Rasa Abhinaya
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Rasa Abhinaya
Indian art evolved with an emphasis on inducing special spiritual or philosophical states in the audience, or with representing them symbolically. Rasas in the performing arts The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing ''Rasa'' in classical Indian dance form is referred to as ''Rasa-abhinaya''. The ''Nātyasāstra'' carefully delineates the ''bhavas'' used to create each ''rasa''. The expressions used in Kudiyattam or Kathakali are extremely exaggerated theatrical expressions. The opposite of this interpretation is Balasaraswathi's school of subtle and understated abhinaya of the devadasis. There were serious public debates when Balasaraswathi condemned Rukmini Devi's puritanistic interpretations and applications of Sringara rasa. The abhinaya of the Melattur style of abhinaya remains extremely rich in varia ...
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Indian Art
Indian art consists of a variety of art forms, including Indian painting, painting, sculpture in the Indian subcontinent, sculpture, Indian pottery, pottery, and textile arts such as Silk in the Indian subcontinent#Origin, woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms. The origin of Indian art can be traced to Prehistoric India, prehistoric settlements in the 3rd millennium BCE. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as Hindu art, Hinduism, Buddhist art, Buddhism, Jain art, Jainism, Sikh art and culture, Sikhism and Islam in India#Indo-Islamic art and architecture, Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time ...
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