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Royal Academy (China)
The Royal Academy () is the official school for music, dance and theater arts in Imperial China between the Tang dynasty and Ming dynasty, lasting more than 1000 years. History In the 7th century, the Chinese Royal Academy was set up by Emperor Gaozu of Tang in the purpose to teach music, theater, and dance for court entertainment. The name of the Royal Academy at first was Private Academy (Chinese: 內教坊), coordinated by the Tai-Chang Temple (Chinese: 太常寺, the central religion administration for the royal family). In the years of Empress Wu Zetian, the Private Academy was once called Yun-Shao Palace (Chinese: 雲韶府, which means the place of cloud and sunlight). Finally, Emperor Zhongzong of Tang renamed the academy to the Royal Academy. In the meantime, he made the school independent with a new governmental official similar to the western Kapellmeister ( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of ...
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Music Of China
The music of China consists of many distinct traditions, often specifically originating with one of the country's various Ethnic groups in China, ethnic groups. It is produced within and without the country, involving either people of Chinese origin, the use of traditional Chinese instruments, Chinese music theory, or the languages of China. It includes traditional classical forms and indigenous folk music, as well as recorded popular music and forms inspired by Western culture. Documents and archaeological artifacts from early History of China, Chinese civilization show a well-developed musical culture as early as the Zhou dynasty (1122–256 BC) that set the tone for the continual development of Chinese musicology in following dynasties. These developed into a wide variety of forms through succeeding dynasties, producing the heritage that is part of the Chinese cultural landscape today. Traditional forms continued to evolve in the modern times, and over the course of the last c ...
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Dance In China
Dance in China is a highly varied art form, consisting of many modern and traditional dance genres. The dances cover a wide range, from folk dances to performances in opera and ballet, and may be used in public celebrations, rituals, and ceremonies. There are also 56 officially recognized ethnic groups in China, and each ethnic minority group in China also has its own folk dances. Outside of China, the best-known Chinese dances today are the dragon dance and the lion dance. History There is a long recorded history of various forms of dance in China. The earliest Chinese character for "dance" (舞), , written in the oracle bones, is itself a representation of a dancer holding oxtails in each hand. Some Chinese dances today, such as dancing with long sleeves, have been recorded since the very early periods, dating from at least as early as the Zhou dynasty. The most important dances of the early period were the ritual and ceremonial music and dances called ''yayue'', and these danc ...
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Theatre Of China
Theatre of China has a long and complex history. Traditional Chinese theatre, generally in the form of Chinese opera, is musical in nature. Chinese theatre can trace its origin back a few millennia to ancient China, but the Chinese opera started to develop in the 12th century. Western forms like the spoken drama, western-style opera, and ballet did not arrive in China until the 20th century. History Theatre in China dates back to as early as the Shang dynasty (16th century BC?– 1046 BC). Oracle bone records reference rain dances performed by shamans, while the ''Book of Documents'' mentions shamanistic dancing and singing. For the Zhou dynasty ( 1046 BC – 256 BC), evidence from the ''Chu Ci'' suggests that in the 4th or 3rd century BC State of Chu, shamans performed with music and costumes. Some scholars have identified poems from the ''Classic of Poetry'' as possible lyrics of songs accompanying court dances from the early or mid-Zhou dynasty. The Zhou royal court as well ...
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Imperial China
The history of China spans several millennia across a wide geographical area. Each region now considered part of the Chinese world has experienced periods of unity, fracture, prosperity, and strife. Chinese civilization first emerged in the Yellow River valley, which along with the Yangtze River, Yangtze basin constitutes the geographic core of the Sinosphere, Chinese cultural sphere. China maintains a rich diversity of ethnic and linguistic people groups. The Chinese historiography, traditional lens for viewing Chinese history is the Dynasties of China, dynastic cycle: imperial dynasties rise and fall, and are ascribed certain achievements. This lens also tends to assume Chinese civilization can be traced as an unbroken thread Five thousand years of Chinese civilization, many thousands of years into the past, making it one of the Cradle of civilization, cradles of civilization. At various times, states representative of a dominant Chinese culture have directly controlled areas ...
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Tang Dynasty
The Tang dynasty (, ; zh, c=唐朝), or the Tang Empire, was an Dynasties of China, imperial dynasty of China that ruled from 618 to 907, with an Wu Zhou, interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilisation, and a Golden age (metaphor), golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivalled that of the Han dynasty. The House of Li, Li family founded the dynasty after taking advantage of a period of Sui decline and precipitating their final collapse, in turn inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The An Lushan rebellion (755 ...
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Ming Dynasty
The Ming dynasty, officially the Great Ming, was an Dynasties of China, imperial dynasty of China that ruled from 1368 to 1644, following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming was the last imperial dynasty of China ruled by the Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family, collectively called the Southern Ming, survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjing were the largest in the world. H ...
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Emperor Gaozu Of Tang
Emperor Gaozu of Tang (7 April 566 – 25 June 635), born Li Yuan, courtesy name Shude, was the founding Emperor of China, emperor of the Tang dynasty of China, reigning from 618 to 626 CE. Under the Sui dynasty, Li Yuan was the governor in the area of modern-day Shanxi, and was based in Taiyuan. In 615, Li Yuan was assigned to garrison Longxi. He gained much experience by dealing with the Göktürks of the north and was able to pacify them. Li Yuan was also able to gather support from these successes and, with the disintegration of the Sui dynasty in July 617, Li Yuan – urged on by his second son Emperor Taizong of Tang, Li Shimin (, the eventual Emperor Taizong) – rose in rebellion. Using the title of "Great Chancellor" (), Li Yuan installed a puppet child emperor, Yang You, but eventually removed him altogether and established the Tang dynasty in 618 with himself as emperor. His son and successor Li Shimin honoured him as Gaozu ("high founder") after his death. Emperor ...
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Wu Zetian
Wu Zetian (624 – 16 December 705), personal name Wu Zhao, was List of rulers of China#Tang dynasty, Empress of China from 660 to 705, ruling first through others and later in her own right. She ruled as queen consort , empress consort through her husband Emperor Gaozong of Tang, Emperor Gaozong and later as empress dowager through her sons Emperors Emperor Zhongzong of Tang, Zhongzong and Emperor Ruizong of Tang, Ruizong, from 660 to 690. She subsequently founded and ruled as Empress Regnant of the Wu Zhou dynasty of China from 16 October 690 to 21 February 705. She was the only female sovereign in the history of China who is widely Mandate of Heaven, regarded as legitimate. Under her 45-year reign, China grew larger, becoming one of the great powers of the world, its culture and economy were revitalized, and corruption in the court was reduced. She was eventually removed from power during a coup () and died a few months later. In early life, Wu was the concubine of Emper ...
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Emperor Zhongzong Of Tang
Emperor Zhongzong of Tang (26 November 656 – 3 July 710), personal name Li Xian, and at other times Li Zhe or Wu Xian, was the fourth and seventh emperor of the Tang dynasty of China, ruling briefly in 684 and again from 705 to 710. During the first period, he did not have actual power, which was in the hands of his mother, Empress Wu Zetian and he was overthrown on her orders after opposing his mother. During his second reign, most of the power was in the hands of his consort Empress Wei. Emperor Zhongzong was the son of Emperor Gaozong of Tang and Empress Wu (later known as Wu Zetian), and during the reign of his father, Emperor Zhongzong's mother Empress Wu, not Emperor Gaozong, was in actual control of power as empress consort and power behind the emperor. He succeeded his father in 684, But as emperor, he had no true power, and all authority remained in the firm hands of his mother, Empress Dowager Wu. His mother, however, deposed him less than two months later in favo ...
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Kapellmeister
( , , ), from German (chapel) and (master), literally "master of the chapel choir", designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister position was a senior one ...
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