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Protogeometric
The Protogeometric style (or "Proto-Geometric") is a style of Ancient Greek pottery led by Athens produced between roughly 1030 and 900 BCE, in the first period of the Greek Dark Ages. After the collapse of the Mycenaean-Minoan Palace culture and the ensuing Greek Dark Ages, the Protogeometric style emerged around the mid 11th century BCE as the first expression of a reviving civilization. Following on from the development of a faster potter's wheel, vases of this period are markedly more technically accomplished than earlier Dark Age examples. The decoration of these pots is restricted to purely abstract elements and very often includes broad horizontal bands about the neck and belly and concentric circles applied with compass and multiple brush. Many other simple motifs can be found, but unlike many pieces in the following Geometric style, typically much of the surface is left plain. Like many pieces, the example illustrated includes a colour change in the main band, arisi ...
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Protogeometric Amphora BM A1124
The Protogeometric style (or "Proto-Geometric") is a style of Ancient Greek pottery led by Athens produced between roughly 1030 and 900 BCE, in the first period of the Greek Dark Ages. After the collapse of the Mycenaean- Minoan Palace culture and the ensuing Greek Dark Ages, the Protogeometric style emerged around the mid 11th century BCE as the first expression of a reviving civilization. Following on from the development of a faster potter's wheel, vases of this period are markedly more technically accomplished than earlier Dark Age examples. The decoration of these pots is restricted to purely abstract elements and very often includes broad horizontal bands about the neck and belly and concentric circles applied with compass and multiple brush. Many other simple motifs can be found, but unlike many pieces in the following Geometric style, typically much of the surface is left plain. Like many pieces, the example illustrated includes a colour change in the main band, arisi ...
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Geometric Art
Geometric art is a phase of Greek art, characterized largely by geometric motifs in vase painting, that flourished towards the end of the Greek Dark Ages, . Its center was in Athens, and from there the style spread among the trading cities of the Aegean. The Greek Dark Ages lasted from and include two periods, the Protogeometric period and the Geometric period (or Geometric art), in reference to the characteristic pottery style. The vases had various uses or purposes within Greek society, including, but not limited to, funerary vases and symposium vases. Funerary context Funerary vases not only depicted funerary scenes, but they also had practical purposes, either holding the ashes or being used as grave markers. Relatives of the deceased conducted burial rituals that included three parts: the ''prothesis'' ''(''laying out of the body), the ''ekphora'' (funeral procession), and the interment of the body or cremated remains of the body. To the Greeks, an omission of a proper b ...
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Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multi ...
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Greek Dark Ages
The term Greek Dark Ages refers to the period of History of Greece, Greek history from the end of the Mycenaean civilization, Mycenaean palatial civilization, around 1100 BC, to the beginning of the Archaic Greece, Archaic age, around 750 BC. Archaeological evidence shows a widespread Late Bronze Age collapse, collapse of Bronze Age civilization in the Eastern Mediterranean world at the outset of the period, as the great palaces and cities of the Mycenaeans were destroyed or abandoned. At about the same time, the Hittites, Hittite civilization suffered serious disruption, as cities from Troy to Gaza City, Gaza were destroyed. In Egypt, the New Kingdom of Egypt, New Kingdom fell into disarray, which led to the Third Intermediate Period of Egypt. Following the collapse, fewer, smaller settlements suggest extensive famine and depopulation. In Greece, the Linear B script used by Mycenaean bureaucrats to write the Greek language ceased, with the Greek alphabet not developing unti ...
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Mycenaean Pottery
Mycenaean pottery is the pottery tradition associated with the Mycenaean period in Ancient Greece. It encompassed a variety of styles and forms including the stirrup jar. The term "Mycenaean" comes from the site Mycenae, and was first applied by Heinrich Schliemann. Archaeology and Mycenaean pottery Definitions The archaeological code The term "Mycenaean" has been imposed upon a matrix of abbreviational archaeological names, which amount to an archaeological code. This code had been standardized by various archaeological conventions. An archaeological name is the name given to a layer (or layers) at a site that is being professionally excavated. Archaeology depends on the fact that layers of types of soil and content accumulate over time, which undisturbed, can yield information about the various times. Typically an archaeological name identifies the site and the relative position of the layer. Predetermined knowledge of the layer provides information about the time and other ...
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Mycenaean Greece
Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age in Ancient Greece, spanning the period from approximately 1750 to 1050 BC.. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system.Lazaridis, Iosif et al.Genetic origins of the Minoans and Mycenaeans. ''Nature'', 2017Supplementary Information "The Mycenaeans", pp. 2–3).. The Mycenaeans were mainland Greek peoples who were likely stimulated by their contact with insular Minoan Crete and other Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The most prominent site was Mycenae, after which the culture of this era is named. Other centers of power that emerged included Pylos, Tiryns, Midea in the Peloponnese, Orchomenos, Thebes, Athens in Central Greece and Iolcos in Thessaly. Mycenaean settlements also appeared in Epirus, Macedonia ...
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Ancient Greek Vase-painting Styles
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood a ...
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10th-century BC Works
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ...
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11th-century BC Works
The 11th century is the period from 1001 ( MI) through 1100 ( MC) in accordance with the Julian calendar, and the 1st century of the 2nd millennium. In the history of Europe, this period is considered the early part of the High Middle Ages. There was, after a brief ascendancy, a sudden decline of Byzantine power and a rise of Norman domination over much of Europe, along with the prominent role in Europe of notably influential popes. Christendom experienced a formal schism in this century which had been developing over previous centuries between the Latin West and Byzantine East, causing a split in its two largest denominations to this day: Roman Catholicism and Eastern Orthodoxy. In Song dynasty China and the classical Islamic world, this century marked the high point for both classical Chinese civilization, science and technology, and classical Islamic science, philosophy, technology and literature. Rival political factions at the Song dynasty court created strife amongst t ...
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10th Century BC In Greece
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally ...
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11th Century BC In Greece
11 (eleven) is the natural number following 10 and preceding 12. It is the first repdigit. In English, it is the smallest positive integer whose name has three syllables. Name "Eleven" derives from the Old English ', which is first attested in Bede's late 9th-century ''Ecclesiastical History of the English People''. It has cognates in every Germanic language (for example, German ), whose Proto-Germanic ancestor has been reconstructed as , from the prefix (adjectival "one") and suffix , of uncertain meaning. It is sometimes compared with the Lithuanian ', though ' is used as the suffix for all numbers from 11 to 19 (analogously to "-teen"). The Old English form has closer cognates in Old Frisian, Saxon, and Norse, whose ancestor has been reconstructed as . This was formerly thought to be derived from Proto-Germanic (" ten"); it is now sometimes connected with or ("left; remaining"), with the implicit meaning that "one is left" after counting to ten.''Oxford English Dicti ...
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American Journal Of Archaeology
The ''American Journal of Archaeology'' (AJA), the peer-reviewed journal of the Archaeological Institute of America, has been published since 1897 (continuing the ''American Journal of Archaeology and of the History of the Fine Arts'' founded by the institute in 1885). The publication was co-founded in 1885 by Princeton University professors Arthur Frothingham and Allan Marquand. Frothingham became the first editor, serving until 1896. The journal primarily features articles about the art and archaeology of Europe and the Mediterranean world, including the Near East and Egypt, from prehistoric to Late Antique times. It also publishes book reviews, museum exhibition reviews, and necrologies. It is published in January, April, July, and October each year in print and electronic editions. The journal's current editor-in-chief is Jane B. Carter. The journal's first woman editor-in-chief was Mary Hamilton Swindler. From 1940 to 1950 the journal published articles by Michael Ven ...
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