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Round (music)
A round (also called a perpetual canon 'canon perpetuus''or infinite canon) is a musical composition, a limited type of canon, in which a minimum of three voices sing exactly the same melody at the unison (and may continue repeating it indefinitely), but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all parts, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th century Europe. One characteristic of rounds is that, "There is no fixed ending," in the sense that they may be repeated as many times as possible, although many do have "fixed" endings, often indicated by a fermata. "Row, Row, Row Your Boat" is a well-known children's round f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catch (music)
In music, a catch is a type of round or canon at the unison. That is, it is a musical composition in which two or more voices (usually at least three) repeatedly sing the same melody, beginning at different times. Generally catches have a secular theme, though many collections included devotional rounds and canons. In early collections the terms "catch" and "round" were interchangeable and, with part-songs and multi-voice canons, were all indexed as "songs". The catch and round differ from the canon in having a cadence on which the song can terminate after a specified number of repeats or when the leader gives a signal. A catch does not necessarily require the lines of lyrics to interact so that a word or phrase is produced from one part in the rests of another. This view became prevalent in the later part of the eighteenth century under the influence of the competitions sponsored by the Noblemen and Gentlemen's Catch Club. Catches were originally written out at length as one cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nonchord Tone
A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework. In contrast, a chord tone is a note that is a part of the functional chord (see: factor (chord)). Non-chord tones are most often discussed in the context of the common practice period of classical music, but they can be used in the analysis of other types of tonal music as well, such as Western popular music. Nonchord tones are often categorized as ''accented non-chord tones'' and ''unaccented non-chord tones'' depending on whether the dissonance occurs on an accented or unaccented beat (or part of a beat). Over time, some musical styles assimilated chord types outside of the common-practice style. In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Row Your Boat
Row or ROW may refer to: Exercise *Rowing, or a form of aquatic movement using oars *Row (weight-lifting), a form of weight-lifting exercise Math *Row vector, a 1 × ''n'' matrix in linear algebra. *Row (database), a single, implicitly structured data item in a table *Tone row, an arrangement of the twelve notes of the chromatic scale Other * Reality of Wrestling, an American professional wrestling promotion founded in 2005 * ''Row'' (album), an album by Gerard *Right-of-way (transportation), ROW, also often R/O/W. *The Row (fashion label) Places * Rów, Pomeranian Voivodeship, north Poland * Rów, Warmian-Masurian Voivodeship, north Poland * Rów, West Pomeranian Voivodeship, northwest Poland *Roswell International Air Center's IATA code * Row, a former spelling of Rhu, Dunbartonshire, Scotland *The Row (Lyme, New York), a set of historic homes *The Row, Virginia, an unincorporated community *Rest of the world or RoW See also *Row house *Controversy, sometimes called "row" in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
A chord, in music, is any harmonic set of pitches/frequencies consisting of multiple notes (also called "pitches") that are heard as if sounding simultaneously. For many practical and theoretical purposes, arpeggios and broken chords (in which the notes of the chord are sounded one after the other, rather than simultaneously), or sequences of chord tones, may also be considered as chords in the right musical context. In tonal Western classical music (music with a tonic key or "home key"), the most frequently encountered chords are triads, so called because they consist of three distinct notes: the root note, and intervals of a third and a fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz and almost any other genre. A series of chords is called a chord progression. One example of a widely used chord progression in Western traditional music an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Ravenscroft
Thomas Ravenscroft ( – 1635) was an English musician, theorist and editor, notable as a composer of rounds and catches, and especially for compiling collections of British folk music. Little is known of Ravenscroft's early life. He probably sang in the choir of St. Paul's Cathedral from 1594, when a ''Thomas Raniscroft'' was listed on the choir rolls and remained there until 1600 under the directorship of Thomas Giles. He received his bachelor's degree in 1605 from Cambridge. Ravenscroft's principal contributions are his collections of folk music, including catches, rounds, street cries, vendor songs, "freeman's songs" and other anonymous music, in three collections: '' Pammelia'' (1609), ''Deuteromelia'' or ''The Second Part of Musicks Melodie'' (1609) and ''Melismata'' (1611), which contains one of the best-known works in his collections, The Three Ravens. Some of the music he compiled has acquired extraordinary fame, though his name is rarely associated with the musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notre Dame School
The Notre-Dame school or the Notre-Dame school of polyphony refers to the group of composers working at or near the Notre-Dame Cathedral in Paris from about 1160 to 1250, along with the music they produced. The only composers whose names have come down to us from this time are Léonin and Pérotin. Both were mentioned by an anonymous English student, known as Anonymous IV, who was either working or studying at Notre-Dame later in the 13th century. In addition to naming the two composers as "the best composers of organum," and specifying that they compiled the big book of organum known as the ''Magnus Liber Organi'', he provides a few tantalizing bits of information on the music and the principles involved in its composition. Pérotin is the first composer of ''organum quadruplum''—four-voice polyphony—at least the first composer whose music has survived, since complete survivals of notated music from this time are scarce. Léonin, Pérotin and the other anonymous composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serial (literature)
In literature, a serial is a printing or publishing format by which a single larger work, often a work of narrative fiction, is published in smaller, sequential instalments. The instalments are also known as ''numbers'', ''parts'' or ''fascicles'', and may be released either as separate publications or within sequential issues of a periodical publication, such as a magazine or newspaper. Serialisation can also begin with a single short story that is subsequently turned into a series. Historically, such series have been published in periodicals. Popular short-story series are often published together in book form as collections. Early history The growth of moveable type in the 17th century prompted episodic and often disconnected narratives such as ''L'Astrée'' and '' Le Grand Cyrus''. At that time, books remained a premium item, so to reduce the price and expand the market, publishers produced large works in lower-cost instalments called fascicles. These had the added a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
