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Robam Moni Mekhala
Robam Moni Mekhala (Khmer language, Khmer: របាំមណីមេខលា, Moni Mekhala Dance) sometimes known as Robam Moni Mekhala and Ream Eyso (Khmer: របាំមណីមេខលា និង រាមឥសូរ) is a Royal ballet of Cambodia, traditional Cambodian dance. It is a rain dance that explores the Cambodian myth of thunder, lightning, and rain associated with Hinduism, Hindu and Buddhism, Buddhist mythology. Most of the time, this dance depicts the fight between Reamesor and Moni Mekhala where Reamesor (Ramasura/ Parashurama) or Ream Eyso attempts to seize the magical crystal ball from Manimekhala, Moni Mekhala and this fighting creates a storm. Overview An early record of dance (Khmer language, Khmer: ''robam/ rabam'') is from the 7th century, where the performance was used as a funeral rite for kings. During the Angkor period, dance was ritually performed at temples. The story of Moni Mekhala and Reamesor appears frequently in ritual and Cambodian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sompot
A ''sampot'' ( km, សំពត់, ), a long, rectangular cloth worn around the lower body, is a traditional dress in Cambodia. It can be draped and folded in several different ways. The traditional dress is similar to the dhoti of Southern Asia. It is also worn in the neighboring countries of Laos and Thailand where it is known as pha nung ( th, ผ้านุ่ง ). Origins The Sampot dates back to the Funan era when a Cambodian king ordered the people of his kingdom to wear the Sampot at the request of Chinese envoys. It is similar to the lungi and dhoti worn in the Indian subcontinent, the longyi worn in Burma, and the sarong worn in maritime Southeast Asia. Silk weaving was an important part of Cambodia's cultural past. People from Takéo Province have woven silk since the Funan era and records, bas-reliefs, and Zhou Daguan's report have shown that looms were used to weave sompots since ancient times.Green, Gillian. "Textiles at the Khmer Court". ''Arts of Asia'' 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epaulette
Epaulette (; also spelled epaulet) is a type of ornamental shoulder piece or decoration used as insignia of rank by armed forces and other organizations. Flexible metal epaulettes (usually made from brass) are referred to as ''shoulder scales''. In the French and other armies, epaulettes are also worn by all ranks of elite or ceremonial units when on parade. It may bear rank or other insignia, and should not be confused with a shoulder mark – also called a shoulder board, rank slide, or slip-on – a flat cloth sleeve worn on the shoulder strap of a uniform (although the two terms are often used interchangeably). Etymology () is a French word meaning "little shoulder" (diminutive of , meaning "shoulder"). How to wear Epaulettes are fastened to the shoulder by a shoulder strap or ''passenten'', a small strap parallel to the shoulder seam, and the button near the collar, or by laces on the underside of the epaulette passing through holes in the shoulder of the coat. Collo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sompot Chong Kben
''Sompot Chong Kben'' ( km, សំពត់ចងក្បិន, ; th, โจงกระเบน, ; lo, ຜ້າຫາງ, ''pha hang'') is a unisex, lower body, wraparound cloth worn in the countries of Cambodia, Laos, and Thailand. It is the preferred choice of clothing for women of upper and middle classes for daily wear. Unlike the typical '' sompot'', it is more of a pant than a skirt. The ''chong kraben'' is described by art historian Eksuda Singhalampong as "...a garment that resembles loose breeches. The wearer wraps a rectangular piece of cloth around his r herwaist, the edge of cloth is then passed between the legs and tucked in at the wearer's lower back. Many 19th-century European accounts often called them knee breeches, riding breeches or knickerbockers." Etymology ''Sompot Chong Kben'' () is a combination of three Khmer words; '' sampot'' (a long, rectangular cloth worn around the lower body), ''chang'' (to wrap around), and ''kben'' (refers to the low ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakhon Khol
Lakhon Khol ( km, ល្ខោនខោល, ; ) or Khmer Masked Theatre is a dance drama genre that is performed in Cambodia. History Lakhon Khol is a traditional theatre performance of Cambodia. Mask theatre of Cambodia having its origins during the Angkor period . It is believed to have begun during the 10th century through the inscription K.99 Sambor Prei Kuk temple in the reign of King Jayavarman V (CE 968-1001) Lakhon Khol is believed to be a derivative of the Drama, acronym in the High Priest's Dictionary Chuon Nath. That short forms can be interpreted as a form of drama, played out in a series of short stories. The word ''Khol'' Is encountered in a number of other rocks, such as K.566-a a rock above the Stung Sreng Siem Reap province inscribed at the end of the 10th century Which refers to wearing a mask dance. The theatrical drama was developed from the Khmer shadow theatre called "Lakhon Sbeak Thom; km, ល្ខោនស្បែកធំ”. Lakhon Khol was recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angkor Dancer
Angkor ( km, អង្គរ , 'Capital city'), also known as Yasodharapura ( km, យសោធរបុរៈ; sa, यशोधरपुर),Headly, Robert K.; Chhor, Kylin; Lim, Lam Kheng; Kheang, Lim Hak; Chun, Chen. 1977. ''Cambodian-English Dictionary''. Bureau of Special Research in Modern Languages. The Catholic University of America Press. Washington, D.C. Chuon Nath Khmer Dictionary (1966, Buddhist Institute, Phnom Penh). was the capital city of the Khmer Empire. The city and empire flourished from approximately the 9th to the 15th centuries. The city houses the Angkor Wat, one of Cambodia's most popular tourist attractions. The name ''Angkor'' is derived from ''nokor'' (), a Khmer word meaning "kingdom" which in turn derived from Sanskrit ''nagara'' (), meaning "city". The Angkorian period began in AD 802, when the Khmer Hindu monarch Jayavarman II declared himself a "universal monarch" and "god-king", and lasted until the late 14th century, first falling under Ay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arm Ring
An arm ring, also known as an armlet or an armband, is a band of metal, usually a precious metal, worn as jewelry or an ornament around the biceps of the upper arm. The arm ring is similar to a bracelet or bangle, though it must be shaped and sized to fit snugly to the upper arm. Historically, the arm ring was commonly worn by men, and often a " ''ring''" in Bronze-Age heroic literature would refer to an arm ring, rather than a finger ring. Modern-day arm rings are generally fashion accessories worn by women. In Indonesia, an arm ring is called ''kelat bahu''; it is commonly used by both men and women as traditional jewelry in Javanese, Sundanese, and Balinese traditional costumes, worn usually in wedding ceremony or in traditional dance. The decorative arm rings are usually made of metals such as gold, silver, or brass, and can trace their history from the Indonesian Hindu-Buddhist past of ancient Java. Sri Lankan history notes that brides wore armlets to ward off ill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bangle
Bangles are traditionally rigid bracelets which are usually made of metal, wood, glass or plastic. These ornament are worn mostly by women in the Indian subcontinent, Southeastern Asia, Arabian Peninsula, and Africa. It is common to see a bride wearing glass bangles at weddings in India, Bangladesh, Pakistan, Nepal, Sri Lanka and in other Asian countries. Bangles may also be worn by young girls and bangles made of gold or silver are preferred for toddlers. Some men and women wear a single bangle on the arm or wrist called ''kada'' or ''kara''. In Sikhism, the father of a Sikh bride will give the groom a gold ring, a kara (steel or iron bangle), and a mohra. Chooda is a kind of bangle that is worn by Punjabi women on her wedding day. It is a set of white and red bangles with stonework. According to tradition, a woman is not supposed to buy the bangles she will wear. Firozabad, Uttar Pradesh is India's largest producer of bangles. History Bangles made from sea shell, coppe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bracelets
A bracelet is an article of jewellery that is worn around the wrist. Bracelets may serve different uses, such as being worn as an ornament. When worn as ornaments, bracelets may have a supportive function to hold other items of decoration, such as charms. Medical and identity information are marked on some bracelets, such as allergy bracelets, hospital patient-identification tags, and bracelet tags for newborn babies. Bracelets may be worn to signify a certain phenomenon, such as breast cancer awareness, or for religious/cultural purposes. If a bracelet is a single, inflexible loop, it is often called a ''bangle''. When it is worn around the ankle it is called an ''ankle bracelet'' or '' anklet''. A ''boot bracelet'' is used to decorate boots. Bracelets can be manufactured from metal, leather, cloth, plastic, bead or other materials, and jewelry bracelets sometimes contain jewels, rocks, wood, shells, crystals, metal, or plastic hoops, pearls and many more materials. Ori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filigreed
Filigree (also less commonly spelled ''filagree'', and formerly written ''filigrann'' or ''filigrene'') is a form of intricate metalwork used in jewellery and other small forms of metalwork. In jewellery, it is usually of gold and silver, made with tiny beads or twisted threads, or both in combination, soldered together or to the surface of an object of the same metal and arranged in artistic motifs. It often suggests lace and remains popular in Indian and other Asian metalwork. It was popular as well in Italian, French and Portuguese metalwork from 1660 to the late 19th century. It should not be confused with ajoure jewellery work, the ajoure technique consisting of drilling holes in objects made of sheet metal. The English word filigree is shortened from the earlier use of ''filigreen'' which derives from Latin "filum" meaning thread and "granum" grain, in the sense of small bead. The Latin words gave ''filigrana'' in Italian which itself became ''filigrane'' in 17th- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srang Kar
The srang (pronounced "sang"; in Tibetan often referred to as "dngul srang" i.e. "silver srang") was a currency of Tibet between 1909 and 1959. It circulated alongside the ''tangka'' until the 1950s. It was divided into 10 ''sho'', each of 10 ''skar'', with the tangka equal to 15 skar (1 srang = 6⅔ tangka). In 1959, the Chinese central government replaced the srang with the renminbi at a rate of 50 paper srang per yuan, in which the srang ceased to be legal tender. Originally the srang was a weight unit, particularly to weigh silver and gold. It was equivalent to the Chinese liang (tael), i.e. to about 37.5 grams. The srang first appeared as a silver coin in 1909 when Tibet began issuing a variety of denominations rather than only issuing the tangka. These 1 srang silver coins of 18.5 g were minted at Dode. The 1 srang coins were struck till 1919. Silver 1½ srang coins of 5 g were struck in Tapchi mint between 1936 and 1938 and again in 1946. Silver 3 srang coins of 11.3 g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
