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Pudovkin
Vsevolod Illarionovich Pudovkin ( rus, Всеволод Илларионович Пудовкин, p=ˈfsʲevələt ɪlərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn; 16 February 1893 – 30 June 1953) was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948. Biography Vsevolod Pudovkin was born in Penza into a Russian family, the third of six children. His father Illarion Epifanovich Pudovkin came from peasants of the Penza Governorate, the village of Shuksha and worked in several companies as a manager and a door-to-door salesman. Vsevolod's mother Elizaveta Alexandrovna Pudovkina (née Shilkina) was a housewife. A student ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soviet Montage Theory
Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (''montage'' is French for "assembly" or "editing"). It is the principal contribution of Soviet film theorists to global cinema, and brought formalism to bear on filmmaking. Although Soviet filmmakers in the 1920s disagreed about how exactly to view montage, Sergei Eisenstein marked a note of accord in "A Dialectic Approach to Film Form" when he noted that montage is "the nerve of cinema", and that "to determine the nature of montage is to solve the specific problem of cinema". Its influence is far reaching commercially, academically, and politically. Alfred Hitchcock cites editing (and montage indirectly) as the lynchpin of worthwhile filmmaking. In fact, montage is demonstrated in the majority of narrative fiction films available today. Post-Soviet film theories relied extensively on montage's redirection of film analysis toward language, a literal grammar of film. A se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mother (1926 Film)
''Mother'' (russian: Мать, links=no, ''Mat'') is a 1926 Soviet drama film directed by Vsevolod Pudovkin. It depicts the radicalization of a mother, during the Russian Revolution of 1905, after her husband is killed and her son is imprisoned. Based on the 1906 novel '' The Mother'' by Maxim Gorky, it is the first installment in Pudovkin's "revolutionary trilogy", alongside ''The End of St. Petersburg'' (1927) and '' Storm Over Asia'' (aka ''The Heir to Genghis Khan'') (1928). The film was banned in the United Kingdom in 1930 after the Masses Stage and Film Guild applied for permission to screen it in London. The film was voted number 8 on the prestigious Brussels 12 list at the 1958 World Expo. In 1968, ''Mother'' underwent a restoration at Mosfilm, adding a soundtrack by Tikhon Khrennikov. Plot summary Russia, 1905. Vlasov is a pipefitter at a factory, an alcoholic, and an abusive husband and father. His long-suffering wife, Pelageya, is protected by their adult son, Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chess Fever
''Chess Fever'' (russian: Шахматная горячка, Shakhmatnaya goryachka) is a 1925 Soviet silent comedy film directed by Vsevolod Pudovkin and Nikolai Shpikovsky. ''Chess Fever'' is a comedy about the Moscow 1925 chess tournament, made by Pudovkin during the pause in the filming of '' Mechanics of the Brain''. The film combines acted parts with actual footage from the tournament. Plot In Moscow during the international chess tournament of 1925, the hero ( Vladimir Fogel) and heroine ( Anna Zemtsova) of the story are engaged to be married. Caught up in a society-wide chess fever, the hero forgets about his marital obligations and must beg for her forgiveness. As he kneels before his dismayed fiancée on a checkered cloth, the hero becomes distracted and starts to play chess. Enraged, the heroine throws his chess themed belongings out of the window and forces him to leave. Now separated, the heroine finds herself at a pharmacy, intending to obtain poison to kill herse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Zemtsova
Anna Nikolaevna Zemtsova (Russian: ''Анна Николаевна Земцова'' (1893–1966), also known as Anna Li (''Анна Ли),'' Anna Pudovkina or Anna Zemcova, was a Soviet silent film actress and film theorist. She was married to Vsevolod Pudovkin. Career Anna Zemtsova started her career as an actress in the film of Khanzhonkov Studio ''Boulevard Slush'' (1918), directed by Boris Chaikovskii. She used the pseudonym ''Anna Li''. Remains unknown why Anna Zemtsova used the pseudonym ''Anna Li''. Film historians speculate that she took the name from one of the songs of Alexander Vertinsky that inspired the screenplay of ''Boulevard Slush''. Zemtsova published three articles in the film newspaper ''Kino,'' focused on film theory that signed as ''Anna Li''. She polemized with Lev Kuleshov about movement in films. From 1922 to 1924, Zemtsova supported Vsevolod Pudovkin, which family was succumbing to tuberculosis. Pudovkin assured that she encouraged him for pursuing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Simple Case
''A Simple Case'' (russian: Простой случай; ') is a 1932 Soviet film directed by Vsevolod Pudovkin and Mikhail Doller. Pudovkin was publicly charged with formalism for this experimental sound film and was forced to release without its sound track. Cast * Aleksandr Baturin - Langovoy * Yevgeniya Rogulina - Mashenka * Aleksandr Chistyakov - Uncle Sasha * V. Kuzmich - Zheltikov * Mariya Belousova * Anatoli Gorchilin - worker * A. Chekulayeva * Ivan Novoseltsev - Vasya * Afanasi Belov - Grisha * Vladimir Uralsky Vladimir Mikhailovich Uralsky (russian: link=no, Владимир Миха́йлович Уральский) was a Soviet actor. Vladimir played in more than 100 films. Selected filmography * 1924 — ''Aelita'' * 1925 — ''Strike'' * 1925 � ... - Wounded soldier References External links * 1932 films Gorky Film Studio films Soviet black-and-white films Films directed by Vsevolod Pudovkin Films directed by Mikhail Doller Soviet romance film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Eisenstein
Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. He is noted in particular for his silent films '' Strike'' (1925), ''Battleship Potemkin'' (1925) and ''October'' (1928), as well as the historical epics '' Alexander Nevsky'' (1938) and '' Ivan the Terrible'' (1944, 1958). In its 2012 decennial poll, the magazine '' Sight & Sound'' named his ''Battleship Potemkin'' the 11th greatest film of all time. Early life Sergei Eisenstein was born on 22 January 1898 in Riga, Latvia (then part of the Russian Empire in the Governorate of Livonia), to a middle-class family. His family moved frequently in his early years, as Eisenstein continued to do throughout his life. His father, the architect Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lev Kuleshov
Lev Vladimirovich Kuleshov (russian: Лев Владимирович Кулешов; – 29 March 1970) was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. He was given the title People's Artist of the RSFSR in 1969. He was intimately involved in development of the style of film making known as Soviet montage, especially its psychological underpinning, including the use of editing and the cut to emotionally influence the audience, a principle known as the Kuleshov effect. He also developed the theory of creative geography, which is the use of the action around a cut to connect otherwise disparate settings into a cohesive narrative. Life and career Lev Kuleshov was born in 1899 into an intellectual Russian family.Lev Kuleshov, Aleksandra Khokhlova, ''50 Years in Films''. Moscow: Iskusstvo, 1975, 303 pp. (Autobiography) His father Vladimir Sergeevich Kuleshov was of noble heritage; he studi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fighting occurring throughout Europe, the Middle East, Africa, the Pacific, and parts of Asia. An estimated 9 million soldiers were killed in combat, plus another 23 million wounded, while 5 million civilians died as a result of military action, hunger, and disease. Millions more died in genocides within the Ottoman Empire and in the 1918 influenza pandemic, which was exacerbated by the movement of combatants during the war. Prior to 1914, the European great powers were divided between the Triple Entente (comprising France, Russia, and Britain) and the Triple Alliance (containing Germany, Austria-Hungary, and Italy). Tensions in the Balkans came to a head on 28 June 1914, following the assassination of Archduke Franz Ferdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifest Of Sound
Manifest may refer to: Computing * Manifest file, a metadata file that enumerates files in a program or package * Manifest (CLI), a metadata text file for CLI assemblies Events * Manifest (convention), a defunct anime festival in Melbourne, Australia * Manifest (urban arts festival), put on by Columbia College Chicago, in Illinois, US Film and television * '' Manifest: The Chryzinium Era'', a 2017 American short film * ''Manifest'' (TV series), a 2018 American drama series * "Manifest" (''Luke Cage''), a television episode Music Albums * ''Manifest'' (Amaranthe album), 2020 * ''Manifest'' (Impaled Nazarene album), 2007 * ''Manifest'' (Linda Sundblad album), 2010 * ''Manifest!'', by Friends, 2012 * ''Manifest'', by Chessie, 2008 Songs * "Manifest", by Andrew Bird from ''My Finest Work Yet'' * "Manifest", by the Fugees from '' The Score'' * "Manifest", by Gang Starr from '' No More Mr. Nice Guy'' * "Manifest", by Sepultura from ''Chaos A.D.'' * "Manifest", by Starset from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grigori Aleksandrov
Grigori Vasilyevich Aleksandrov or Alexandrov (russian: Григо́рий Васи́льевич Алекса́ндров; original family name was Мормоненко or Mormonenko; 23 January 1903 – 16 December 1983) was a prominent Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labour in 1973. He was awarded the Stalin Prizes for 1941 and 1950. Initially associated with Sergei Eisenstein, with whom he worked as a co-director, screenwriter and actor, Aleksandrov became a major director in his own right in the 1930s, when he directed '' Jolly Fellows'' and a string of other musical comedies starring his wife Lyubov Orlova. Though Aleksandrov remained active until his death, his musicals, amongst the first made in the Soviet Union, remain his most popular films. They rival Ivan Pyryev's films as the most effective and light-hearted showcase ever designed for the Stalin-era USSR. Early life and collaboration with Eisenstein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
