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Requiem (Rutter)
John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. It is scored for soprano, mixed choir and orchestra or chamber ensemble. Five of its seven Movement (music), movements are based on text from the Latin Music for the Requiem Mass, Requiem Mass, while the second movement is a setting of "Out of the deep" (Psalm 130) and the sixth movement is an anthem ''The Lord is my Shepherd (Rutter), The Lord is my Shepherd'' (Psalm 23) which Rutter had earlier written. The first movement combines the Introit and Kyrie, the third is ''Pie Jesu'', with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses. Four of the movements of the Requiem were first performed at Fremont Presbyterian Church, Sacramento, California, on 14 March 1985. The first performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Sometimes, religious music uses similar instruments across cultures. The use of drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and Sinism, while wind instruments (the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo (music)
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a " metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victimae Paschali Laudes
"Victimae paschali laudes" is a sequence prescribed for the Catholic Mass, Anglican and Lutheran Eucharistic services on Easter Sunday. It is usually attributed to the 11th-century Wipo of Burgundy, chaplain to Holy Roman Emperor Conrad II, but has also been attributed to Notker Balbulus, Robert II of France, and Adam of St. Victor. "Victimae paschali laudes" is one of only four medieval sequences that were preserved in the Roman Missal of the Tridentine Mass published in 1570 after the Council of Trent (1545–1563). The three others were " Veni Sancte Spiritus" for the feast of Pentecost, " Lauda Sion" for Corpus Christi, and " Dies irae" for the Requiem Mass (a fifth sequence, " Stabat Mater" for the Feast of the Seven Dolours of the Blessed Virgin Mary, was added to the missal by Pope Benedict XIII in 1727). Before Trent, many other feasts also had their own sequences, and some sixteen different sequences for Easter were in use. "Victimae paschali laudes" is one of the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Job
The Book of Job (), or simply Job, is a book found in the Ketuvim ("Writings") section of the Hebrew Bible and the first of the Poetic Books in the Old Testament of the Christian Bible. The language of the Book of Job, combining post-Babylonian Hebrew and Aramaic influences, indicates it was composed during the Persian period (540-330 BCE), with the poet using Hebrew in a learned, literary manner. It addresses the problem of evil, providing a theodicy through the experiences of the eponymous protagonist. Job is a wealthy God-fearing man with a comfortable life and a large family. God discusses Job's piety with Satan (). Satan rebukes God, stating that Job would turn away from God if he were to lose everything within his possession. God decides to test that theory by allowing Satan to inflict pain on Job. The rest of the book deals with Job's suffering and him successfully defending himself against his unsympathetic friends, whom God admonishes, and God's sovereignty over na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pie Jesu
"Pie Jesu" ( ; original Latin: "Pie Iesu" ) is a text from the '' Lacrimosa'', a hymn in the sequence " Dies irae," where it is the final (nineteenth) couplet. The couplet is often included in musical settings of the Requiem Mass as a motet. The phrase means " pious Jesus" in the vocative. Popular settings The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem. Camille Saint-Saëns, who died in 1921, said of Fauré's "Pie Jesu": "Just as Mozart's is the only 'Ave verum corpus', this is the only 'Pie Jesu'." Andrew Lloyd Webber's setting of " Pie Jesu" in his Requiem (1985) has also become well known and has been widely recorded, including by Sarah Brightman, Charlotte Church, Jackie Evancho, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
Unison (stylised as UNISON) is a Great Britain, British trade union. Along with Unite the Union, Unite, Unison is one of the two largest trade unions in the United Kingdom, with over 1.2 million members who work predominantly in public services, including local government, education, health and outsourcing, outsourced services. The union was formed in 1993 when three public sector trade unions, the National Association of Local Government Officers, National and Local Government Officers Association (NALGO), the National Union of Public Employees (NUPE) and the Confederation of Health Service Employees (COHSE) merged. UNISON's current general secretary is Christina McAnea, who replaced Dave Prentis in 2021. Members and organisation Members of UNISON are typically from industries within the public sector and generally cover both full-time and part-time support and administrative staff. The majority of people joining UNISON are workers within sectors such as local government, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: '' altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Etymology In choral music for mixed voices, "alto" describes the lowest part commonly sung by women. The explanation for the anomaly of this name is to be found not in the use of adult falsettists in choirs of men and boys but further back in innovations in composition during the mid-15th century. Before this time it was usual to write a melodic ''cantus'' or '' superius'' against a tenor (from Latin ''tenere'', to hold) or 'held' part, to which might be added a contratenor, which was in counterpoint with (in other words, against = contra) the tenor. The composers of Ockeghem's generation wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm
The Book of Psalms ( , ; ; ; ; , in Islam also called Zabur, ), also known as the Psalter, is the first book of the third section of the Tanakh (Hebrew Bible) called ('Writings'), and a book of the Old Testament. The book is an anthology of Hebrew religious hymns. In the Jewish and Western Christian traditions, there are 150 psalms, and several more in the Eastern Christian churches. The book is divided into five sections, each ending with a doxology, a hymn of praise. There are several types of psalms, including hymns or songs of praise, communal and individual laments, royal psalms, imprecation, and individual thanksgivings. The book also includes psalms of communal thanksgiving, wisdom, pilgrimage and other categories. Many of the psalms contain attributions to the name of King David and other Biblical figures including Asaph, the sons of Korah, Moses and Solomon. Davidic authorship of the Psalms is not accepted as historical fact by modern scholars, who view it as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic major and melodic major scales are: On the piano, the C major scale can be played by playing only the white keys starting on C. Scale degree chords The scale degree chords of C major are: * Tonic – C major * Supertonic – D minor * Mediant – E minor * Subdominant – F major * Dominant – G major * Submediant – A minor * Leading-tone – B diminished Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F Major
F major is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat.Music Theory'. (1950). United States: Standards and Curriculum Division, Training, Bureau of Naval Personnel. 28. Its relative minor is D minor and its parallel minor is F minor. The F major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic major and melodic major scales are: F major is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. These instruments sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. Scale degree chords The scale degree chords of F major are: * Tonic – F major * Supertonic – G minor * Mediant – A minor * Subdominant – B-flat majo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
