Roswall And Lillian
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Roswall And Lillian
''Roswall and Lillian'' is a medieval Scottish chivalric romance.Laura A. Hibbard, ''Medieval Romance in England'' p290 New York Burt Franklin,1963 A late appearing tale, it nevertheless draws heavily on folkloric motifs for its account of an exiled prince, reduced to poverty, who rises from it to win a princess. Synopsis Roswall frees some of his father's prisoners whom he feels have been imprisoned unjustly. For his crime, he is exiled, albeit with a small fortune and a royal steward to accompany him. However, after leaving the kingdom, the treacherous steward threatens to murder Roswall if he does not hand over all his possessions and swear to become his servant. The steward, taking the Roswall's identity and possessions, abandons the prince to find a finer servant. After wandering alone and penniless, Roswall finds a city in another kingdom. A woman takes Roswall in and sends him to school with her son. The prince does so well he impresses the school master, who brings him t ...
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Chivalric Romance
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ...
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