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Requiem (Ockeghem)
Requiem, by Johannes Ockeghem (c. 1410 – 1497), is a polyphonic setting of the Roman Catholic Requiem Mass (the ''Missa pro defunctis'', or Mass for the dead). It is probably the earliest surviving polyphonic setting of any requiem mass. It is unusual in that the movements vary greatly in style, and each uses a paraphrase technique for the original Sarum chant. It has five movements for two to four voices and is one of Ockeghem's best known and most performed works. Ockeghem's ''Requiem'' is often considered incomplete as it lacks a Sanctus, Communion or Agnus Dei. The closing movement, the Offertory, is the most complex. Blank opening sections in the Codex imply that there may have been another movement. The circumstances of its composition are unclear; it may have been composed for the funeral of Charles VII in 1461; an alternative hypothesis is that it was written after the death of Louis XI in 1483. Requiem This requiem is the earliest surviving polyphonic setting of the Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was a significant European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—a prominent European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other prominent composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well-known '' Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and fewer than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 42
Psalm 42 is the 42nd psalm of the Book of Psalms, often known in English by its incipit, "As the hart panteth after the water brooks" (in the King James Version). The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the Hebrew Bible, Psalm 42 opens the second of the five books (divisions) of Psalms, also known as the "Elohistic Psalter" because the word YHWH is rarely used and God is generally referred to as "Elohim". In the slightly different numbering system used in the Greek Septuagint version of the bible, and generally in its Latin translations, this psalm is Psalm 41, although the Nova Vulgata translation follows the Hebrew numbering. The psalm is a hymn psalm. It is one of twelve psalms attributed to the sons of Korah. In Latin, its incipit in the Psalterium Gallicanum (the version in the Roman Breviary until the optional introduction of the '' Versio Piana'' in 1945) is ''Quemadmodum desiderat cervus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leeman L
{{disambiguation, geo, surname ...
Leeman may refer to: People * Gary Leeman (born 1964), ice hockey player *George Leeman (1809–1882), MP for York, England and chairman of the North Eastern Railway * Kimberly Leemans, model * Paul Leeman (born 1978), Northern Irish footballer *Leeman Bennett (born 1938), American football coach Places * Leeman, Wisconsin, United States *Leeman, Western Australia Sports *Lee Man FC, a Hong Kong professional football club See also * Leaman (other) * Leemans * Lehman (other) * Lehmann (other) *Leman (other) Leman may refer to: People * Leman (surname) * Leman baronets, County of Hertford, England * Leman Altınçekiç (1932–2001), first female jet pilot in Turkey * Leman Bozacıoğlu (fl. 2006–2016), Turkish female football referee Places * L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; November 29, 1899 – September 7, 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on November 29, 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Rena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabrice Fitch
Fabrice is a French masculine given name from the Roman name ''Fabricius'', which is itself derived from the Latin ''faber'' meaning blacksmith or craftsman. Notable people with the name include: * Fabrice Balanche (born 1969), French geographer * Fabrice Bellard, French computer programmer who founded FFmpeg * Fabrice Bethuel (born 1963), French mathematician * Fabrice Bollon (born 1965), French conductor and composer * Fabrice Brun (born 1968), French politician * Fabrice Burgaud (born 1971), French magistrate * Fabrice Caietain (fl. 1570-1578), Italian singer, songwriter and song publisher * Fabrice Calmels (born 1980), French ballet dancer and model * Fabrice Carré (1855–1921), French playwright, and librettist * Fabrice Colin (born 1972), French writer * Fabrice Desvignes (born 1973), French chef * Fabrice Du Welz (born 1972), Belgian film director * Fabrice Fries (born 1960), French businessman * Fabrice Hadjadj (born 1971), French writer and philosopher * Fabrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Crétin
Guillaume Cretin (c. 1460 – 30 November 1525) was a French coterie poet who is considered to belong to the network of the Grands Rhétoriqueurs ("rhetoricians"). He is sometimes mistakenly referred to as Guillaume Dubois, but this is a wordplay found in an epistle addressed to Jean Martin. Cretin wrote in a wide variety of literary genres, including fixed-form lyrics (''chants royaux'', ''ballades'', and ''rondeaux'') as well as narrative verse. Cretin's poetic oeuvre was edited by Kathleen Chesney in 1932. Life Cretin was treasurer of the Sainte-Chapelle de Vincennes, then cantor of the Sainte-Chapelle, Sainte-Chapelle de Paris and ordinary almoner to Francis I of France. Throughout his life, he composed numerous works for circulation at the royal court. Works Cretin's works include many ''chants royaux'' which were composed for the ''puys'', Northern French poetry competitions in honour of the Virgin Mary. These were praised by his contemporaries and often won awards. He wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four-voice Texture
Four-part harmony is music written for four voices, or for some other musical medium—four musical instruments or a single keyboard instrument, for example—for which the various musical parts can give a different note for each chord of the music. The four main voices are typically labelled as soprano (or treble and countertenor), alto (contralto, countertenor or mezzo), tenor, and bass. Because the human voice has a limited range, different voice types are usually not able to sing pitches that lie outside of their specific range. The effort required to perform four-part harmony varies greatly. Pieces written in such a style can be usually executed by a single keyboard player, a group of 4 instruments (or singers), or even a large choir with multiple singers per part. In European classical music In the baroque era, a set of rules developed for voice leading in four-part harmony. In these rules, the bass voice would be assigned the root of the chord, although it can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fauxbourdon
Fauxbourdon (also fauxbordon, and also commonly two words: faux bourdon or faulx bourdon, and in Italian falso bordone) – Music of France, French for ''false drone'' – is a technique of musical harmony, harmonisation used in the late Medieval music, Middle Ages and early Renaissance music, Renaissance, particularly by composers of the Burgundian School. Guillaume Du Fay was a prominent practitioner of the form (as was John Dunstaple), and may have been its inventor. The homophony and mostly parallel harmony allows the text of the mostly liturgical lyrics to be understood clearly. Description In its simplest form, fauxbourdon consists of the cantus firmus and two other part (music), parts a Interval (music), sixth and a perfect fourth below. To prevent monotony, or create a Cadence (music), cadence, the lowest voice sometimes jumps down to the octave, and any of the accompanying voices may have minor embellishments. Usually just a small part of a composition employs the faux ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superius
In early music polyphony, ''superius'' or cantus is the Latin language-derived name given to the highest voice or part.Arnold D. (ed), ''New Oxford Companion to Music'', Oxford, (1983) See also * Voice type A voice type is a classification of the human singing voice into perceivable categories or groups. Particular human singing human voice, voices are identified as having certain qualities or characteristics of vocal range, vocal weight, tessitura ... * Quintus (vocal music) References External links * {{Music-theory-stub Vocal music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treble (sound)
Treble describes tones of high frequency or high pitch, ranging from 6 kHz to 20kHz, comprising the higher end of the human hearing range. In music, this corresponds to ''high notes''. The treble clef is often used to notate such notes. Treble sound is the counterpart to bass sound. Examples of treble sounds include soprano voices, flute tones, and piccolos. The term ''treble'' derives from the Latin ''triplum'', used in 13th century motets to indicate the third and highest range. The treble control is used in sound reproduction to change the volume of treble notes relative to those of the middle and bass frequency ranges. See also * Boy sopranos *C (musical note) * Treble booster * Treble voice *Tweeter A tweeter or treble speaker is a special type of loudspeaker (usually dome, inverse dome or horn-type) that is designed to produce high audio frequencies, typically from 2,000 to 20,000 Hertz, Hz. The name is derived from the high pitched sound ... References P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
