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Scene (filmmaking)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an Act (drama), act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed. Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single Filming location, location and continuous time made up of a series of shot (filmmaking), shots, which are each a set o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama
Drama is the specific Mode (literature), mode of fiction Mimesis, represented in performance: a Play (theatre), play, opera, mime, ballet, etc., performed in a theatre, or on Radio drama, radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the Epic poetry, epic and the Lyric poetry, lyrical modes ever since Aristotle's ''Poetics (Aristotle), Poetics'' ()—the earliest work of dramatic theory. The term "drama" comes from a Ancient Greek, Greek word meaning "deed" or "Action (philosophy), act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional Genre, generic division between Comedy (drama), comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''Play (theatre), play'' or ''game'' (translating the Old English, Anglo-Saxon ''pleġan'' or Latin ''ludus'') wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Car Chase
A car chase or vehicle pursuit is the vehicular overland chase of one party by another, involving at least one automobile or other wheeled motor vehicle, commonly hot pursuit of suspects by law enforcement. The rise of the automotive industry in the 20th century increased car ownership, leading to a growing number of criminals attempting to evade police in their own vehicle or a stolen car. Car chases may also involve other parties in pursuit of a criminal suspect or intended victim, or simply in an attempt to make contact with a moving person for non-conflict reasons. Car chases are often captured on news broadcast due to the video footage recorded by police cars, police aircraft, and news aircraft participating in the chase. Car chases are also a popular subject with media and audiences due to their intensity, drama and the innate danger of high-speed driving, and thus are common content in fiction, particularly action films and video games. Police involvement Car ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Scenery
Theatrical scenery is that which is used as a setting for a theatrical production. Scenery may be just about anything, from a single chair to an elaborately re-created street, no matter how large or how small, whether the item was custom-made or is the genuine item, appropriated for theatrical use. History The history of theatrical scenery is as old as the theatre itself, and just as obtuse and tradition bound. What we tend to think of as 'traditional scenery', i.e. two-dimensional canvas-covered ' flats' painted to resemble a three-dimensional surface or vista, is a relatively recent innovation and a significant departure from the more ancient forms of theatrical expression, which tended to rely less on the actual representation of space and more on the conveyance of action and mood. By the Shakespearean era, the occasional painted backdrop or theatrical prop was in evidence, but the show itself was written so as not to rely on such items to convey itself to the audience. Howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene And Sequel
Scene and sequel are two types of written passages used by authors to advance the plot of a story. ''Scenes'' propel a story forward as the character attempts to achieve a goal.Swain, p. 84-85. ''Sequels'' provide an opportunity for the character to react to the scene, analyze the new situation, and decide upon the next course of action. Scene The concept of a scene in written fiction has evolved over many years. Dwight V. Swain, in ''Techniques of the Selling Writer'' (1965) defined a ''scene'' as a unit of conflict, an account of an effort to attain a goal despite opposition. According to Swain, the functions of a scene are to provide interest and to advance the story. The structure of a scene, as described by Swain, is (1) goal, (2) conflict, (3) disaster. In ''The Art of Fiction'' (1983), John Gardner described a scene as having an unbroken flow of action without a lapse of time or leap from one setting to another. Over the years, other authors have attempted to improve o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot (narrative)
In a literary work, film, or other narrative, the plot is the mapping of events in which each one (except the final) affects at least one other through the principle of Causality, cause-and-effect. The causal events of a plot can be thought of as a selective collection of events from a narrative, all linked by the connector "and so". Simple plots, such as in a traditional ballad, can be linearly sequenced, but plots can form complex interwoven structures, with each part sometimes referred to as a subplot. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The Premise (narrative), premise sets up the plot, the Character (arts), characters take part in events, while the Setting (narrative), setting is not only part of, but also influences, the final story. An can convolute the plot based on a misunderstanding. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Take
In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is Shot (filmmaking), shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking (stage), blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "Wide shot, long shot", which refers to the use of a long-focus lens and not to the duration of the take. The length of a long take was originally limited to how much film the Camera magazine, magazine of a Movie camera, motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take. Early examples When filming ''Rope (film), Rope'' (1948), Alfred Hitchcock intended for the film to have the effect of one long continuous take, but the camera magazines available could hold not more than 1000 feet of 35 mm movie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fiction
Fiction is any creative work, chiefly any narrative work, portraying character (arts), individuals, events, or setting (narrative), places that are imagination, imaginary or in ways that are imaginary. Fictional portrayals are thus inconsistent with fact, history, or plausibility. In a traditional narrow sense, fiction refers to literature, written narratives in prose often specifically novels, novellas, and short story, short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any Media (communication), medium, including not just writings but also drama, live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition and theory Typically, the fictionality of a work is publicly expressed, so the audience expects a work of fiction to deviate to a greater or lesser degree from the real world, rather than presenting for instance only factually accurate portrayals or character (arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Show, Don't Tell
Show, don't tell is a narrative technique used in various kinds of texts to allow the reader to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than through the author's exposition, summarization, and description. It avoids adjectives describing the author's analysis and instead describes the scene in such a way that readers can draw their own conclusions. The technique applies equally to nonfiction and all forms of fiction, literature including haiku and Imagist poetry in particular, speech, movie making, and playwriting. The concept is often attributed to Russian playwright Anton Chekhov, reputed to have said "Don't tell me the moon is shining; show me the glint of light on broken glass." In a letter to his brother, Chekhov actually said, "In descriptions of Nature one must seize on small details, grouping them so that when the reader closes his eyes he gets a picture. For instance, you’ll have a moonlit night if you write that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Truby
John Truby (born 1952) is an American screenwriter, director, screenwriting teacher and author. He has served as a consultant on over 1,000 film scripts over the past three decades, and is also known for the screenwriting software program Blockbuster (originally "Storyline Pro"). He is the author of ''Anatomy of Story: 22 Steps to Becoming a Master Storyteller'', a book about screenwriting skills. Screenwriting career In the 1980s, Truby received his first credits, writing three episodes of '' 21 Jump Street'', as well as serving as a story editor. He later received a co-writer credit on the 2011 Disneynature documentary film ''African Cats''. A portion of the proceeds for the film were donated to the African Wildlife Foundation and their effort to preserve Kenya's Amboseli Wildlife Corridor. Teaching Unlike many authors and teachers on the subject, Truby is critical of Syd Field's three-act "Paradigm", viewing it as a mechanical means of storytelling, and argues that mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-credits Scene
A post-credits scene (also known as a stinger, end tag, or credit cookie) is a short teaser clip that appears after the closing credits have rolled and sometimes after a production logo of a film, TV show, or video game has run. It is usually included to reward the audience for having the patience to watch through the credits sequence; it may be a scene written for humor or to set up a sequel. Sometimes, one or more mid-credits scenes are also inserted partly through the closing credits, typically for the purpose of maintaining the audience's attention so they do not need to wait for the entire credits roll to finish for a teaser. History Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fight Scene
Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. History Ancient The history of stage fighting and mock combat can be traced to antiquity, with Aristotle quoted as noting that tragedy is conflict between people or indeed it may be traced to the origins of the human species and primate display behaviour. Display of martial aptitude is a natural occurrence in warrior societies, and ritua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nude Scene
In film, nudity may be either graphic or suggestive, such as when a person appears to be naked but is covered by a sheet. Since the birth of film, depictions of any form of sexuality have been controversial, and in the case of most nude scenes, had to be justified as part of the story. Nudity in film should be distinguished from sex in film. A film on naturism or about people for whom nudity is common may contain non-sexual nudity, and some non-pornographic films contain brief nude scenes. Nudity in a sexual context is common in pornographic films or erotic films. Nude scenes are considered controversial in some cultures because they may challenge the community's standards of modesty. These standards vary by culture and depend on the type of nudity, who is exposed, which parts of the body are exposed, the duration of the exposure, the posing, the context, or other aspects. Nudity in film may be subject to censorship or rating regimes that control the content of films. Many dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
