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Reed (music)
A reed (or lamella) is a thin strip of material that vibrates to produce a sound on a musical instrument. Most woodwind instrument reeds are made from ''Arundo donax'' ("Giant cane") or synthetic material. Tuned reeds (as in harmonicas and accordions) are made of metal or synthetics. Musical instruments are classified according to the type and number of reeds. The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another. Single reeds Single reeds are used on the mouthpieces of clarinets and saxophones. The back of the reed is flat and is placed against the mouthpiece. These ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone Reeds-alto, Tenor
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Oboe
The bass oboe or baritone oboe is a double reed instrument in the woodwind family. It is essentially twice the size of a regular (soprano) oboe so it sounds an octave lower; it has a deep, full tone somewhat akin to that of its higher-pitched cousin, the English horn. The bass oboe is notated in the treble clef, sounding one octave lower than written. Its lowest note is B2 (in scientific pitch notation), one octave and a semitone below middle C, although an extension with an additional key may be inserted between the lower joint and bell of the instrument in order to produce a low B2. The instrument's bocal or crook first curves away from and then toward the player (unlike the bocal/crook of the English horn and oboe d'amore), looking rather like a flattened metal question mark; another crook design resembles the shape of a bass clarinet neckpiece.Example: See 1:04 at The bass oboe uses its own double reed, similar to but larger than that of the English horn. Etymology The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lokesh Anand Shehnai Player
Lokesh (; 19 May 1947 – 14 October 2004) was an Indian actor who appeared in Kannada plays and films. His wife Girija Lokesh is an actress and film director. His father was Subbaiah Naidu, who is credited to be first hero of Kannada silent movies. Lokesh made his film debut in the 1958 film '' Bhakta Prahlada''. He had thrice won the Karnataka State Film Award for Best Actor during his career, for '' Bhootayyana Maga Ayyu'' (1974), for ''Parasangada Gendethimma'' (1978) and for '' Banker Margayya'' (1984). Filmography * '' Manini'' (1979) * ''Bhaktha Siriyala'' (1980) * '' Haddina Kannu'' (1980) * '' Hunnimeya Rathriyalli'' (1980) * '' Ellindalo Bandavaru'' (1980) * '' Jari Bidda Jana'' (1980) * '' Pattanakke Banda Pathniyaru'' (1980) * ''Nari Swargakke Dari'' (1981) * ''Sangeetha'' (1981) * ''Yava Hoovu Yara Mudigo'' (1981) * '' Avali Javali'' (1981) * ''Bhoomige Banda Bhagavantha'' (1981) * ''Yedeyuru Siddalingeshwara'' (1981) * ''Rudri'' (1982) * ''Archana'' (1982) * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vibration
Vibration is a mechanical phenomenon whereby oscillations occur about an equilibrium point. The word comes from Latin ''vibrationem'' ("shaking, brandishing"). The oscillations may be periodic, such as the motion of a pendulum—or random, such as the movement of a tire on a gravel road. Vibration can be desirable: for example, the motion of a tuning fork, the reed in a woodwind instrument or harmonica, a mobile phone, or the cone of a loudspeaker. In many cases, however, vibration is undesirable, wasting energy and creating unwanted sound. For example, the vibrational motions of engines, electric motors, or any mechanical device in operation are typically unwanted. Such vibrations could be caused by imbalances in the rotating parts, uneven friction, or the meshing of gear teeth. Careful designs usually minimize unwanted vibrations. The studies of sound and vibration are closely related. Sound, or pressure waves, are generated by vibrating structures (e.g. vocal cords); t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rauschpfeife
Rauschpfeife is a commonly used term for a specific type of capped conical reed musical instrument of the woodwind family, used in Europe in the 16th and 17th centuries. In common with the crumhorn and cornamuse, it is a wooden double-reed instrument with the reed enclosed in a windcap. The player blows into a slot in the top of the windcap to produce the sound. Description Rauschpfeifes (Schreierpfeiffen) differ from cornamusen mainly in the shape of the bore, which, like the shawm, is conical. This bore profile combined with the unrestricted vibration of the reed within the windcap produced an instrument that was exceedingly loud, which made it useful for outdoor performances. The word ''Rauschpfeife'' (German for "rush (or reed) pipe" from the Old German "rusch" for 'rush', as in grass), is found in the description of two windcapped instruments depicted in one of the 16th-century woodcut illustrations of '' Triumphal Procession'', commissioned by Holy Roman Emperor Maximili ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crumhorn
The crumhorn is a double reed instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being played again. It was also spelled krummhorn, krumhorn, krum horn, and cremorne. Terminology The name derives from the German ''Krumhorn'' (or ''Krummhorn'' or ''Krumporn'') meaning ''bent horn''. This relates to the old English ''crumpet'' meaning curve, surviving in modern English in 'crumpled' and ' crumpet' (a curved cake). The similar-sounding French term cromorne, when used correctly, refers to a woodwind instrument of different design, though the term cromorne is often used in error synonymously with that of crumhorn. It is uncertain if the Spanish wind instrument ''orlo'' (attested in an inventory of 1559) designates the crumhorn, but it is known that crumhorns were used in Spain in the sixteenth century, and the identification see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shehnai
The ''shehnai'' is a musical instrument, originating from the Indian subcontinent. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end.Shehnai Britannica.com. Its sound is thought to create and maintain a sense of auspiciousness and sanctity and as a result, is widely used during s, and in s although it is also played in |
Nadaswaram
The Nagaswaram (nādḥasvaram) is a double reed wind instrument from South India. It is used as a traditional classical instrument in Tamil Nadu, Andhra Pradesh, Telangana, Karnataka, and Kerala. This instrument is "among the world's loudest non-brass acoustic instruments". It is a wind instrument partially similar to the North Indian ''shehnai,'' but much longer, with a hardwood body, and a large flaring bell made of wood or metal. In South Indian culture, the nadasvaram is considered to be very auspicious, and it is a key musical instrument played in almost all Hindu weddings and temples of the South Indian tradition. It is part of the family of instruments known as ''mangala vadyam'' (lit. ''mangala'' "auspicious", ''vadya'' "instrument"). The instrument is usually played in pairs, and accompanied by a pair of drums called ''thavil''; it can also be accompanied with a drone from a similar oboe, called the ottu. History The nadasvaram is referred to in many ancient Tam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bagpipes
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shawm
The shawm () is a conical bore, double-reed woodwind instrument made in Europe from the 12th century to the present day. It achieved its peak of popularity during the medieval and Renaissance periods, after which it was gradually eclipsed by the oboe family of descendant instruments in classical music. It is likely to have come to Western Europe from the Eastern Mediterranean around the time of the Crusades.The Shawm and Curtal from the Diabolus in Musica Guide to Early Instruments Double-reed instruments similar to the shawm were long present in Southern Europe and the East, for instance the , and later |
Sarrusophone
The sarrusophones are a family of metal double reed conical bore woodwind instruments patented and first manufactured by Pierre-Louis Gautrot in 1856. Gautrot named the sarrusophone after French bandmaster Pierre-Auguste Sarrus (1813–1876), whom he credited with the concept of the instrument, though it is not clear whether Sarrus benefited financially. The instruments were intended for military bands, to serve as replacements for oboes and bassoons which at the time lacked the carrying power required for outdoor marching music. Although originally designed as double-reed instruments, single-reed mouthpieces were later developed that could be used for the larger bass and contrabass sarrusophones. Sizes and ranges The sarrusophone was manufactured in the following sizes and had the following theoretical ranges: * E-flat Sopranino B♭-G (Sounding D♭-B♭) * B-flat Soprano B♭-G (Sounding A♭-F) * E-flat Alto G-G (Sounding B♭-B♭) * B-flat Tenor B♭-G (Sounding A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
