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Roland Jupiter-50
The Jupiter-50 is a discontinued 128 voice polyphonic digital subtractive synthesizer introduced by Roland Corporation in 2011. The Jupiter-50 is a part of Roland's flagship synthesizer series, which began with the Jupiter-4 between the years of 1978 and 1981. The Jupiter-50 is considered a hybrid/combination of both the Jupiter-80 and the JUNO series. Features and architecture The Jupiter-80 maintains the visual style of the Jupiter-8, and includes Roland's SuperNATURAL, an extensive synthesis engine that includes virtual analog synthesis, which is a digital recreation of earlier Roland analog synths, along with PCM-based recreations of purely digital synths by the company and acoustic modeling of real instruments. Emulations of the original Jupiter-8 sounds were later released as a software instrument for both keyboards on Roland Axial as part of the Synth Legends series. The Jupiter-50 is a multitimbral synthesizer oriented to stage and live use. That's why it has 3 parts ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Synthesizer
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis. History The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1957, the first programming language for computer music, MUSIC, was developed by Max Mathews on an IBM 704 at Bell Labs in 1957. It generates digital audio waveforms through direct synthesis. , EMS MUSYS 3 system was developed by Peter Grogono (software), David Cockerell (hardware and interfacing) and Peter Zinovieff (system design and operation) at their London (Putney) Studio. The system ran on two mini-co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which Harmonic_series_(music)#Partial.2C_harmonic.2C_fundamental.2C_inharmonicity.2C_and_overtone, overtones of an audio signal are attenuated by a audio filter, filter to alter the timbre of the sound. Overview Subtractive synthesis relies on source sounds that have overtones, such as Sine wave, non-sinusoidal waveforms like Square wave (waveform), square and triangle wave, triangle waves, or white noise, white and pink noise. These overtones are then Modulation, modulated to alter the source sound. This modulation can happen in a wide variety of ways, such as Voltage-controlled filter, voltage-controlled or low-pass filter, low-pass filters. The technology developed in experimental electronic studios which were primarily focused on telecommunications and military applications. Early examples include Bell Labs' Voder (1937–8). Composers began applying the concept of subtractive synthesis beyond the recording studio in conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter-4
The Roland Jupiter-4 (JP-4) was an analog synthesizer manufactured by the Roland Corporation between 1978 and 1981. It was notable as the company's first self-contained polyphonic synthesizer, and for employing digital control of analog circuits (termed ''compuphonic'' by Roland), allowing for such features as programmable memory, voice assignment modes, an arpeggiator, polyphonic portamento and others. Priced at US$2,895, it was dramatically cheaper than other polyphonic machines from its competitors (such as the Yamaha CS-80, Korg PS-3300 Prophet-5 and OB-X). While it didn't sell as many units compared to the competition, its primary design was such that it could be an accompaniment to organs, complete with an option for a music sheet stand to be fitted. Its future successor in 1981, the Jupiter-8, would go on to sell many more units and make Jupiter a recognized brand. Architecture The Jupiter-4's basic architecture consisted of four voice cards, each containing a: VCO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Jupiter-80
The Jupiter-80 is a discontinued 256-voice polyphonic Analog modeling synthesizer, virtual analog Subtractive synthesis, subtractive synthesizer introduced by Roland Corporation in 2011. The Jupiter-80 is a part of Roland's flagship long-running synthesizer series, which began with the Jupiter-4 between the years of 1978 and 1981. The Jupiter-80 was shortly followed by the Jupiter-50, which is a combination of both the JP-80 and the JUNO series. It was succeeded by the Jupiter-X and Jupiter-Xm in 2019. Features and architecture The Jupiter-80 maintains the visual style of the Jupiter-8, and includes Roland's SuperNATURAL, an extensive synthesis engine that includes Virtual analog synthesizer, virtual analog synthesis, which is digital recreation of earlier Roland analog synthesizer, analog synths, along with PCM-based recreations of purely digital synths by the company and acoustic modelling of real instruments. Emulations of the original Jupiter-8 sounds were later released as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter-8
The Jupiter-8, or JP-8, is an eight-voice polyphony (instrument), polyphonic Analog synthesizer, analog Subtractive synthesis, subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3,300 units have been produced. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary Digital Control Bus, DCB interface. The instrument had many advanced features for its time, including the ability to split the Electric keyboard, keyboard into two zones, with separate patch (synthesizer), patches active on each zone. Two years after the release of the Jupiter-8, Roland released the more affordable Roland Jupiter-6, Jupiter-6 synthesizer with built-in MIDI control but an otherwise slightly reduced set of features. In 2011, three decades after the release of the original Jupiter series, Roland released the fully ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virtual Analog Synthesizer
An analog modeling synthesizer is a synthesizer that generates the sounds of traditional analog synthesizers using digital signal processing components and software algorithms. Analog modeling synthesizers simulate the behavior of the original electronic circuitry in order to digitally replicate their tone. This method of synthesis is also referred to as virtual analog or VA. Analog modeling synthesizers can be more reliable than their true analog counterparts since the oscillator pitch is ultimately maintained by a digital clock, and the digital hardware is typically less susceptible to temperature changes. While analog synthesizers need an oscillator circuit for each voice of polyphony, analog modeling synthesizers do not face this problem. This means that many of them, especially the more modern models, can produce as many polyphonic voices as the CPU on which they run can handle. Modeling synths also provide patch storage capabilities and MIDI support not found on most true an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-Beam Control
The D-Beam is a Roland synthesizers interface that can control and manipulate sound and effects via the user's hand movements interacting with an infrared beam of light. Background The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. It was then introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin, the operating principles are fundamentally different; the theremin uses capacitive sensing In electrical engineering, capaciti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Synthesizers
Roland (; ; or ''Rotholandus''; or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Synthesizers
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis. History The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1957, the first programming language for computer music, MUSIC, was developed by Max Mathews on an IBM 704 at Bell Labs in 1957. It generates digital audio waveforms through direct synthesis. , EMS MUSYS 3 system was developed by Peter Grogono (software), David Cockerell (hardware and interfacing) and Peter Zinovieff (system design and operation) at their London (Putney) Studio. The system ran on two mini-compute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-Beam
The D-Beam is a Roland synthesizers interface that can control and manipulate sound and effects via the user's hand movements interacting with an infrared beam of light. Background The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. It was then introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin The theremin (; originally known as the ætherphone, etherphone, thereminophone or termenvox/thereminvox) is an electroni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
