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Sankarabharanam (1980 Film)
''Shankarabharanam'' () is a 1980 Indian Telugu-language musical drama film written and directed by K. Viswanath. Produced by Edida Nageswara Rao under Poornodaya Movie Creations, the film stars J. V. Somayajulu, Manju Bhargavi, Chandra Mohan, and Rajyalakshmi. The soundtrack was composed by K. V. Mahadevan. The film explores the cultural divide between Indian classical and Western pop music through the perspectives of characters from different generations. Released on 2 February 1980, ''Shankarabharanam'' opened to near-empty halls, but quickly gained widespread popularity, eventually running for over 25 weeks in many centres. In Tamil Nadu, the film was a major sensation, showing in packed houses in its original version. In Bangalore, it ran for over a year without dubbing. It was later dubbed into Tamil and Malayalam, with the Malayalam version also enjoying a year-long theatrical run. The film received significant acclaim, winning the Prize of the Public at the Besan� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edida Nageswara Rao
Edida Nageswara Rao (24 April 1934 – 4 October 2015) was an Indian film producer and actor known for his work in Telugu cinema. He was celebrated for blending artistic values with mainstream appeal, making him one of the most respected producers in the industry. Nageswara Rao began his career with minor acting roles and as a Voice acting, dubbing artist before establishing Poornodaya Movie Creations, a production house that produced several critically acclaimed and commercially successful films. Nageswara Rao collaborated with prominent directors such as K. Viswanath, Bharathiraja, and Vamsy, creating iconic films like ''Sankarabharanam (1980 film), Sankarabharanam'' (1980), ''Seethakoka Chilaka'' (1981), ''Sagara Sangamam'' (1983), ''Sitaara'' (1984), ''Swathi Muthyam, Swati Mutyam'' (1986), ''Swayamkrushi, Swayam Krushi'' (1987), and ''Aapadbandhavudu'' (1992). His productions were renowned for their cultural significance and garnered numerous awards, including National Film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asia-Pacific Film Festival
The Asia-Pacific Film Festival (abbreviated APFF) is an annual film festival hosted by the Federation of Motion Picture Producers in Asia-Pacific (FPA). The festival was first held in Tokyo, Japan, in 1954. History The festival was first held in Tokyo, Japan, in 1954 as the Southeast Asian Film Festival (AFF). In addition to Japan, Hong Kong, the Federation of Malaya, the Philippines, Taiwan, and Thailand Thailand, officially the Kingdom of Thailand and historically known as Siam (the official name until 1939), is a country in Southeast Asia on the Mainland Southeast Asia, Indochinese Peninsula. With a population of almost 66 million, it spa ... participated. The festival was subsequently held in a different country each year, and its name was changed to the Asia-Pacific Film Festival. From 1972 to 1976, the film festival was temporarily run as a non competition film market, after acknowledging the over heating of competitions surrounding prizes by member states. Be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devadasi
In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learn and practice classical Indian dances such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their status as dancers, musicians, and consorts was an essential part of temple worship. Devadasis also engaged in providing sexual services to temple officials and devotees as part of their temple responsibilities, with the earnings from these services being handed over to the temple. The practice of temple prostitution became more prominent with the emergence of Puranic Hinduism. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarabharanam (raga)
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Māṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to '' Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th Rāga in the 5th ''Chakra Bā� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each raga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the raga in keeping with rules specific to the raga. Ragas range from small ragas like Bahar (raga), Bahar and Sahana (raga), Sahana that are not much more than songs to big ragas like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances can last over an hour. Ragas may change over time, with an example being Marwa (raga), Marwa, the primary development of which has been going down ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forbes (India)
''Forbes India'' is the Indian edition of ''Forbes'', which is managed by the Reliance Industries-owned media conglomerate, Network 18. History and profile Since its founding in 2008, ''Forbes India'' has achieved a circulation of 50,000 copies and makes over Rs 50 crore in topline. The magazine is published fortnightly. In May 2013, the Network 18 owned ''First Post'' was merged with ''Forbes India''. Shortly thereafter, the four top editorial heads who had led the growth of ''Forbes India'', including its editor-in-chief Indrajit Gupta, were dismissed under surprisingly humiliating conditions. The event led to considerable media speculation. Press Club, Mumbai, passed a resolution: “The method of ejecting them from the company was nothing short of shameful. Journalists are not only messengers of news and information, but are the collective voice of civil society." The new editor R. Jagannathan (erstwhile editor of ''First Post'') took over ''Forbes India''. He told ''The Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Forbes India
''Forbes India'' is the Indian edition of ''Forbes'', which is managed by the Reliance Industries-owned media conglomerate, Network 18. History and profile Since its founding in 2008, ''Forbes India'' has achieved a circulation of 50,000 copies and makes over Rs 50 crore in topline. The magazine is published fortnightly. In May 2013, the Network 18 owned '' First Post'' was merged with ''Forbes India''. Shortly thereafter, the four top editorial heads who had led the growth of ''Forbes India'', including its editor-in-chief Indrajit Gupta, were dismissed under surprisingly humiliating conditions. The event led to considerable media speculation. Press Club, Mumbai, passed a resolution: “The method of ejecting them from the company was nothing short of shameful. Journalists are not only messengers of news and information, but are the collective voice of civil society." The new editor R. Jagannathan (erstwhile editor of '' First Post'') took over ''Forbes India''. He told '' Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sur Sangam
''Sur Sangam'' is a 1985 Indian Hindi-language musical drama film written, and directed by K. Viswanath. The soundtrack was helmed by Laxmikant Pyarelal in a true amalgamation of authentic classical sounds with the vocals from Pandit Rajan Sajan Mishras, Lata Mangeshkar, Suresh Wadkar, Kavita Krishnamurthy. The film is a Hindi remake of Viswanath's classical hit ''Sankarabharanam Sankarabharanam may refer to: * ''Sankarabharanam'' (1980 film), an Indian Telugu-language musical drama film * ''Sankarabharanam'' (2015 film), an Indian Telugu-language crime comedy film * Sankarabharanam (raga), a rāga in Carnatic music ...''. Synopsis The last thread of the tradition of Hindustani Music, Pandit Shivshankar Shastri (Girish Karnad), is worried about whom to shoulder the responsibility – It's the quest of a great musical mind to find his true prodigy! Through his riyaz of a life time, he has come to the very core of the musical God – Param shiva. He's the embodiment of music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nandi Awards
The Nandi Awards are annual awards presented by the Government of Andhra Pradesh to recognise excellence in Telugu cinema, theatre, and television, as well as lifetime achievements in Indian cinema. The awards are named after the monolithic sculpture of the sacred bull, Nandi, at Lepakshi, a cultural and historical symbol of the Telugu people. The Nandi Awards are categorised into four levels: Swarnam (Gold), Rajatam (Silver), Kamsyam (Bronze), and Raagi (Copper). In addition to film and television awards, the government also presents the Nandi Natakotsavam Awards to honour outstanding contributions in social, mythological, and poetic dramas in Telugu theatre. History The Government of Andhra Pradesh commissioned the Nandi Film Awards to recognise and commend the best films produced in the Telugu language in Andhra Pradesh from 1964 onwards. The objective of the film awards is to encourage the production of films in the Telugu language with high technical excellence an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of South India
Cinema of South India, refers to the cinema of the four major film industries in South India; primarily engaged in making feature films in the four major Dravidian languages of the region, namely Telugu, Tamil, Malayalam and Kannada. They are often colloquially referred to as Tollywood, Kollywood, Mollywood and Sandalwood, respectively. Although the four industries developed independently for a long period of time, gross exchange of artists and technicians, as well as globalisation helped to shape this new identity. By 2010, South India became the home for 6320, or about 62% of the 10,167 cinema theatres in India. In 2021, Telugu film industry emerged as the largest film industry of India in terms of box office revenue. In 2022, Telugu cinema represented 20% of Indian box office revenue, followed by Tamil representing 14%, Malayalam representing 8%, and Kannada representing 5%. As of 2022, the combined revenue of South Indian film industries has surpassed that of the Mumb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Film Award For Best Popular Film Providing Wholesome Entertainment
The National Film Award for Best Popular Film Providing Wholesome Entertainment is one of the National Film Awards presented annually by the National Film Development Corporation of India, and was constituted in the year 1975. This is one of the ''Golden Lotus Awards'' (''Swarna Kamal)'' given among National Film Awards. It is announced for films produced in a year across the country, in all Indian languages. Films in the following languages have won the Best Popular Feature Film award: Hindi (29 awards), Telugu (6 awards), Tamil (4 awards), Malayalam (3 awards), Bengali (2 awards), and Kannada (2 awards). With six wins, Yash Raj Films is the production house with the most wins. With five wins, Yash Chopra is the producer with the most wins, producing most of the company's winning films. He has also directed four winning films, the most for any director. Shah Rukh Khan has starred in seven winning films, the most for any actor in a leading role, followed by Aamir Khan with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
