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Santi Nazaro E Celso (Brescia)
The church of Santi Nazaro e Celso is located on Corso Giacomo Matteotti, at the intersection with via Fratelli Bronzetti, in Brescia, Lombardy, Italy. The church contains the ''Averoldi Polyptych'' (1522), a masterwork of Titian. History Originally a church was found at approximately the same site in 1222, in an area that was soon enclosed by enlarged city walls. A major reconstruction began in 1746, by designs of abate Zinelli, and completed in 1781, leading to the statue-topped neoclassical facade we see today. It was interrupted in 1769 by an Brescia explosion, accidental explosion of a powder magazine at nearby Porta Nazaro. Reconstruction finally ceased and worship was resumed in 1780. Seventeen years later the Collegiate church, college of canons was suppressed, but the church remained functioning as a parish church. The organ in the church was completed by Luigi Amati in 1803. The entrance has a bust of one of the patrons of the reconstruction, the bishop of Modone, Aless ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, ; ; or ; ) is a city and (municipality) in the region of Lombardy, in Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Lake Garda, Garda and Lake Iseo, Iseo. With a population of 199,949, it is the second largest city in Lombardy and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1.2 million inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Ancient Rome, Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old Cathedral, Brescia, Old and New Cathedral, Brescia, New cathedral, the Renaissance ''Piazza ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Brescia
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Brescia
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter written by Paul, found in the New Testament of the Christian Bible * Ar-Rum (), the 30th sura of the Quran. Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People * Roman (given name), a given name, including a list of people and fictional characters *Roman (surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lattanzio Gambara
Lattanzio Gambara (c. 1530 – 18 March 1574) was an Italian painter, active in Renaissance and Mannerism, Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as ''Lattanzio Cremonese'' or ''Lattanzio da Cremona''. Biography Born in Brescia, Gambara initially apprenticed, aged fifteen, with Giulio Campi in Cremona. By 1549 he was working alongside Girolamo Romanino, who became his father-in-law. Gambara's work also shows the influence of il Pordenone. An altarpiece of S. Maria in Silva dates to 1558. He painted frescoes in the Villa Contarini in Asolo. Another fresco cycle on the ''History of the Apocalypse'' decorated the Loggia of Brescia, until it was destroyed by bombing in 1944. In his maturity the artist returned to Brescia to work with Romanino in a series of generally lost frescoes for Sant'Eufemia and Saint Lorenzo in Brescia. He painted altarpieces, all but one of them now lost, for the Polirone Abbey, abbey of Saint Benedict in Pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Barbara With A Donor
{{italic title ''Saint Barbara with a Donor'' or ''Saint Barbara with a Devotee'' is a 1558 oil on canvas painting by Lattanzio Gambara, originally painted for an altar dedicated to saint Barbara in the church of Santi Nazaro e Celso in Brescia but now on the right-hand side-altar in Santa Maria in Silva church in the same city. Bibliography *Francesco De Leonardis, ''Il patrimonio artistico della chiesa di Santa Maria in Silva'' in AA.VV., ''Santa Maria in Silva'', Delfo, Brescia 2003 Paintings in Brescia Italian paintings Paintings of Saint Barbara category:1558 paintings Paintings with donor portraits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Polazzo
Francesco Polazzo (1683–1753) was an Italian painter of the late-Baroque period, active mainly in Venice. He was a pupil of Giovanni Battista Piazzetta, and painted portraits and historical subjects, though better known as a restorer of pictures. Lanzi said of him that he ''softened down the style of Piazzetta with that of Ricci.'' San Trovaso (Venice) - Cristo e il centurione - Francesco Polazzo.jpg, ''Christ and the Centurion'' San Trovaso (Venice) Rebecca al pozzo con Eleazar di Francesco Polazzo.jpg, ''Rebecca at the Well with Eleaza'' San Francesco della Vigna Ceiling from palazzo nani in Ca'Rezzonico-museum Source:https://www.savevenice.org/project/ceiling-from-palazzo-nani-now-in-ca-rezzonico-museum (Venice) Africa by Francesco Polazzo - ceiling from palazzo nani in Ca'Rezzonico-museum.jpg, ''Africa'' (Venice) America by Francesco Polazzo - ceiling from palazzo nani in Ca'Rezzonico-museum.jpg, ''America'' (Venice) Europa by Francesco Polazzo - ceiling from palazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Pittoni
Giambattista Pittoni or Giovanni Battista Pittoni (6 June 1687 – 6 November 1767) was a Venetian painter of the late Baroque or Rococo period. He was among the founders of the Academy of Fine Arts of Venice, of which in 1758 he became the second president, succeeding Tiepolo. Biography Pittoni was born in Venice on 6 June 1687. He studied under his uncle Francesco Pittoni, a well-known but undistinguished painter of the Venetian Baroque; a ''Samson and Delilah'' at the Villa Querini in Visinale, near Pasiano di Pordenone, is signed by both painters. The theory of Rodolfo Pallucchini that Pittoni studied under Antonio Balestra is now generally discounted. Pittoni was unwilling to leave Venice and travelled little; although he received many foreign commissions, no journey in connection with any of them is documented, while from 1720 onwards records show that he was in Venice in every year. However, in 1720 he may have travelled to France with his uncle Francesco, togethe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Gandino
Antonio Gandini (1565 – 17 July 1630) was an Italian painter of the late-Renaissance period. He was a pupil of the painter Paolo Veronese. In Brescia, his pupils were Ottavio Amigoni, Francesco Barbieri (''il Legnano''), and Ambrogio Besozzi Ambrogio Besozzi or ''Giovanni Ambrogio Besozzi'' (1648–1706) was an Italian painter of the Baroque period. Life He was born in Milan in 1648 where his first training was with Gioseffo Danedi, ''il Montalto''. He assisted Ciro Ferri in Rome wit .... He worked alongside Giacomo Barucco. Gandini's son, Bernardino (died 1651), was also a painter. References * * Getty ULAN 1565 births 1630 deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Brescia Italian Renaissance painters {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Da Caylina The Elder
Paolo is a masculine given name, the Italian form of the name Paul. It may refer to: People Art * Paolo Abbate (1884–1973), Italian-American sculptor * Paolo Alboni (1671–1734), Italian painter * Paolo Antonio Barbieri (1603–1649), Italian painter * Paolo Buggiani (born 1933), Italian contemporary artist * Paolo Carosone (born 1941), Italian painter and sculptor * Paolo Moranda Cavazzola (1486–1522), Italian painter * Paolo Farinati (), Italian painter * Paolo Fiammingo (–1596), Flemish painter * Paolo Domenico Finoglia (–1645), Italian painter * Paolo Grilli (1857–1952), Italian sculptor and painter * Paolo de Matteis (1662–1728), Italian painter * Paolo Monaldi, Italian painter * Paolo Pagani (1655–1716), Italian painter * Paolo Persico (–1796), Italian sculptor * Paolo Pino (1534–1565), Italian painter * Paolo Gerolamo Piola (1666–1724), Italian painter * Paolo Porpora (1617–1673), Italian painter * Paolo Romano (died ), Italian sculptor * Paolo Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Shepherds With Saints Nazarius And Celsus
''Adoration of the Shepherds with Saints Nazarius and Celsus'' is a 1540 oil on canvas painting by Moretto da Brescia in the church of Santi Nazaro e Celso in Brescia. As its title suggests, it shows Nazarius and Celsus, patron saints of the church. It is one of the painter's most-discussed works and shows his gradual but decisive move towards Mannerism. It was only securely attributed to him from the late 20th century onwards. It includes several unusual compositional elements influenced by other artists. A restoration in 1987 also showed a huge number of pentimenti and corrections. It is first recorded in 1630 by Bernardino Faino as an altarpiece in the Averoldi Chapel in Santi Nazaro e Celso - he attributed it to Luca Mombello, who had also painted the frescoes on the chapel walls. In later local literature it was ascribed to Herri met de Bles, whose nickname was 'La Civetta' (the owl) - he usually included one in each of his works and one is shown on the ruined arch in ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Bonvicino
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. The majority of these are on canvas, but a considerable number, including some large pieces, are created on wood panels. There are only a few surviving drawings from the artist. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
