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Roland Juno-60
The Roland Juno-60 is an analog synthesizer manufactured by the Roland Corporation between 1982 and 1984. It followed the Juno-6, an almost identical synthesizer released months earlier. The Juno synthesizers introduced Roland's digitally controlled oscillators, allowing for greatly improved tuning stability over its competitors. The Juno-6 and Juno-60 were introduced as low-cost alternatives to polyphonic synths such as the Sequential Circuits Prophet-5 and Roland's own Jupiter-8. Its built-in chorus effect was designed to make up for the weaker sound of its single oscillator, and it went on to become its signature effect. The Juno-60 had an immediate impact in 1980s pop music, being used on hits such as " Take On Me" by a-ha, " A Different Corner" by George Michael, and " Time After Time" by Cyndi Lauper. The Juno-60 continued to be popular in the 1990s, being used by house and techno artists. It experienced a resurgence in the 2000s and beyond, gaining popularity amongst mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take On Me
"Take On Me" is a song by Norwegian synth-pop band a-ha. The original version, recorded in 1984 and released in October of that year, was produced by Tony Mansfield and remixed by John Ratcliff (producer), John Ratcliff. The 1985 international hit version was produced by Alan Tarney for the group's debut studio album, ''Hunting High and Low'' (1985). The recording combines synth-pop with a varied instrumentation, including acoustic guitars, keyboards, and drums. The original 1984 version "Take On Me" failed to chart in the United Kingdom, as did the second version in the first of its two 1985 releases. The second of those 1985 releases charted in September 1985, reaching number two on the UK Singles Chart in October. In the United States in October 1985, the single topped Billboard Hot 100, ''Billboards Hot 100, bolstered by the wide exposure on MTV of director Steve Barron's innovative music video featuring the band in a Rotoscoping, live-action pencil-sketch animation sequence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voltage-controlled Filter
A voltage-controlled filter (VCF) is an electronic filter whose operating characteristics (primarily cutoff frequency) can be set by an input control voltage. Voltage-controlled filters are widely used in synthesizers. A music synthesizer VCF allows its cutoff frequency, and sometimes its Q factor (resonance at the cutoff frequency), to be continuously varied. The filter outputs often include a lowpass response, and sometimes highpass, bandpass or notch responses. Some musical VCFs offer a variable ''slope'' which determines the rate of attenuation outside the bandpass, often at 6 dB/octave, 12 dB/octave, 18 dB/octave or 24 dB/octave (one-, two-, three- and four-pole filters, respectively). In modular analog synthesizers, VCFs receive signal input from signal sources, including oscillators and noise, or the output of other processors. By varying the cutoff frequency, the filter passes or attenuates partials of the input signal. In some popular elect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha Corporation
is a Japanese multinational musical instrument and audio equipment manufacturer. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company. The former motorcycle division was established in 1955 as Yamaha Motor Co., Ltd., which started as an affiliated company but has been spun-off as its own independent company. History was established in 1887 as a reed organ manufacturer by Torakusu Yamaha () in Hamamatsu, Shizuoka Prefecture, and was incorporated on 12 October 1897. In 1900, the company manufactured the first piano to be made in Japan, and its first grand piano two years later. In 1987, 100 years after the first reed organ built by Yamaha, the company was renamed Yamaha Corporation in honor of its founder. The company's origins as a musical instrument manufacturer are still reflected today in the group's logo—a trio of interlocking tuning forks. After World War II, company president Genichi Kawakami repur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frequency Modulation Synthesis
Frequency modulation synthesis (or FM synthesis) is a form of Synthesizer#Sound synthesis, sound synthesis whereby the frequency of a waveform is changed by Frequency modulation, modulating its frequency with a modulator. The instantaneous frequency, (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal. FM synthesis can create both harmonic and Inharmonicity, inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. FM synthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Chowning
John M. Chowning (; born August 22, 1934, in Salem, New Jersey) is an American composer, musician, discoverer, and professor best known for his work at Stanford University, the founding of CCRMA – Center for Computer Research in Music and Acoustics in 1975 and his development of the digital implementation of FM synthesis and the digital sound spatialization while there. Contribution Chowning is known for having developed the FM synthesis algorithm in 1967. In FM (frequency modulation) synthesis, both the carrier frequency and the modulation frequency are within the audio band. In essence, the amplitude and frequency of one waveform modulates the frequency of another waveform producing a resultant waveform that can be periodic or non-periodic depending upon the ratio of the two frequencies. Chowning's breakthrough allowed for simple—in terms of process—yet rich sounding timbres, which synthesized 'metal striking' or 'bell like' sounds, and which seemed incredibly simil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ikutaro Kakehashi
, also known by the nickname Taro, was a Japanese engineer, inventor, and entrepreneur. He founded the musical instrument manufacturers Ace Tone, Roland Corporation and Boss Corporation, and the audiovisual electronics company ATV Corporation. Kakehashi founded Ace Tone in 1960 to produce electronic organs and early drum machines. He founded Roland in 1972 and was involved in the development of various influential electronic instruments, such as the TR-808 and TR-909 drum machines and the TB-303 and Juno-60 synthesizers, in addition to Boss guitar amplifiers and effects pedals. He was also key to the development of MIDI, a technical standard that connects a wide variety of electronic instruments, in the 1980s; in 2013, Kakehashi received a Technical Grammy Award, shared with Dave Smith of Sequential, for the invention of MIDI. Kakehashi's inventions are credited with shaping popular music genres such as electronic, dance, hip hop, R&B, rock and pop music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synclavier
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. Used by many notable musicians, the Synclavier was inducted into the TECnology Hall of Fame, an honor given to "products and innovations that have had an enduring impact on the development of audio technology," in 2004. History The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering. Synclavier I First released in 1977–78, Note: This magazine article itself lacks sources, and as a result, lacks verifiability. it proved to be highly influential among both electronic music composers and music p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest electronic music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History : 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, '' Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Synthesizer
A digital synthesizer is a synthesizer that uses digital signal processing (DSP) techniques to make musical sounds, in contrast to older analog synthesizers, which produce music using analog electronics, and samplers, which play back digital recordings of acoustic, electric, or electronic instruments. Some digital synthesizers emulate analog synthesizers, while others include sampling capability in addition to digital synthesis. History The very earliest digital synthesis experiments were made with computers, as part of academic research into sound generation. In 1957, the first programming language for computer music, MUSIC, was developed by Max Mathews on an IBM 704 at Bell Labs in 1957. It generates digital audio waveforms through direct synthesis. , EMS MUSYS 3 system was developed by Peter Grogono (software), David Cockerell (hardware and interfacing) and Peter Zinovieff (system design and operation) at their London (Putney) Studio. The system ran on two mini-co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyndi Lauper
Cynthia Ann Stephanie Lauper ( ; born June 22, 1953) is an American singer, songwriter and actress. Known for her distinctive image, featuring a variety of hair colors and eccentric clothing, and for her powerful four-octave vocal range;Jerome, Jim"She Wants to Have Fun" ''People (magazine), People'', September 17, 1984. Retrieved September 30, 2008. Lauper has sold over 50 million records worldwide. She has also been celebrated for her humanitarian work, particularly as an advocate for LGBTQ rights in the United States. Her debut studio album ''She's So Unusual'' (1983) was the first debut studio album by a female artist to achieve four top-five hits on the Billboard Hot 100, ''Billboard'' Hot 100—"Girls Just Want to Have Fun", "Time After Time (Cyndi Lauper song), Time After Time", "She Bop", and "All Through the Night (Jules Shear song)#Cyndi_Lauper_version, All Through the Night"—and earned Lauper the Grammy Award for Best New Artist, Best New Artist award at the 27th Ann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time After Time (Cyndi Lauper Song)
"Time After Time" is a song by American Pop music, pop singer Cyndi Lauper from her debut Album#Types of album, studio album, ''She's So Unusual'' (1983). It was released as the album's second single in March 1984, by Epic Records, Epic and Portrait Records. Written by Lauper and Rob Hyman, who also provided Backing vocalist, backing vocals, the song was produced by Rick Chertoff. It was written in the album's final stages, after "Girls Just Want to Have Fun", "She Bop" and "All Through the Night (Jules Shear song)#Cyndi Lauper version, All Through the Night" had been written or recorded. The writing began with the title, which Lauper had seen in TV Guide, referring to the science fiction film ''Time After Time (1979 film), Time After Time'' (1979). "Time After Time" received positive reviews from music critics, with many commending it for being a solid and memorable love song. It has since been named as one of the greatest pop songs of all time by many media outlets, including ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
