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Resolution (music)
Resolution in Western tonal music theory is the move of a Musical note, note or chord (music), chord from Consonance and dissonance, dissonance (an unstable sound) to a Consonance and dissonance, consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest. Where a melody or chord progression, chordal pattern is expected to resolve to a certain note or chord, a different but similarly suitable note can be resolved to instead, creating an interesting and unexpected sound. For example, the deceptive cadence. Basis Resolution has a strong basis in Tonality, tonal music, since atonal music generally contains a more constant level of Consonance and dissonance, dissonance and lacks a tonal center to which to resolve. The concept of "resolution", and the degree to which resolution is "expected", is contextual as to culture and historical period. In a classical piece of the Baroque music, Baroque period, for example, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Dominant Seventh Tritone Resolution
Domination or dominant may refer to: Society * World domination, structure where one dominant power governs the planet * Colonialism in which one group (usually a nation) invades another region for material gain or to eliminate competition * Chauvinism in which a person or group consider themselves to be superior, and thus entitled to use force to dominate others * Sexual Dominance and submission, dominance involving individuals in a subset of BDSM behaviour * Hierarchy Music * Dominant (music), a diatonic scale step and diatonic function in tonal music theory Albums * Domination (Cannonball Adderley album), ''Domination'' (Cannonball Adderley album) or the title track, 1965 * Domination (Morbid Angel album), ''Domination'' (Morbid Angel album), 1995 * ''Domination'', by Domino (rapper), Domino, 2004 * ''Domination'', by Morifade, 2004 Songs * Domination (song), "Domination" (song), by Pantera, 1990 * "Domination", by Band-Maid from ''World Domination (Band-Maid album), World D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tonality
Tonality is the arrangement of pitch (music), pitches and / or chord (music), chords of a musical work in a hierarchy of perceived ''relations'', ''stabilities'', ''attractions'', and ''directionality''. In this hierarchy, the single pitch or the root (music), root of a triad (music), triad with the greatest ''stability'' in a melody or in its harmony is called the tonic (music), ''tonic''. In this context "stability" approximately means that a pitch occurs frequently in a melody – and usually is the final note – or that the pitch often appears in the harmony, even when it is not the pitch used in the melody. The ''root'' of the tonic triad forms the name given to the key (music), key, so in the key of C major, C major the note C can be both the tonic of the scale (music), scale and the root of the tonic triad. However, the tonic can be a different Musical tone, tone in the same scale, and then the work is said to be in one of the mode (music), ''modes'' of that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Lipps–Meyer Law
The Lipps–Meyer law, named for Theodor Lipps (1851–1914) and Max Friedrich Meyer (1873–1967), hypothesizes that the closure of melodic intervals is determined by "whether or not the end tone of the interval can be represented by the number two or a power of two", in the frequency ratio between notes (see octave). "The 'Lipps–Meyer' Law predicts an 'effect of finality' for a melodic interval that ends on a tone which, in terms of an idealized frequency ratio, can be represented as a power of two." Thus the interval order matters — a perfect fifth, for instance (C,G), ordered , 2:3, gives an "effect of indicated continuation", while , 3:2, gives an "effect of finality". This is a measure of interval strength or stability and finality. Notice that it is similar to the more common measure of interval strength, which is determined by its approximation to a lower, stronger, or higher, weaker, position in the harmonic series. The reason for the effect of finality of such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Irregular Resolution
In music, an irregular resolution is resolution (music), resolution by a dominant seventh chord or diminished seventh chord to a chord (music), chord other than the tonic (music), tonic. Regarding the dominant seventh, there are many irregular resolutions including to a chord with which it has tones in common or if the parts move only a whole or half step.George Whitefield Chadwick, Chadwick, George Whitefield (2008). ''Harmony, a Course of Study'', p.160. . Consecutive fifths and octaves, augmentation (music), augmented intervals, and false relations should still be avoided. Voice leading may cause the seventh to ascend, to be prolonged into the next chord, or to be unresolved.Foote, Arthur (2007). ''Modern Harmony in its Theory and Practice'', p.93ff. . The following resolutions to a chord with tones in common have been identified: *Type I, in which the root (chord), root motion descends by minor third. C, E, G, B would resolve to C, E, G, A; two tones are common, two melody, v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Corelli Cadence
The Corelli cadence, or Corelli clash, named for its association with the violin music of the Corelli school, is a cadence characterized by a major and/or minor second clash between the tonic and the leading-tone or the tonic and supertonic. The cadence is found as early as 1634 in Steffano Landi's ''Il Sant'Alessio'' whereas Corelli was born in 1653. It has been described as cliché.Julie Anne Sadie, ed (1998). ''Companion to Baroque Music'', p.61. . This is created by the voice leading concerns of modal music, specifically the use of anticipation during cadences.Latham, Alison, ed. (2002). ''The Oxford Companion to Music'', p.192. . The English cadence is another "clash cadence". See also *Harmony In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harm ... References {{Cadences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Circle Of Fifths
In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the sequence is: C, G, D, A, E, B, F/G, C/D, G/A, D/E, A/B, F, and C. This order places the most closely related key signatures adjacent to one another. Twelve-tone equal temperament tuning divides each octave into twelve equivalent semitones, and the circle of fifths leads to a C seven octaves above the starting point. If the fifths are tuned with an exact frequency ratio of 3:2 (the system of tuning known as just intonation), this is not the case (the circle does not "close"). Definition The circle of fifths organizes pitches in a sequence of perfect fifths, generally shown as a circle with the pitches (and their corresponding keys) in clockwise order. It can be viewed in a counterclockwise direction as a circle of fourths. Harmonic progres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Cadence (music)
In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a chord progression, progression of two or more chord (music), chords that conclusion (music), concludes a phrase, section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Suspended Chord
A suspended chord (or sus chord) is a musical chord (music), chord in which the (major third, major or minor third, minor) third is omitted and replaced with a perfect fourth or a major second. The lack of a minor or a major third in the chord creates an voicing (music), open sound, while the Consonance and dissonance, dissonance between the fourth and fifth or second and root creates tension. When using Chord names and symbols (popular music), popular-music symbols, they are indicated by the symbols "sus4" and "sus2". For example, the suspended fourth and second chords built on C (C–E–G), written as Csus4 and Csus2, have pitches C–F-G and C–D-G, respectively. Suspended fourth and second chords can be represented by the Pitch class#Integer notation, integer notation and , respectively. Analysis The term is borrowed from the counterpoint, contrapuntal technique of ''Nonchord tone#Suspension, suspension'', where a note from a previous chord is carried over to the next chord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Added Sixth Chord
The term ''sixth chord'' refers to two different kinds of chord, one in classical music and the other in modern popular music. The original meaning of the term is a ''chord in first inversion'', in other words with its third in the bass and its root a sixth above it. This is how the term is still used in classical music today, and in this sense it is called also a chord of the sixth. In modern popular music, a sixth chord is any triad with an added sixth above the root as a chord factor. This was traditionally (and in classical music is still today) called an '' added sixth chord'' or ''triad with added sixth'' since Jean-Philippe Rameau (''sixte ajoutée'') in the 18th century. It is not common to designate chord inversions in popular music, so there is no need for a term designating the first inversion of a chord, and so the term ''sixth chord'' in popular music is a short way of saying ''added sixth chord''. There are three main types of added sixth chords: major sixth, minor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Atonal
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre- twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
