Pollard Syndrum
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Pollard Syndrum
The Pollard Syndrum is the first commercially available electronic drum, invented by Joe Pollard and Mark Barton in 1976. There were 3 major types: The Syndrum 1, the Syndrum TwinDrum, and the Syndrum Quad, the last being the most famous. At the time of its conception, Pollard was a session drummer working for the Beach Boys and the Grass Roots. In 1976, he met Barton, who had designed and built some working prototypes which were previewed to some prominent drummers. Their reactions were encouraging, so Joe, Mark and Donald Stone incorporated Pollard Industries and starting selling Syndrums in Culver City, California. There were two models sold at the time, the single drum 177 and the four drum 477. Syndrums were a musical success with a surplus of endorsees, but a financial failure for the young company. Legacy Although the Syndrum was capable of many different sounds, the one favored by most recording artists was a sine wave that pitch-bends down; it can be heard at the beginni ...
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Electronic Drum
Electronic drums is a modern electronic musical instrument, primarily designed to serve as an alternative to an acoustic drum kit. Electronic drums consist of an electronic sound module which produces the synthesized or sampled percussion sounds and a set of 'pads', usually constructed in a shape to resemble drums and cymbals, which are equipped with electronic sensors (or triggers) to send an electronic signal to the sound module which outputs a sound to the player. Like regular drums, the pads are struck by drum sticks and they are played in a similar manner to an acoustic drum kit, albeit some differences in the drumming experience. The electronic drum (pad/triggering device) is usually sold as part of an electronic drum kit, consisting of a set of drum pads mounted on a stand or rack in a configuration similar to that of an acoustic drum kit layout, with rubberized ( Roland, Yamaha, Alesis, for example) or specialized acoustic/electronic cymbals (e.g. Zildjian's "Gen 16 ...
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Session Musician
Session musicians, studio musicians, or backing musicians are musicians hired to perform in recording sessions or live performances. The term sideman is also used in the case of live performances, such as accompanying a recording artist on a tour. Session musicians are usually not permanent or official members of a musical ensemble or band. They work behind the scenes and rarely achieve individual fame in their own right as soloists or bandleaders. However, top session musicians are well known within the music industry, and some have become publicly recognized, such as the Wrecking Crew, the Muscle Shoals Rhythm Section and The Funk Brothers who worked with Motown Records. Many session musicians specialize in playing common rhythm section instruments such as guitar, piano, bass, or drums. Others are specialists, and play brass, woodwinds, and strings. Many session musicians play multiple instruments, which lets them play in a wider range of musical situations, g ...
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The Beach Boys
The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-themed lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical or jazz elements and unconventional recording techniques in innovative ways. The Beach Boys began as a garage band, managed by the Wilsons' father Murry, with Brian serving as composer, arranger, producer, and ''de facto'' leader. In 1963, they enjoyed their first national hit with "Surfin' U.S.A.", beginning a string of top-ten singles that reflected a southern California youth culture of surfing, cars, and romance, dubbed the " C ...
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The Grass Roots
The Grass Roots are an American rock band that charted frequently between 1965 and 1975. The band was originally the creation of Lou Adler and songwriting duo P. F. Sloan and Steve Barri. In their career, they achieved two gold albums, two gold singles and charted singles on the ''Billboard'' Hot 100 a total of 21 times. Among their charting singles, they achieved Top 10 three times, Top 20 six times and Top 40 fourteen times. They have sold over 20 million records worldwide. Until his death in 2011, early member Rob Grill and a newer lineup of the Grass Roots continued to play many live performances each year. By 2012, the group featured no original band members, with a lineup personally chosen by Grill carrying on the legacy of the group with nationwide live performances. The founding years The name "Grass Roots" (originally spelled as one word "Grassroots") originated in mid-1965 as the name of a band project by the Los Angeles songwriter and producer duo of P.F. Sloan a ...
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Good Times Roll
"Good Times Roll" is a song by American rock band the Cars released as the first track from their 1978 debut album ''The Cars''. Written by Ric Ocasek as a sarcastic comment on rock's idea of good times, the song features layered harmonies courtesy of producer Roy Thomas Baker. "Good Times Roll" was released as the third single from the album in 1979, charting at number 41 in the United States. It has since received positive critical reception and has appeared on many of the Cars' compilation albums. Background Written and sung by Cars lead vocalist and rhythm guitarist Ric Ocasek, "Good Times Roll" was released as the third single from the band's debut album. Ocasek wrote the song as a sarcastic commentary on the good times in rock music, saying, "That was my song about what the good times in rock 'n' roll really mean, instead of what they're supposed to be. It was kind of a parody of good times, really. It was kinda like not about good times at all." "Good Times Roll," like th ...
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The Cars
The Cars were an American rock band formed in Boston in 1976. Emerging from the new wave scene in the late 1970s, they consisted of Ric Ocasek ( rhythm guitar), Benjamin Orr (bass guitar), Elliot Easton (lead guitar), Greg Hawkes ( keyboards), and David Robinson ( drums). Ocasek and Orr shared lead vocals, and Ocasek was the band's principal songwriter and leader. The Cars were at the forefront of the merger of 1970s guitar-oriented rock with the new synthesizer-oriented pop that became popular in the early 1980s. Robert Palmer, music critic for ''The New York Times'' and ''Rolling Stone'', described the Cars' musical style: "They have taken some important but disparate contemporary trends—punk minimalism, the labyrinthine synthesizer and guitar textures of art rock, the '50s rockabilly revival and the melodious terseness of power pop—and mixed them into a personal and appealing blend."Palmer, Robert. "Pop: Cars Merge Styles" ''The New York Times'' August 9, 1978: C1 ...
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The Cars (album)
''The Cars'' is the debut studio album by American rock band the Cars, released on June 6, 1978, by Elektra Records. Produced by Roy Thomas Baker, the album spawned the singles "Just What I Needed", " My Best Friend's Girl", and " Good Times Roll". It peaked at number 18 on the US ''Billboard'' 200 and has been certified six-times platinum by the Recording Industry Association of America (RIAA). Background Formed in Boston in 1976, the Cars consisted of Ric Ocasek, Benjamin Orr, Elliot Easton, David Robinson, and Greg Hawkes, all of whom had been in and out of multiple bands throughout the 1970s. After becoming a club staple, the band recorded a number of demos in early 1977. Some of these songs later appeared in finished form on ''The Cars'', such as "Just What I Needed" and " My Best Friend's Girl", while others were saved for a later release, such as "Leave or Stay" and "Ta Ta Wayo Wayo" (both of which later saw release on their 1987 album ''Door to Door''). The demos ...
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Sparks (band)
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references-- and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. They have been much more successful in Europe than in their native U.S., though they maintain a loyal cult following in the States. Career highlights include "This Town Ain't Big Enough for Both of Us", which reached No. 2 on the UK Singles Chart in 1974; the disco hit "The Number One Song in Heaven" in 1979, resulting from a collaboration with Giorgio Moroder and marking a stylistic s ...
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The Number One Song In Heaven
"The Number One Song in Heaven" is a disco song by the American rock duo Sparks. Released as a single in 1979, the song was produced and co-written by electro-disco producer Giorgio Moroder. It became a top 20 hit in the UK, where it peaked at number 14. In addition to the standard black vinyl, both the 7" and 12" versions of the single were issued in a variety of coloured vinyl releases (red, blue, and green). Sparks rerecorded the song in 1997, one version of which featured vocals by Jimmy Somerville and orchestrations by Tony Visconti. This version peaked at number 70 in the UK, but was slightly more successful on the U.S. Billboard Dance Chart where it became a top 30 hit. Music videos The video for the 1997 version involves an angel singing with Satan trying to stop a ferris wheel, which pays homage to ''The Third Man''. Track listing 1979 release *7 inch Virgin VS 244 # "The Number One Song in Heaven" — 3:48 # "The Number One Song in Heaven" (Long Version) — 6:56 *1 ...
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Yellow Magic Orchestra
Yellow Magic Orchestra (YMO for short) is a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the " electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, arcade games, funk music, and the disco ...
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Synare
The Synare was a series of electronic drums made by Star Instruments in the mid-1970s through the 1980s. The Synare was a drum synthesizer, meaning that it was essentially a synthesizer, but instead of being controlled by a keyboard, it was triggered by hitting rubber pads which were pressure-sensitive or programmable. Star Instruments, based in Stafford, CT, was owned by Norman Millard. Dave Kusek served as chief engineer from 1975-1979. Models The Synare 1 (Synare Percussion Synthesizer , Synare PS , PS1) Four rubber rectangular pads connected to a main module with one oscillator producing pulse and sawtooth waveforms. It also had a white noise generator, Low Frequency Oscillator (LFO) with triangle and pulse waveforms, a mixer and a low-pass filter with Resonance and Cutoff controls. It also had an envelope generator with attack, decay, sustain, and release. Made from 1975 to 1981. The Synare 2 (PS2) This model was manufactured from 1976 to 1982 and was Star's flagship. It wa ...
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Electronic Musical Instruments
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductor * ''Electronics'' (magazine), a defunct American trade journal * Electronic storage, the storage of data using an electronic device * Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet * Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet * Electronic engineering, an electrical engineering discipline Entertainment * Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroa ..., a music genre * Electr ...
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