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Rapeman
Rapeman was a short-lived American noise rock band founded in 1987 and disbanded in 1989. It consisted of Steve Albini (formerly of Big Black) on guitar and vocals, David Wm. Sims (formerly of Scratch Acid and simultaneously of the Jesus Lizard) on bass and Rey Washam (formerly of Scratch Acid and Big Boys) on drums. Their sound was also described by some as post-hardcore. Rapeman were formed as a parallel sister project to The Jesus Lizard, although they outlasted Rapeman by several years. History Rapeman was formed in 1987 when drummer Rey Washam and bassist David Wm. Sims relocated to Chicago from Texas after the breakup of their band Scratch Acid. Steve Albini had just ended his group Big Black, and was looking to switch to a musical project with a live drummer, instead of his Roland TR-606 drum machine. Rapeman's initial 1988 releases included the mostly live recorded '' Budd'' EP, the "Hated Chinee b/w Marmoset" 7" single, and their sole album, '' Two Nuns and a Pac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rapeman
is a Japanese satirical black comedy manga series. It is credited as being created and written by , and illustrated by , and ran from 1985 to 1992. The series was discontinued after 13 volumes. Pink Pineapple produced nine ''Rapeman'' live action feature films (including six sequels and two spin-off films), released between 1993 and 1996. The first seven were directed by Takao Nagaishi and the final two were directed by Naoki Uesugi. In their ''Japanese Cinema Encyclopedia: The Sex Films'', the Weissers write that series director, Takao Nagaishi, took "a patently offensive premise and twisted it into a wickedly funny black-comedy for adults ... His camerawork is slick, and the music is hypnotic. Plus he has co-authored clever scripts with surprisingly intricate plotlines. And, most importantly, Nagaishi has taken the time to develop a group of characters who are actually very likable." A two-episode OVA was released in 1994, chronicling his exploits in the fir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Two Nuns And A Pack Mule
''Two Nuns and a Pack Mule'' is the only studio album by the Chicago noise rock band Rapeman, released by Touch & Go Records on August 23, 1988. The CD re-release contained the '' Budd'' extended play in its entirety. Reception The indie music press largely applauded the album as the much awaited studio follow-up to Albini’s work with Big Black. ''Trouser Press'' compared it favorably to their previous release, writing that the album "fits Albini's distinctive meltdown guitar and shriek vocals into rough song forms ..Rapeman spits out sparks with the conviction of Albini's acerbic intelligence." In retrospective reviews, Jason Ankeny of ''AllMusic'' wrote that the album "varies in its attack in ways Albini's old trio Big Black never did; the demented rhythms constantly threaten to veer out of control, and Albini's guitar screeches like something rabid and bloodthirsty", sarcastically writing that lyrically, "the group displays the same warmth and compassion so evident in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Albini
Steve Albini (pronounced ; born July 22, 1962) is an American musician, record producer, audio engineer and music journalist. He was a member of Big Black, Rapeman and Flour, and is a member of Shellac. He is the founder, owner and principal engineer of Electrical Audio, a recording studio complex in Chicago. In 2018, Albini estimated that he had worked on several thousand albums over his career. He has worked with acts such as Nirvana, Pixies, the Breeders, PJ Harvey, and former Led Zeppelin members Jimmy Page and Robert Plant. Albini is also known for his outspoken views on the music industry, having stated repeatedly that it financially exploits artists and homogenizes their sound. Nearly alone among well-known producers and musicians, Albini refuses to take ongoing royalties from other bands recording in his studio, feeling that a producer's job is to record the music to the band's desires, and that paying producers as if they had contributed artistically to an albu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budd (EP)
''Budd'' is the first release by the Chicago noise rock band Rapeman. The first three songs on the EP were recorded live. The title is a reference to Budd Dwyer, a politician who committed suicide during a televised press conference. The lyrics of the title track contain references to phrases used during the incident. It has been re-released as bonus tracks at the end of '' Two Nuns and a Pack Mule'', the band's only LP. Studio versions of the first three tracks were originally planned to be used, but the band later decided in favour of live versions. The demo tracks are currently available in trading circles. ''Pitchfork'' ranked it 6th on their list of "Steve Albini's 10 Best Records", writing that what made the title track "all the more harrowing, not to mention innovative, is the vast amount of empty spaces and granular surfaces .. orkedinto the near-eight-minute song. It’s a brooding, abstract dynamic that would set the tone for much of ‘90s post-rock, from Slint to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rey Washam
Rey Washam (born Reynolds Washam, March 14, 1961, in Austin, Texas) is a Grammy nominated drummer who has been performing for more than 35 years. He has collaborated with many bands, the most notable of which include: Scratch Acid, Rapeman, Ministry, the Big Boys, Helios Creed, the Didjits, Lard, and Tad and Butthole Surfers offshoot Daddy Longhead. When Jason Schwartzman of Phantom Planet left that band, Washam was hired to fill in on drums for a tour which never materialized. Washam also played jazz with a band, Euripides Pants, that recorded an unreleased album. Washam performed with a temporarily reunited Scratch Acid in the Touch and Go Records Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. ... 25th anniversary concert, which took place on September 9, 2006, in Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jesus Lizard
The Jesus Lizard is an American rock band formed in 1987 in Austin, Texas and based in Chicago, Illinois. They were "a leading noise rock band in the American independent underground… hoturned out a series of independent records filled with scathing, disembowelling, guitar-driven pseudo- industrial noise, all of which received positive reviews in underground music publications and heavy college-radio play." After a brief run as a recording-only project based in Austin, founding vocalist David Yow, bassist David Wm. Sims, and guitarist Duane Denison relocated to Chicago, Illinois, in 1989, where they found kindred spirits in recording engineer Steve Albini and Touch and Go Records. With the addition of drummer Mac McNeilly, they began performing live, eventually attracting an international audience with their powerful live show. Drummer Jim Kimball replaced McNeilly late in 1996, and was himself replaced by Brendan Murphy two years later, with McNeilly returning to drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Black
Big Black was an American punk rock band from Evanston, Illinois, active from 1981 to 1987. Founded by singer and guitarist Steve Albini, the band's initial lineup also included guitarist Santiago Durango and bassist Jeff Pezzati, both of Naked Raygun. In 1985, Pezzati was replaced by Dave Riley, who played on Big Black's two full-length studio albums, '' Atomizer'' (1986) and ''Songs About Fucking'' (1987). Big Black's aggressive and abrasive music was characterized by distinctively clanky guitars and the use of a drum machine rather than a drum kit, elements that foreshadowed industrial rock. The band's lyrics flouted commonly held taboos and dealt frankly—and often explicitly—with politically and culturally loaded topics including murder, rape, child sexual abuse, arson, racism, and misogyny. Though the band's lyrics contained controversial material, the lyrics were meant to serve as a commentary or a display of distaste for the subject matter. They were staunchly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scratch Acid
Scratch Acid was an Austin, Texas noise rock group formed in 1982. One of the pioneers of noise rock in the 1980s, the band is best remembered as a stepping stone for its front man David Yow, and bass player David Wm. Sims, both later of The Jesus Lizard. History Scratch Acid was launched in Austin, Texas in 1982. When they first began, their lineup was Steve Anderson (vocals), David Wm. Sims (guitar), Brett Bradford (guitar), David Yow (bass), and Rey Washam (drums). Anderson was kicked out of the band before they ever recorded an album, prompting Yow to move to vocals and Sims to move to bass. Scratch Acid's first EP was released in 1984, by Texas indie record label Rabid Cat and featured the song "Lay Screaming", a track which vocalist David Yow indicated was "inspired by Marquis de Sade, reading his shit."Gary Davis, "Scratch Acid," ''Flipside,'' whole no. 52 (Spring 1987), pp. 14-15. The band returned to Rabid Cat for their debut album, ''Just Keep Eating'', released ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jesus Lizard
The Jesus Lizard is an American rock band formed in 1987 in Austin, Texas and based in Chicago, Illinois. They were "a leading noise rock band in the American independent underground… hoturned out a series of independent records filled with scathing, disembowelling, guitar-driven pseudo- industrial noise, all of which received positive reviews in underground music publications and heavy college-radio play." After a brief run as a recording-only project based in Austin, founding vocalist David Yow, bassist David Wm. Sims, and guitarist Duane Denison relocated to Chicago, Illinois, in 1989, where they found kindred spirits in recording engineer Steve Albini and Touch and Go Records. With the addition of drummer Mac McNeilly, they began performing live, eventually attracting an international audience with their powerful live show. Drummer Jim Kimball replaced McNeilly late in 1996, and was himself replaced by Brendan Murphy two years later, with McNeilly returning to drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shellac (band)
Shellac is an American noise rock band from Chicago, Illinois, composed of Steve Albini (guitar and vocals), Bob Weston (bass guitar and vocals) and Todd Trainer (drums and vocals) and formed in 1992. Their music genre has been classified as post-hardcore and math rock, but they describe themselves as a " minimalist rock trio." Biography Shellac formed in Chicago, Illinois, in 1992 as an informal collaboration between guitarist Steve Albini and drummer Todd Trainer. Former Naked Raygun bassist Camilo Gonzalez sat in on early rehearsals and played on one song on Shellac's first single before permanent bassist Bob Weston, formerly of Boston's Volcano Suns, joined. Shellac has a distinctive, minimalist sound based on asymmetric time signatures, repetitive rhythms, an angular guitar sound, and both Albini's and Weston's surreal, bitingly sarcastic lyrics. Songs typically do not have traditional verse/chorus/verse structure and the arrangements are sparse, to the point whe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-hardcore
Post-hardcore is a punk rock music genre that maintains the aggression and intensity of hardcore punk but emphasizes a greater degree of creative expression. It was initially inspired by post-punk and noise rock. Like post-punk, the term has been applied to a broad constellation of groups. Post-hardcore began in the 1980s with bands like Hüsker Dü and Minutemen. The genre expanded in the 1980s and 1990s with releases by bands from cities that had established hardcore scenes, such as Fugazi from Washington, D.C. as well as groups such as Big Black and Jawbox that stuck closer to post-hardcore's noise rock roots. In the early- and mid-2000s, achieved mainstream success with the popularity of bands like My Chemical Romance, Dance Gavin Dance, AFI, Underoath, Hawthorne Heights, Silverstein, The Used, At the Drive-In, Saosin, Alexisonfire, and Senses Fail. In the 2010s, bands like Sleeping with Sirens and Pierce the Veil achieved mainstream success. Meanwhile, bands li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Touch And Go Records
Touch and Go Records is an American independent record label based in Chicago, Illinois. After its genesis as a handmade fanzine in 1979, it grew into one of the key record labels in the American 1980s underground and alternative rock scenes. Touch & Go carved out a reputation for releasing adventurous noise rock by the likes of Big Black, the Butthole Surfers, and The Jesus Lizard. Touch & Go helped to spearhead the nationwide network of underground bands that formed the pre-Nirvana indie rock scene, and helped preside over the shift from the hardcore punk that then dominated the American underground scene to the more diverse styles of alternative rock emerging at the time. History The zine was formed in 1979 in East Lansing, Michigan as Touch and Go magazine, a self-printed fanzine written and produced by Tesco Vee and Dave Stimson. It wasn't until 1981 that it grew into an independent record label. Vee (later front man of The Meatmen) was bored with the punk sounds of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
