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Sethlans (mythology)
In Etruscan mythology, Sethlans was the god of fire, the forge, metalworking, and by extension craftsmanship in general, the equivalent, though their names share no etymology, to Greek Hephaestus, Egyptian Ptah and the Roman Vulcan. Sethlans is one of the indigenous Etruscan gods. In Etruscan arts Sethlans may be identified by his tools, the hammer and tongs of the blacksmith, and by the '' pileus'' or conical cap he wears. His association with order and technical skill made him essential to rituals involving material production, such as weapon or tool creation, reflecting the Etruscan reverence for divine precision and manual labor. By what appears to be a curious omission, his name does not appear on the bronze liver of Piacenza. Archaeological Evidence The direct archaeological evidence of Sethlans is relatively scarce compared to other deities.Pavel, D. (2020). The Image of the God Fufluns–Dionysus as Reflected on Etruscan Mirrors'. Revista CICSA. 41-68. However, he is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pileus (hat)
The pileus (, ; also or in Latin) was a brimless felt cap worn in Ancient Greece, Etruria, Illyria (especially Pannonia), later also introduced in Ancient Rome. The pileus also appears on Apulian red-figure pottery. The pilos together with the petasos were the most common types of hats in Archaic and Classical era (8th–4th century BC) Greece. In the 5th century BC, a bronze version began to appear in Ancient Greece and it became a popular infantry helmet. It occasionally had a horsehair crest. The Greek pilos resembled the Roman and Etruscan pileus, which were typically made of felt. The Greek () and Latin were smaller versions, similar to a skullcap. Similar caps were worn in later antiquity and the early medieval ages in various parts of Europe, as seen in Gallic and Frankish dress. The Albanian traditional felt cap, the plis, worn today in Albania, Kosovo and adjacent areas, originated from a similar felt cap worn by the ancient Illyrians. A pointed version call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tvashtr
Tvashtr (, ) or Tvashta (, ) is a Vedic Hindu artisan god or fashioner. He is mentioned as an Aditya (sons of goddess Aditi) in later Hindu scriptures like the ''Mahabharata'' and ''Puranas'', though his significance gets reduced. Tvashtr is sometimes identified with another artisan deity named Vishvakarma. In Hindu Literature In the ''Rigveda'', Tvashtr is stated to be a skillful craftsman who created many implements, including Indra's bolt, the axe of Brihaspati, and a cup for divine food and drink. He is stated to be the creator of forms, and is often stated to be the crafter of living beings and wombs. He is also considered a universal father, and an ancestor of humans through his daughter Saranyu. He is the father of Bṛhaspati, and likely Indra's father as well. He wields a metal axe, and rides a chariot pulled by two fallow bay mares. He is the guardian of Soma, and his son Vishvarupa is the guardian of cows. Indra has a conflict with his likely father Tvashtr, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestus
Hephaestus ( , ; wikt:Hephaestus#Alternative forms, eight spellings; ) is the Greek god of artisans, blacksmiths, carpenters, craftsmen, fire, metallurgy, metalworking, sculpture and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Lemnos, Mythic Lemnos In Greek mythology, Hephaestus was the son of Hera, either on her own or by her husband Zeus. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos. Hephaestus's symbols are a smith's ham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulcan (mythology)
Vulcan (, in archaically retained spelling also ''Volcanus'', both pronounced ) is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and Roman mythology, myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual Roman festival, festival held August 23 in his honor. His interpretatio graeca, Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans (mythology), Sethlans. Vulcan belongs to the most ancient stage of Roman religion: Varro, the ancient Roman scholar and writer, citing the Annales Maximi, records that king Titus Tatius dedicated altars to a series of deities including Vulcan. Etymology The origin of the name is unclear. Roman tradition maintained that it was related to Latin words connected to lightning (), which in turn was thought of as related to flames. This interpretation is supported by Walter William Skeat in his et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptah
Ptah ( ; , ; ; ; ) is an ancient Egyptian deity, a creator god, and a patron deity of craftsmen and architects. In the triad of Memphis, he is the husband of Sekhmet and the father of Nefertem. He was also regarded as the father of the sage Imhotep. Origin and symbolism Ptah is an Egyptian creator god who conceived the world and brought it into being through the creative power of speech. A hymn to Ptah dating to the Twenty-second Dynasty of Egypt says Ptah "crafted the world in the design of his heart," and the Shabaka Stone, from the Twenty-Fifth Dynasty, says Ptah "gave life to all the gods and their kas as well, through this heart and this tongue." Epithets He bears many epithets that describe his role in ancient Egyptian religion and its importance in society at the time: * ''Ptah the begetter of the first beginning'' * ''Ptah lord of truth'' * ''Ptah lord of eternity'' * ''Ptah who listens to prayers'' * ''Ptah master of ceremonies'' * ''Ptah master of jus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völund
In Germanic mythology, Wayland the Smith (; , ; Old Frisian: Wela(n)du; ; ; (); from ', lit. "crafting one") is a master blacksmith originating in Germanic heroic legend, described by Jessie Weston as "the weird and malicious craftsman, Weyland".Weston, J. (1929). 'Legendary Cycles of the Middle Age', in Tanner, J.R. (ed.), ''The Cambridge Medieval History'' Vol. VI, Cambridge, UK: Cambridge University Press, p. 841f. Wayland's story is most clearly told in the Old Norse sources '' Völundarkviða'' (a poem in the ''Poetic Edda'') and '' Þiðreks saga''. In them, Wayland is a smith who is enslaved by a king. Wayland takes revenge by killing the king's sons and then escapes by crafting a winged cloak and flying away. A number of other visual and textual sources clearly allude to similar stories, most prominently the Old English poem ''Deor'' and the Franks Casket. Wayland is also mentioned in passing in a wide range of texts, such as the Old English '' Waldere'' and ''Beow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Mythology
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Mythology
Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world; the lives and activities of List of Greek deities, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures; and the origins and significance of the ancient Greeks' cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pileus (hat)
The pileus (, ; also or in Latin) was a brimless felt cap worn in Ancient Greece, Etruria, Illyria (especially Pannonia), later also introduced in Ancient Rome. The pileus also appears on Apulian red-figure pottery. The pilos together with the petasos were the most common types of hats in Archaic and Classical era (8th–4th century BC) Greece. In the 5th century BC, a bronze version began to appear in Ancient Greece and it became a popular infantry helmet. It occasionally had a horsehair crest. The Greek pilos resembled the Roman and Etruscan pileus, which were typically made of felt. The Greek () and Latin were smaller versions, similar to a skullcap. Similar caps were worn in later antiquity and the early medieval ages in various parts of Europe, as seen in Gallic and Frankish dress. The Albanian traditional felt cap, the plis, worn today in Albania, Kosovo and adjacent areas, originated from a similar felt cap worn by the ancient Illyrians. A pointed version call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liver Of Piacenza
The Liver of Piacenza is an Etruscan artifact found in a field on September 26, 1877, near Gossolengo, in the province of Piacenza, Italy, now kept in the Municipal Museum of Piacenza, in the Palazzo Farnese. It is a life-sized bronze model of a sheep's liver covered in Etruscan inscriptions ( TLE 719), measuring 126 × 76 × 60 mm (5 × 3 × 2.4 inches) and dated to the late 2nd century BC, i.e. a time when the Piacenza region would already have been Latin-dominated (Piacenza was founded in 218 BC as a Roman garrison town in Cisalpine Gaul). Description and interpretation The liver is subdivided into sections for the purposes of performing haruspicy (hepatoscopy); the sections are inscribed with names of individual Etruscan deities. Middle Eastern parallels; anatomical model The Piacenza liver is a striking conceptual parallel to clay models of sheep's livers known from the Ancient Near East, reinforcing the evidence of a connection (be it by migration or merel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Civilization
The Etruscan civilization ( ) was an ancient civilization created by the Etruscans, a people who inhabited Etruria in List of ancient peoples of Italy, ancient Italy, with a common language and culture, and formed a federation of city-states. After adjacent lands had been conquered its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto and western Campania. A large body of literature has flourished on the origins of the Etruscans, but the consensus among modern scholars is that the Etruscans were an indigenous population. The earliest evidence of a culture that is identifiably Etruscan dates from about 900 BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
