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Rebellious Slave
The ''Rebellious Slave'' is a 2.15m high marble statue by Michelangelo, dated to 1513. It is now held in the Louvre in Paris. History The two "slaves" of the Louvre date to the second version of the tomb of Pope Julius II which was commissioned by the Pope's heirs, the Della Rovere in May 1513. Although the initial plans for a gigantic mausoleum were set aside, the work was still monumental, with a corridor richly decorated with sculpture and Michelangelo was immediately put in charge of the work. Among the first pieces completed were the two ''Prigioni'' (renamed the "slaves" only in the nineteenth century), destined for the lower part of the funerary monument, next to the pilasters which framed the niches containing the Victories. Their poses were determined by the needs of this architectural setting, so from the front they have great effect, but the side views received less care than usual. The date of the two statues is confirmed by a letter of Michelangelo to Marcello d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Château De Richelieu
The Château de Richelieu was an enormous 17th-century château (manor house) built by the French clergyman, nobleman, and statesman Cardinal Richelieu (1585–1642) in Touraine. It was demolished for building materials in 1805 and almost nothing of it remains today. It lay south of Chinon and west of Sainte-Maure de Touraine, just south of what is now Richelieu, Indre-et-Loire, surrounded by mostly agricultural land. Built between 1631 and 1642 on the site of the former du Plessis family mansion, the château was at the heart of a several-hectare park located south of the current city. The site was designated a historical monument in September 1930. History The château, along with a new model village ( " new town"), was built at the order of Richelieu, who had spent his youth there and bought the village of his ancestors; he had the estate raised to a '' duché-pairie'' in August 1631. He engaged the architect Jacques Lemercier, who had designed the Sorbonne and the Cardinal's ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Sculptures Of The Louvre
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Works By Michelangelo
The following is a list of works of painting, sculpture and architecture by the Italian Renaissance The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ... artist Michelangelo. Lost works are included, but not commissions that Michelangelo never made. Michelangelo also left many drawings, sketches, and some works in poetry. Sculpture Attributed sculpture Painting Attributed paintings Architecture Presentation drawings and cartoons Notes External links {{DEFAULTSORT:List Of Works By Michelangelo Michelangelo Michel * he:מיכלאנג'לו#רשימת יצירותיו ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of Pope Julius II
The Tomb of Pope Julius II is a sculptural and architectural ensemble by Michelangelo and his assistants, originally commissioned in 1505 but not completed until 1545 on a much reduced scale. Originally intended for St. Peter's Basilica, the structure was instead placed in the church of San Pietro in Vincoli on the Esquiline in Rome after the pope's death. This church was patronized by the Della Rovere family from which Julius came, and he had been titular cardinal there. Julius II, however, is buried next to his uncle Sixtus IV in St. Peter's Basilica, so the final structure does not actually function as a tomb. As originally conceived, the tomb would have been a colossal structure that would have given Michelangelo the room he needed for his superhuman, tragic beings. This project became one of the great disappointments of Michelangelo's life when the pope, for unexplained reasons, interrupted the commission, possibly because funds had to be diverted for Bramante's rebuilding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastian
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the '' Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triumphal Arch
A triumphal arch is a free-standing monumental structure in the shape of an archway with one or more arched passageways, often designed to span a road. In its simplest form a triumphal arch consists of two massive piers connected by an arch, crowned with a flat entablature or attic on which a statue might be mounted or which bears commemorative inscriptions. The main structure is often decorated with carvings, sculpted reliefs, and dedications. More elaborate triumphal arches may have multiple archways. Triumphal arches are one of the most influential and distinctive types of architecture associated with ancient Rome. Thought to have been invented by the Romans, the Roman triumphal arch was used to commemorate victorious generals or significant public events such as the founding of new colonies, the construction of a road or bridge, the death of a member of the imperial family or the ascension of a new emperor. The survival of great Roman triumphal arches such as the Arch of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön And His Sons
The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums, where it remains. It is very likely the same statue that was praised in the highest terms by the main Roman writer on art, Pliny the Elder. The figures are near life-size and the group is a little over in height, showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The group has been called "the prototypical icon of human agony" in Western art, and unlike the agony often depicted in Christian art showing the Passion of Jesus and martyrs, this suffering has no redemptive power or reward. The suffering is shown through the contorted expressions of the faces (Dr. Guillaume-Benjamin Duchenne pointed out to Charles Darwin that Laocoön's bulging eyebrows are physiologically impossible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Sculpture
Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is far from being reached. The Hellenistic period is usually considered to comprise the interval between the death of Alexander the Great in 323 BC, and the conquest of Egypt by the Romans in 30 BC. Its generic characteristics are defined by eclecticism, secularism, and historicism, building on the heritage of classical Greek sculpture and assimilating Eastern influences. Among his original contributions to the Greek tradition of sculpture were the development of new techniques, the refinement of the representation of human anatomy and emotional expression, and a change in the goals and approaches to art, abandoning the generic for the specific. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ascanio Condivi
Ascanio Condivi (1525 – 10 December 1574) was an Italian painter and writer. Generally regarded as a mediocre artist, he is primarily remembered as the biographer of Michelangelo. Biography The son of Latino Condivi and Vitangela de' Ricci, Ascanio Condivi was a nobleman born in the town of Ripatransone in the Marche. He moved to Rome in , where he became an acquaintance of Michelangelo. In 1553 he published ''Vita di Michelagnolo ' Buonarroti'', an authorised account of Michelangelo's life over which his subject had complete control. The ''Vita'' was partly a rebuttal of hostile rumours that were being perpetuated about the artist, namely that he was arrogant, avaricious, jealous of other artists, and reluctant to take on pupils. It also served to correct inaccuracies Michelangelo found in the fawning biography of him in Giorgio Vasari's '' Vite de' più eccellenti pittori, scultori, ed architettori'' ("Lives of the most excellent painters, sculptors and architects"), wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work '' The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany.G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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