Rhinocéros (Jacquemart)
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Rhinocéros (Jacquemart)
''Rhinocéros'' is a 1878 sculpture by Henri Alfred Jacquemart; a life-sized depiction of a rhinoceros in cast iron. Commissioned to stand outside the Trocadéro Palace for the 1878 Exposition Universelle, it was completed quickly to be ready in time for the opening of the fair. Well received at the time, it was moved in 1935 to allow for the remodelling of the palace and grounds for the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne. The sculpture was sited near to the before being acquired by the Musée d'Orsay in 1985. It now stands in the esplanade in front of the museum, with two other animal statues from the 1878 exposition. Description ''Rhinocéros'' is a cast iron sculpture of a male rhinoceros stood on a rock by Henri Alfred Jacquemart. It is sculpted in life-size proportions and measures in height, in width and in length. It is currently located on the esplanade in front of the Musée d'Orsay, on the Rive Gauche in Paris, Franc ...
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Rhinocéros Jacquemart Musée D'Orsay RF 3753
''Rhinoceros'' (french: Rhinocéros) is a play by Eugène Ionesco, written in 1959. The play was included in Martin Esslin's study of post-war avant-garde drama '' The Theatre of the Absurd'', although scholars have also rejected this label as too interpretatively narrow. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is initially criticized in the play for his drinking, tardiness, and slovenly lifestyle and then, later, for his increasing paranoia and obsession with the rhinoceroses. The play is often read as a response and criticism to the sudden upsurge of Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, fascism, responsibility, logic, mass movements, mob mentality, philosophy and morality. Plot Act I The play starts ...
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Palais De Chaillot
The Palais de Chaillot () is a building at the top of the in the Trocadéro area in the 16th ''arrondissement'' of Paris, France. For the Exposition Internationale of 1937, the old 1878 Palais du Trocadéro was partly demolished and partly rebuilt to create the Palais de Chaillot. It was designed in classicising " moderne" style by architects Louis-Hippolyte Boileau, Jacques Carlu and Léon Azéma. The Palais consists of two separate wings shaped to form a wide arc, which are those of the former building with new taller portions built in front. The pair of larger central pavilions are also those of the former palais, encapsulated in new construction. The large central hall and towers of the old palais were demolished, leaving only the basement, with a wide esplanade created on top, establishing an open view from the place du Trocadéro to the Eiffel Tower and beyond. The buildings are decorated with quotations by Paul Valéry, and sculptural groups at the attic level by Ra ...
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Cast-iron Sculptures
Cast iron is a class of iron–carbon alloys with a carbon content more than 2%. Its usefulness derives from its relatively low melting temperature. The alloy constituents affect its color when fractured: white cast iron has carbide impurities which allow cracks to pass straight through, Grey iron, grey cast iron has graphite flakes which deflect a passing crack and initiate countless new cracks as the material breaks, and Ductile iron, ductile cast iron has spherical graphite "nodules" which stop the crack from further progressing. Carbon (C), ranging from 1.8 to 4 wt%, and silicon (Si), 1–3 wt%, are the main alloying elements of cast iron. Iron alloys with lower carbon content are known as steel. Cast iron tends to be brittle, except for malleable iron, malleable cast irons. With its relatively low melting point, good fluidity, castability, excellent machinability, resistance to deformation and wear resistance, cast irons have become an engineering material wit ...
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