine is a town located in Kasuya District, Fukuoka Prefecture, Japan. , the town had an estimated population of 46,388 in 21035 households, and a population density of 5300 persons per km². The total area of the town is Geography Shime is located in northwestern Fukuoka Prefecture. Although there are hilly areas in the southern and western parts of the town, it is generally flat. Almost the entire area has been urbanized. Neighboring municipalities Fukuoka Prefecture *Fukuoka * Kasuya * Sue * Umi Climate Shime has a humid subtropical climate (Köppen ''Cfa'') characterized by warm summers and cool winters with light to no snowfall. The average annual temperature in Shime is 15.2 °C. The average annual rainfall is 1766 mm with September as the wettest month. The temperatures are highest on average in August, at around 26.5 °C, and lowest in January, at around 4.4 °C. Demographics ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Tsuzumi
The or ''tsuzumi'' is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the Pitch (music), pitch of the drum while playing, not unlike the African talking drum and the Indian dhadd. History The predecessor to the tsuzumi, the , was brought to Japan from southern China in the 7th century as part of the gigaku ensemble. There were four types of yōko, of which only the and the survive. Like the modern tsuzumi, the yōko's membrane was fastened to a hemp cord called the . Unlike the contemporary instrument, the yōko was suspended from the performer's neck. The drumhead was hit with a mallet held in the right hand and the palm of the left hand. In the twelfth century, the performance of the ikko, the smallest of the yōko varieties, changed, where pla ...
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Bachi
''Bachi'' (, ; also ''batchi'') are straight wooden sticks used on Japanese taiko drums, and also the plectrum (written ) for stringed instruments of Japanese origin such as the shamisen and ''biwa''. For percussion Drum bachi (, ) are made in a wide variety of sizes and materials, as appropriate to the drum it will be used to play. A typical bachi is about 22 mm (7/8 inches) in diameter, 400 mm (16 inches) long and made out of a hardwood such as oak. These would be suitable for a wide variety of playing styles. A bachi for playing a larger drum like the O-daiko would be bigger both in circumference and length. Similarly, smaller bachi are used for smaller drums. Distinctions between the characters and are not always made in technical terms, but can also literally refer to the white oak tree, or Quercus. Some other woods commonly used to make bachi are (Japanese names in parentheses): , , , , and . Magnolia is one of the lightest and softest woods, mo ...
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Nagauta
is a kind of traditional Japanese music played on the and used in kabuki theater, primarily to accompany dance and to provide reflective interludes. History It is uncertain when the was first integrated into kabuki, but it was sometime during the 17th century; Malm argues that it was probably before 1650. The first reference to as music appears in the second volume of (1703). By the 18th century, the had become an established instrument in kabuki, when the basic forms and classifications of crystallized as a combination of different styles stemming from the music popular during the Edo period. is considered a subset of . Many of the "classic" repertoire was composed in the 19th century, which is the time of the best-known composers as well. Many pieces are based on Noh theater, partly due to the number of kabuki plays derived from Noh theater pieces, and many were revived during the 19th century. There is evidence of the influence of Japanese folk music on too. ...
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Hayashi (music)
A is a group of performers who provide musical accompaniment for Japanese '' Nō'' or ''kabuki'' theatre, '' yose'' () performances of ''rakugo'', or a festival. In ''Nō'', the ''hayashi'' sit along the rear of the stage, facing the audience and fully visible. A distinct and separate group of performers from the chorus, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small ''taiko'', set on a stand before him, with two drumsticks. To his right is the '' ōtsuzumi'' hip drum, followed by the '' kotsuzumi'' shoulder drum, and the Noh flute ('' nōkan'' or simply '' fue''). In ''kabuki'', a number of shamisen players are added, along with, depending on the play, ''taiko'' drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. The kabuki ''hayashi'' is generally located in a small room just off-sta ...
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Min'yō
, ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Music of Japan, Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work or for specific jobs. Other ''min'yō'' function simply as entertainment, as dance accompaniment, or as a components of religious rituals. ''Min'yō'' are also distinct depending on the area of Japan, with each area boasting its own favorite songs and styles. The songs found in the far northern island of Hokkaidō and sung by the Ainu people are usually excluded from the category of min'yō. In the far south, (especially Okinawa Prefecture, Okinawa) distinct genres of min'yō, differing in scale structure, language and textual forms, have developed as well. Instruments Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically). During the Edo period, however ...
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Dengaku
were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be used. In the , there is a detailed description of the rice-planting . After being brought to the aristocrats, flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573). By the end of the Muromachi period, had been eclipsed by . Today it ...
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Drums
The drum is a member of the percussion instrument, percussion group of musical instruments. In the Hornbostel–Sachs classification system, it is a membranophones, membranophone. Drums consist of at least one Acoustic membrane, membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by one player, such as bongo drums and timpani. A number of different drums together ...
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Membranophones
A membranophone is any musical instrument which produces sound primarily by way of a acoustic membrane, vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification. According to Curt Sachs, Sachs, Hornbostel-Sachs The Hornbostel-Sachs scheme of musical instrument classification divides membranophones in a numeric taxonomy based on how the sound is produced: *21: by hitting the drumskin with a hand or object (most common form, including the timpani and snare drum) *22: by pulling a knotted string attached to the drumskin (common in Indian drums, and can be considered an example of a chordophone as well) *23: by rubbing the drumskin with a hand or object (common in Irish traditional music, an example is the bodhran) *24: by modifying sounds through a vibrating membrane (unusual form, including the kazoo) Length and breadth Membranophones can also be divided into small divisions bas ...
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